This book provides the first scholarly history of the viola d’amore, a popular bowed string instrument of the Baroque era, with a unique tone produced by a set of metal sympathetic strings. Composers like Bach made use of the viola d’amore for its particular sound, but the instrument subsequently fell out of fashion amid orchestral standardisation, only to see a revival as interest in early music and historical performance grew. Drawing on literary accounts, iconography, and surviving instruments, this study examines the origins and development of this eye-catching string instrument in the seventeenth and eighteenth centuries. It explores the rich variation of designs displayed in extant viola d’amore specimens, both as originally constructed and as a result of conversion and repair. The viola d’amore is then set into the wider context of Elizabethan England’s development of instruments with wire strings, and its legacy in the form of the baryton which emerged in the early seventeenth century, followed by a look at the viola d’amore’s own nomenclatorial and organological influence. The book closes with a discussion of the viola d’amore’s revival, and its use and manufacture today. Offering insights for organological research and historical performance practice, this study enhances our knowledge of both the viola d’amore and its wider family of instruments.
In this clear and accessible text, Rachael Chazan argues the case for the classical analytic group and demonstrates its potential benefits. She applies the model to couples and multiple family groups, and groups with psychotic and borderline personalities, using illustrations from her own extensive clinical experience.
On an average morning in Manhattan's Stuyvesant Town housing development, birds chirp as early risers dash off to work, elderly residents enjoy a peaceful morning stroll, and flocks of parents usher their children to school. It seems an unlikely location for conflict and strife, yet this eighteen-block area, initailly planned as middle-class affordable housing, is the site of an ongoing struggle between long-term, rent-regulated residents and newer, market-rate tenants. Priced Out takes readers into this heated battle as a transitioning neighborhood wrestles with contemporary capitalist strategies and the struggle to preserve renters' rights. Attempting to replace longtime residents with younger, more affluent tenants, Stuyvesant Town's owners have disrupted native residents' sense of place, community, and perceived quality of life. Through interviews with residents, the authors offer an intimate view into the lives of different groups of tenants involved in this struggle for prime real estate in New York, from students experiencing the city for the first time, to baby boomers hanging on to the vestiges of middle-class urban life, to older residents who have lived in Stuyvestant Town since it opened in 1947. A complelling account of changing urban landscapes and the struggle for security, Priced Out offers a comprehensive perspective of a community that, to some, is becoming unrecognizable as it is upgraded and altered"--Page [4] of cover.
Rachael Keogh was catapulted into the public consciousness when a shocking image of her needle-ravaged arms – skin burnt from injecting heroin into her wasted veins – made front pages around the country. Desperate for help, she made a public appeal to secure one of just 27 detox beds in Ireland so that she could reclaim her life from the drugs that had consumed it. What followed was an extraordinary story of grit and determination as she embarked on her recovery journey. Dying to Survive is Rachael's classic, bestselling addiction memoir, now with a new introduction reflecting on her struggles with relapse and what has changed about the drugs culture in Ireland. 'The best book by far about the drugs explosion in Dublin' Irish Independent 'This book should be on the school curriculum' Evening Echo 'This is an incredible story, told completely straight – no sensationalism, no self-pity and plenty of wicked humour thrown in. Gripping, extraordinary and so shocking you have to keep reminding yourself that this really happens – this is one all teenagers and parents should read.' Evening Echo 'Through sheer grit and determination, Rachael pulled herself out of the hell she was living in ... what an achievement. She is an inspiration.' Alison O'Reilly, Mail on Sunday
Maximizing reader insights into the use of thermography, specifically pulsed and pulse phase thermography (PT and PPT), for the identification of kissing defects in adhesive bonds, this thesis focuses on the application of PT and PPT for the identification of a range of defect types in a variety of materials to establish the effect of material properties on identification of defects. Featuring analysis of a numerical model developed to simulate the thermal evolution created during a PT or PPT experiment, after validation through a series of case studies, this model is then used as a predictive tool to relate defect detectability to the thermal property contrast between defect and bulk materials. Demonstrating a means of producing realistic kissing defects in bonded joints where insufficient thermal property contrast exists defects have a limited effect on heat propagation through a component and therefore are not detected using PT or PPT, this thesis discusses the addition of a small load to bonds containing kissing defects which was found to open the defects sufficiently to enable their detection. A low cost infrared detector, Flir Tau320, is compared to the research based photon detector, Flir SC5000, and is shown to be suitable for application in PT, thus enabling a significantly lower cost tool to be developed.
This book provides the first scholarly history of the viola d’amore, a popular bowed string instrument of the Baroque era, with a unique tone produced by a set of metal sympathetic strings. Composers like Bach made use of the viola d’amore for its particular sound, but the instrument subsequently fell out of fashion amid orchestral standardisation, only to see a revival as interest in early music and historical performance grew. Drawing on literary accounts, iconography, and surviving instruments, this study examines the origins and development of this eye-catching string instrument in the seventeenth and eighteenth centuries. It explores the rich variation of designs displayed in extant viola d’amore specimens, both as originally constructed and as a result of conversion and repair. The viola d’amore is then set into the wider context of Elizabethan England’s development of instruments with wire strings, and its legacy in the form of the baryton which emerged in the early seventeenth century, followed by a look at the viola d’amore’s own nomenclatorial and organological influence. The book closes with a discussion of the viola d’amore’s revival, and its use and manufacture today. Offering insights for organological research and historical performance practice, this study enhances our knowledge of both the viola d’amore and its wider family of instruments.
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