An intelligent machine built to study methods of social warfare struggles to understand and communicate the lived experience of race In a narrative full of social significance and poetically decorated with monks, vampires, and mythical statistics, Race in the Machine presents a world where the stories we use to explain race all simultaneously exist, within and around us, dictating our interactions and innermost beliefs. The nameless protagonist, an enigmatic social mechanic at Nearbay Institute, living in a population of socially connected intelligent machines, encounters a simple query in the context of an introductory lecture: "What exactly is race? And what is it in the context of the social machine?" This prompt guides the protagonist along a twisting intellectual tale surrounding a series of experiments which explore: How many racists does it take to create systems of inequality? What role do non-racists actors play in upholding them? How is bias learned? How does it spread? The narrator develops a distinct understanding of race through the figurative bending of time, dreams of a "race code" and by confronting a series of mysterious communications that remain just outside comprehension. Over the course of this journey, the answers to important questions about racial inequality quietly emerge for the protagonist. Scholarly encounters with both antagonistic colleagues and unexpected allies, culminate when the hero is forced to reach a devastating conclusion about themself and the world. Stirring and luminous, Race in the Machine deftly oscillates between the allegorically simplified and the impossibly complex to weave an utterly unique and nuanced portrait of race in the modern world.
An intelligent machine built to study methods of social warfare struggles to understand and communicate the lived experience of race In a narrative full of social significance and poetically decorated with monks, vampires, and mythical statistics, Race in the Machine presents a world where the stories we use to explain race all simultaneously exist, within and around us, dictating our interactions and innermost beliefs. The nameless protagonist, an enigmatic social mechanic at Nearbay Institute, living in a population of socially connected intelligent machines, encounters a simple query in the context of an introductory lecture: "What exactly is race? And what is it in the context of the social machine?" This prompt guides the protagonist along a twisting intellectual tale surrounding a series of experiments which explore: How many racists does it take to create systems of inequality? What role do non-racists actors play in upholding them? How is bias learned? How does it spread? The narrator develops a distinct understanding of race through the figurative bending of time, dreams of a "race code" and by confronting a series of mysterious communications that remain just outside comprehension. Over the course of this journey, the answers to important questions about racial inequality quietly emerge for the protagonist. Scholarly encounters with both antagonistic colleagues and unexpected allies, culminate when the hero is forced to reach a devastating conclusion about themself and the world. Stirring and luminous, Race in the Machine deftly oscillates between the allegorically simplified and the impossibly complex to weave an utterly unique and nuanced portrait of race in the modern world.
Hello, there, Red Rover! Come alongside! "What's the row, fellows? This dandy breeze is too good to be wasted loafing." "Frank's coming in the Jupiter, and coming like a streak!" "Yes, and more than that, Bluff, he waves his hat as though h
Great news, Jerry! The storm last night damaged the roof of the academy so that it has been condemned as unsafe. And the Head has decided that there can be no school held for two weeks. "So Watkins was just telling me. He says most of the outside stu
A landmark new selected edition of an American masterpiece: the incomparable self-portrait of a man and his times from the Revolution to the coming of the Civil War The diary of John Quincy Adams is one of the most extraordinary works in American literature. Begun in 1779 at the age of twelve and kept more or less faithfully until his death almost 70 years later, and totaling some fifteen thousand closely-written manuscript pages, it is both an unrivaled record of historical events and personalities from the nation's founding to the antebellum era and a masterpiece of American self-portraiture, tracing the spiritual, literary, and scientific interests of an exceptionally lively mind. Now, for the 250th anniversary of Adams's birth, Library of America and historian David Waldstreicher present a two-volume reader's edition of diary selections based for the first time on the original manuscripts, restoring personal and revealing passages suppressed in earlier editions. Volume 2 opens with Adams serving as Secretary of State, amid political maneuverings within and outside James Monroe's cabinet to become his successor, a process that culminates in Adams's election to the presidency by the House of Representatives after the deadlocked four-way contest of 1824. Even as Adams takes the oath of office, rivals Henry Clay, his Secretary of State, John C. Calhoun, his vice president, and an embittered Andrew Jackson, eye the election of 1828. The diary records in candid detail his frustration as his far-sighted agenda for national improvement founders on the rocks of internecine political factionalism, conflict that results in his becoming only the second president, with his father, to fail to secure reelection. After a short-lived retirement, Adams returns to public service as a Congressman from Massachusetts, and for the last seventeen years of his life he leads efforts to resist the extension of slavery and to end the notorious "gag rule" that stifles debate on the issue in Congress. In 1841 he further burnishes his reputation as a scourge of the Slave Power by successfully defending African mutineers of the slave ship Amistad before the Supreme Court. The diary achieves perhaps its greatest force in its prescient anticipation of the Civil War and Emancipation, an “object,” as Adams described it during the Missouri Crisis, “vast in its compass, awful in its prospects, sublime and beautiful in its issue.”
FUNDAMENTALS OF TURFGRASS MANAGEMENT THE PREMIER TURFGRASS MANAGEMENT HANDBOOK—UPDATED AND EXPANDED Fundamentals of Turfgrass Management is the longstanding authority on all aspects of the science and practices behind world-class turfgrass care. This fully revised Fifth Edition comes enriched by two new authors who share their cutting-edge research and real-world expertise on such topics as growth, soil testing, nutrition, herbicides, insecticides, and fungicides. Coverage throughout is refreshed with new illustrations and charts, as well as: Expanded coverage on professional lawn care programs, including cool-season and warm-season turfgrasses, establishing methods and costs, cultivation, sand topdressing, and more Enhanced material on the most up-to-date thinking and practices in weed management Brand-new chapters on the environmental, economic, and quality-of-life benefits of well-maintained turf, as well as the influence of light on turf health Whether you’re earning a degree or a paycheck, Fundamentals of Turfgrass Management, Fifth Edition remains the most complete, respected guidebook of solutions for developing and maintaining the finest-standards of turfgrass.
Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère’s polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.