It is 1933 and young doctor, Josef Zeippchmann, begins his placement in a small provincial hospital in Germany. He is hopeful that his experimental research in tuberculosis will bring a breakthrough cure for the disease, but his enthusiasm and innovative but risky methods are met with scepticism and he is not easily accepted into the local community. Despite the fact that his treatment proves successful with Minna Wersen – a poor local girl, whom Joseph treats at his own expense – the doctors are not convinced. As the nationalistic and anti-Semitic atmosphere begins to thicken, life becomes increasingly difficult for Joseph and he is eventually accused of corruption and revolutionary violence and arrested. Only Minna believes in his innocence and she fights to rescue Joseph despite all the obstacles she encounters. The Fire and the Wood tells a complicated tale of passion and love set against the political and economical tensions of mid-thirties Europe. It was first published in 1940.
Eugen Reichenbach, a 35 year old doctor, born and brought up in Austria, fled with his family to America before WWII erupted. Although he has a comfortable life and a successful career at the Yale School of Medicine, his double identity makes him restless and uneasy. His European roots, which he tries to forget and bury, make him feel forlorn. After the death of his mother he travels to Triest with the World Universities Relief Organization; there he lands a bureaucratic and unproductive job as an adviser for Health and Nutritional Co-ordination. But in a city torn between Italy and Tito's republic, far from being peaceful or content with the war settlement, the idleness of his new existence strikes him as unsatisfying and inadequate. An unexpected meeting with his childhood friend, Kurt Wenzel, who re-awakens Eugen's youthful idealism, leads to a series of events which will change his tranquil existence. March the Ninth, first published in 1957, explores the problems of identity, loyalty and guilt that arise in a post-war reality, where integrity and morals are difficult to define.
A note prefacing this complex novel intimates that R.C. Hutchinson's interest was aroused originally by an article in a Dutch journal. The story of Johanna von Leezen was truly puzzling: was she a criminal hiding a corrupt past under the pretence of amnesia, or were her anxieties and hallucinations caused by the shock of her experiences of war? Hutchinson was constrained to begin a search for 'Johanna'; and by degrees he learnt her strange and moving story. Johanna at Daybreak is a fictional exploration of the events which lead to the discovery of a middle aged woman in a Dutch refugee home, who could not recollect any account of her past, yet trembled at the thought of going to Germany. Her stupefying fear of arrest and trial for a capital offence inspired the authorities and doctors to get down to the root of her mystery. Little by little the truth comes out, half grey reality, half nightmare. Johanna at Daybreak, first published in 1969, is an at times dark, at times touching exploration of self-identity in the traumatic post-war reality.
Stepan, a Russian aristocrat by birth and a lorry driver by trade, has long believed his only child to be dead. When he discovers that his 15-year-old daughter is still alive in a Swiss hospital he is determined to take her home. Her physical and mental deformities may prevent her from any but the most basic responses but to him she is more than a child possessed -- she is a gift from God, and from Helene, his beautiful actress wife from whom he has long been separated. A Child Possessed is a love story, but one that is based on a different kind of love from that usually explored in fiction. Set against two different backdrops, the bustle of crowded Marseilles and the peace of sun-steeped Provence, the contrast emphasizes the humor and sadness, the light and the dark which brings the novel to its moving and perhaps inevitable denouement.
This is a study of the histories of the English Civil War or some aspects of it written in England or by Englishmen and Englishwomen or publish ed in England up to 1702, the year of the publication of the first volume of Clarendon's History of the Rebellion. By the terms of this definition, Clarendon is himself, of course, one of the historians studied. Clarendon's History is so formidable an achievement that all historians writing about the war before its publication have an air of prematureness. Nevertheless, as I hope the following pages will show, they produced a body of writing which may still be read with interest and profit and which anticipated many of the ideas and attitudes of Clarendon's History. I will even go so far as to say that many readers who have only a limited interest or no in terest in the Civil War are likely to find many of these historians interest ing, should their works come to their attention, for their treatment of the problems of man in society, for their psychological acuteness, and for their style. But while I intend to show their merits, my main concern will be to show how the Civil War appeared to historians, including Clarendon, who wrote within one or two generations after it, that is to say, at a time when it remained part of the experience of people still alive. A word is necessary on terminology.
This is a study of the histories of the English Civil War or some aspects of it written in England or by Englishmen and Englishwomen or publish ed in England up to 1702, the year of the publication of the first volume of Clarendon's History of the Rebellion. By the terms of this definition, Clarendon is himself, of course, one of the historians studied. Clarendon's History is so formidable an achievement that all historians writing about the war before its publication have an air of prematureness. Nevertheless, as I hope the following pages will show, they produced a body of writing which may still be read with interest and profit and which anticipated many of the ideas and attitudes of Clarendon's History. I will even go so far as to say that many readers who have only a limited interest or no in terest in the Civil War are likely to find many of these historians interest ing, should their works come to their attention, for their treatment of the problems of man in society, for their psychological acuteness, and for their style. But while I intend to show their merits, my main concern will be to show how the Civil War appeared to historians, including Clarendon, who wrote within one or two generations after it, that is to say, at a time when it remained part of the experience of people still alive. A word is necessary on terminology.
In the fall of 1942, the first year of the war was ending. For young men in Bloomville (Ohio) Township High Schools senior class, school was the last opportunity to be free before graduation, adult responsibility, and manhood. For them and many other young men across the nation, war was about to become a reality, including J. Emerson Krieger. Life was about to turn in a new, dramatic, and uncharted direction. No Mans Sky, by author R.C. Cline, narrates the story of Krieger, a combat flier in World War II. An aerial gunner, he protected his crew and plane with a Browning M-2 machine gun while flying twenty-nine perilous missions over the embattled skies of Germany. Through diaries, letters, photos, and personal records, this memoir chronicles Kriegers service as a waist gunner, the youngest man in his crew. Offering insight into the challenges of war and combat during World War II, No Mans Sky shares the story of Staff Sergeant Krieger and what life was like six miles in the sky in a B-17 bomber. It pays tribute to all of the men and women who have served our country.
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