Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ... Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.
A stunning speculative novel about a small English village preparing of the end of the world. Edgar Hopkins is a retired math teacher with a strong sense of self-importance, whose greatest pride is winning poultry-breeding contests. When not meticulously caring for his Bantam, Edgar is an active member of the British Lunar Society. Thanks to that affiliation, Edgar becomes one of the first people to learn that the moon is on a collision course with the earth. Members of the society are sworn to secrecy, but eventually the moon begins to loom so large in the sky that the truth can no longer be denied. During these final days, Edgar writes what he calls “The Hopkins Manuscript”—a testimony juxtaposing the ordinary and extraordinary as the villagers dig trenches and play cricket before the end of days. First published in 1939, as the world was teetering on the brink of global war, R.C. Sherriff’s classic science fiction novel is a timely and powerful missive from the past that captures human nature in all its complexity.
The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.
These volumes, 7 and 8, of Fracture Mechanics of Ceramics constitute the proceedings of an international symposium on the fracture mechanics of ceramic materials held at Virginia Polytechnic Institute and State University, Blacksburg, Virginia on June 19, 20 and 21, 1985. These proceedings constitute the fourth pair of volumes of a continuing series of conferences. The theme of this conference, as the previous three, focused on the mechanical behavior of ceramic materials in terms of the characteristics of cracks, particularly the roles which they assume in the fracture process. The 78 contributed papers by over 100 authors and co-authors represent the current state of the field. They address many of the theoretical and practical problems of interest to those concerned with brittle fracture. The program chairmen gratefully acknowledge the financial assistance for the Symposium provided by the EXXON Foundation, the Army Research Office, the National Science Foundation, and the Office of Naval Research. Without their support, this conference simply would not have been possible. The suggestions of Drs. J. C. Hurt, R. C. Pohanka, and L. Toth were particularly helpful in assuring the" success of this symposium. Special appreciation is extended to Professor J. I. Robertson, C. P. Miles Professor of History, whose presentation following the banquet on the American Civil War was very well received by the audience. Finally, we wish to also thank our joint secretaries, especially Karen Snider, for their patience and help in finally bringing these proceedings to press.
The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.
“There have been strange rumours about this house. Although it was in a state of ruin, lights were seen in the windows every Christmas Eve: music was heard: voices and laughter...” The first production in sixty years of R. C. Sherriff's supernatural drama. Christmas Eve, 1951. As Britain rebuilds itself after the war, John Greenwood has it all – a successful business, a beautiful house and an aristocratic wife. But as he bids farewell to the guests leaving his annual Christmas party, a gust of wind slams the front door shut, starting a chain of events that makes him doubt everything he has ever known... From the writer of one of the 20th century's most acclaimed plays, Journey’s End, The White Carnation is a ghostly tale of one man’s chance to do things differently.
The trouble began when Lord Colindale, millionaire newspaper-owner and ‘strong man’ of British politics, came down for a week-end to Colonel Joyce’s country house. For a year Colindale had been forced out of public life by crippling rheumatism which neither the specialists nor the watering-places of Europe had been able to alleviate. By chance they had visited the Wells of St Mary’s , once famed for their cures, now derelict on Joyce’s land. At Henry Hodder’s insistence Lord Colindale had drunk the flat, metallic water. When it was announced in the newspapers that Colindale had been cured by the waters and Colonel Joyce had given the well to the town, there was no limit to the exploitation which the people, under Jim Blundell the mayor, could envisage. But Henry, who had come to regard the well as his own, knew the secret of its healing power. All set to put money in his purse, he waited until the Casino was half-built before demanding his share of the profits – as the price of silence.
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