An anti-coming-of-age story, set between the U.S. and China, that examines themes of escapism and toxic masculinity. In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on his experiences. During the course of this year abroad, he meets a young woman named Harmony under initially dubious circumstances, whom he dates briefly, before returning to live with his brother in California, where he is forced to confront a dark reality from his past. With perspectives shifting between Cole's rose-colored accounts of his time in Hunan and his friends and family members' less flattering portrayals of him in the States, the novel attempts to inspect the extent to which one's surroundings (both geographical and cultural) shape conceptions of self-identity, while also raising a more complicated discussion about the ways in which men are taught to view the opposite sex. The #MeToo movement has changed the way we tell stories, and more importantly, the way we listen. This story is an attempt to reflect honestly on the problems of misogyny and toxic masculinity endemic to our society. Too often, representations of sexual abuse at the hands of male authors tend toward the exploitative (gratuitous depictions of violence, the use of female trauma as a redemptive tool, the co-opting of victims' stories, etc.), but Unwelcomeactively (and repeatedly) challenges the credibility of its protagonist, to the point that, in the end, his version of events is denied primacy. Unwelcome is reminiscent of Garth Greenwell's What Belongs to You (a fraught relationship abroad) and Teju Cole's Open City (an introspective/aborted personal reckoning).
Life in the Leatherwoods is one of the country's most delightful childhood memoirs, penned by an Ozark native with a keen, observant eye and a gift for narrative. John Quincy Wolf's relaxed style and colorful characters resemble those of another chronicler of nineteenth-century rural life, Laura Ingalls Wilder. Wolf's acerbic wit and lucid prose infuse the White River pioneers of his story with such life that the reader participates vicariously in their log rollings, house-raisings, spelling bees, hog killings, soap making, country dances, and camp meetings. Originally published by Memphis State University Press in 1974, this new edition includes additional writings of John Q. Wolf and a continuation of the autobiographical narrative after his 1887 move to Batesville. Wolf's writings are valuable resources for southern historians, folklorists, general readers, and scholars of Ozarkiana because they provide a rare glimpse into the social and family life of a largely misunderstood and stereotyped people--the independent hill farmers of the Arkansas Ozarks of the 1870s and 1880s. With Life in the Leatherwoods, Wolf bestows a benediction upon a society that existed vibrantly and humorously in his memory--one that has now forever disappeared from the American countryside. Originally published by Memphis State University Press in 1974, this new edition includes additional writings of John Q. Wolf and a continuation of the autobiographical narrative after his 1887 move to Batesville. Wolf's writings are valuable resources for southern historians, folklorists, general readers, and scholars of Ozarkiana because they provide a rare glimpse into the social and family life of a largely misunderstood and stereotyped people--the independent hill farmers of the Arkansas Ozarks of the 1870s and 1880s. With Life in the Leatherwoods, Wolf bestows a benediction upon a society that existed vibrantly and humorously in his memory--one that has now forever disappeared from the American countryside.
A collection of colorful stories about some of New Hampshire’s most notable newsmakers and remarkable historic events. Includes photos. Hidden in the cracks and crevices of the Granite State are the stories of pioneers who pursued their passions, creating legacies along the way. Compiled by a Smithsonian researcher and former Boston Globe contributor, this treasury includes tales of: the mountain man who became an innkeeper the “Bird Man” who took his passion to the White House the gentleman who ascended the highest peak in the Northeast in a steam-powered locomobile the story of one skier’s dramatic win at the 1939 “American Inferno” Mount Washington race the Shaker Meetinghouse, built in just one day, in complete silence the gallant efforts to save the Old Man of the Mountain and much more
The importance of this dictionary stems from Quatreme're's profound reflections on the nature of architecture: on the principles which are at the source of his rules and on the roles of imitation and invention within tradition. This book provides the first English translation of the theoretical essays from his seminal work, Le Dictionnaire Historique d' Architecture.
FUNDAMENTALS OF TURFGRASS MANAGEMENT THE PREMIER TURFGRASS MANAGEMENT HANDBOOK—UPDATED AND EXPANDED Fundamentals of Turfgrass Management is the longstanding authority on all aspects of the science and practices behind world-class turfgrass care. This fully revised Fifth Edition comes enriched by two new authors who share their cutting-edge research and real-world expertise on such topics as growth, soil testing, nutrition, herbicides, insecticides, and fungicides. Coverage throughout is refreshed with new illustrations and charts, as well as: Expanded coverage on professional lawn care programs, including cool-season and warm-season turfgrasses, establishing methods and costs, cultivation, sand topdressing, and more Enhanced material on the most up-to-date thinking and practices in weed management Brand-new chapters on the environmental, economic, and quality-of-life benefits of well-maintained turf, as well as the influence of light on turf health Whether you’re earning a degree or a paycheck, Fundamentals of Turfgrass Management, Fifth Edition remains the most complete, respected guidebook of solutions for developing and maintaining the finest-standards of turfgrass.
A landmark new selected edition of an American masterpiece: the incomparable self-portrait of a man and his times from the Revolution to the coming of the Civil War The diary of John Quincy Adams is one of the most extraordinary works in American literature. Begun in 1779 at the age of twelve and kept more or less faithfully until his death almost 70 years later, and totaling some fifteen thousand closely-written manuscript pages, it is both an unrivaled record of historical events and personalities from the nation's founding to the antebellum era and a masterpiece of American self-portraiture, tracing the spiritual, literary, and scientific interests of an exceptionally lively mind. Now, for the 250th anniversary of Adams's birth, Library of America and historian David Waldstreicher present a two-volume reader's edition of diary selections based for the first time on the original manuscripts, restoring personal and revealing passages suppressed in earlier editions. Volume 2 opens with Adams serving as Secretary of State, amid political maneuverings within and outside James Monroe's cabinet to become his successor, a process that culminates in Adams's election to the presidency by the House of Representatives after the deadlocked four-way contest of 1824. Even as Adams takes the oath of office, rivals Henry Clay, his Secretary of State, John C. Calhoun, his vice president, and an embittered Andrew Jackson, eye the election of 1828. The diary records in candid detail his frustration as his far-sighted agenda for national improvement founders on the rocks of internecine political factionalism, conflict that results in his becoming only the second president, with his father, to fail to secure reelection. After a short-lived retirement, Adams returns to public service as a Congressman from Massachusetts, and for the last seventeen years of his life he leads efforts to resist the extension of slavery and to end the notorious "gag rule" that stifles debate on the issue in Congress. In 1841 he further burnishes his reputation as a scourge of the Slave Power by successfully defending African mutineers of the slave ship Amistad before the Supreme Court. The diary achieves perhaps its greatest force in its prescient anticipation of the Civil War and Emancipation, an “object,” as Adams described it during the Missouri Crisis, “vast in its compass, awful in its prospects, sublime and beautiful in its issue.”
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.
A landmark edition of an American masterpiece: the incomparable self-portrait of John Quincy Adams and his times from the Revolution to the coming of the Civil War The diary of John Quincy Adams is one of the most extraordinary works in American literature. Begun in 1779 at the age of twelve and kept more or less faithfully until his death almost 70 years later, and totaling some fifteen thousand closely-written manuscript pages, it is both an unrivaled record of historical events and personalities from the nation's founding to the antebellum era and a masterpiece of American self-portraiture, tracing the spiritual, literary, and scientific interests of an exceptionally lively mind. Now, for the 250th anniversary of Adams's birth, Library of America and historian David Waldstreicher present a two-volume reader's edition of diary selections based for the first time on the original manuscripts, restoring personal and revealing passages suppressed in earlier editions. Volume I begins during the American Revolution, with Adams's first entry, as he prepares to embark on a perilous wartime voyage to Europe with his father, diplomat John Adams, and records his early impressions of Franklin and Jefferson and of Paris on the eve of revolution; it details his abbreviated but eventful years of study at Harvard and his emergence into the world of politics in his own right, as American minister to the Netherlands and to Prussia, and then as a U. S. senator from Massachusetts; and it reveals a young man at war with his passions, before finding love with the remarkable Louisa Catherine Johnson. In passages that form a kind of real-world War and Peace, the diary follows the young married couple to St. Petersburg, where as U.S. minister Adams is a witness to Napoleon's invasion of Russia. Its account of the negotiations at Ghent to end the War of 1812, where Adams leads the American delegation, is the perhaps the most detailed and dramatic picture of a diplomatic confrontation ever recorded. Volume 1 concludes with his elevation as Secretary of State under James Monroe, as he takes the fore in a fractious cabinet and emerges as the principal architect of what will become known as the Monroe Doctrine.
Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks. Quincy Jones grew up poor on the mean streets of Chicago’s South Side, brushing against the law and feeling the pain of his mother’s descent into madness. But when his father moved the family west to Seattle, he took up the trumpet and was literally saved by music. A prodigy, he played backup for Billie Holiday and toured the world with the Lionel Hampton Band before leaving his teens. Soon, though, he found his true calling, inaugurating a career whose highlights have included arranging albums for Frank Sinatra, Ray Charles, Dinah Washington, Sarah Vaughan, and Count Basie; composing the scores of such films as The Pawnbroker, In Cold Blood, In the Heat of the Night, and The Color Purple, and the theme songs for the television shows Ironside, Sanford and Son, and The Cosby Show; producing the bestselling album of all time, Michael Jackson’s Thriller, and the bestselling single “We Are the World”; and producing and arranging his own highly praised albums, including the Grammy Award—winning Back on the Block, a striking blend of jazz, African, urban, gospel, and hip-hop. His musical achievements, in a career that spans every style of American popular music, have yielded an incredible seventy-seven Grammy nominations, and are matched by his record as a pioneering music executive, film and television producer, tireless social activist, and business entrepreneur–one of the most successful black business figures in America. This string of unbroken triumphs in the entertainment industry has been shadowed by a turbulent personal life, a story he shares with eloquence and candor. Q is an impressive self-portrait by one of the master makers of American culture, a complex, many-faceted man with far more than his share of talents and an unparalleled vision, as well as some entirely human flaws. It also features vivid testimony from key witnesses to his journey–family, friends, and musical and business associates. His life encompasses an astonishing cast of show business giants, and provides the raw material for one of the great African American success stories of this century.
This second volume of the original 2-volume set covers Adams' role in the negotiation and signing of the Treaty of Peace with Great Britain, and his central task in the organization of the government of the newly emerging nation. It includes his recollections of his election service as first vice president in George Washington's administration, as well as those of his term as second president of the United States.
Hello, there, Red Rover! Come alongside! "What's the row, fellows? This dandy breeze is too good to be wasted loafing." "Frank's coming in the Jupiter, and coming like a streak!" "Yes, and more than that, Bluff, he waves his hat as though h
Earl "The Pearl" Monroe is a basketball legend whose impact on the game transcends statistics, a player known as much for his unorthodox, "playground" style of play as his championship pedigree. Observers said that watching him play was like listening to jazz, his moves resembling freefloating improvisations. "I don't know what I'm going to do with the ball," Monroe once admitted, "and if I don't know, I'm quite sure the guy guarding me doesn't know either." Traded to the New York Knicks before the 1971–72 season, Monroe became a key member of the beloved, star-studded 1972–73 Knicks team that captured the NBA title. And now, on the 40th anniversary of that championship season—the franchise's last—Monroe is finally ready to tell his remarkable story. Written with bestselling author Quincy Troupe (Miles, The Pursuit of Happyness) Earl the Pearl will retrace Monroe's life from his upbringing in a tough South Philadelphia neighborhood through his record-setting days at Winston-Salem State, to his NBA Rookie of the Year season in 1967, his tremendous years with the Baltimore Bullets and ultimately his redemptive, championship glory with the New York Knicks. The book will culminate with a revealing epilogue in which Monroe reflects on the events of the past 40 years, offers his insights into the NBA today, and his thoughts on the future of the game he loves.
Dear Brother," Jane Manning James wrote to Joseph F. Smith in 1903, "I take this opportunity of writing to ask you if I can get my endowments and also finish the work I have begun for my dead.... Your sister in the Gospel, Jane E. James." A faithful Latter-day Saint since her conversion sixty years earlier, James had made this request several times before, to no avail, and this time she would be just as unsuccessful, even though most Latter-day Saints were allowed to participate in the endowment ritual in the temple as a matter of course. James, unlike most Mormons, was black. For that reason, she was barred from performing the temple rituals that Latter-day Saints believe are necessary to reach the highest degrees of glory after death. A free black woman from Connecticut, James positioned herself at the center of LDS history with uncanny precision. After her conversion, she traveled with her family and other converts from the region to Nauvoo, Illinois, where the LDS church was then based. There, she took a job as a servant in the home of Joseph Smith, the founder and first prophet of the LDS church. When Smith was killed in 1844, Jane found employment as a servant in Brigham Young's home. These positions placed Jane in proximity to Mormonism's most powerful figures, but did not protect her from the church's racially discriminatory policies. Nevertheless, she remained a faithful member until her death in 1908. Your Sister in the Gospel is the first scholarly biography of Jane Manning James or, for that matter, any black Mormon. Quincy D. Newell chronicles the life of this remarkable yet largely unknown figure and reveals why James's story changes our understanding of American history.
The method of dramatic representation in the time of Shakespeare has long received close study. Among those who have more recently devoted their energies to the subject may be mentioned W.J. Lawrence, T.S. Graves, G.F. Reynolds, V.E. Albright, A.H. Thorndike, and B. Neuendorff, each of whom has embodied the results of his investigations in one or more noteworthy volumes. But the history of the playhouses themselves, a topic equally important, has not hitherto been attempted. If we omit the brief notices of the theatres in Edmond Malone's The Plays and Poems of William Shakespeare (1790) and John Payne Collier's The History of English Dramatic Poetry (1831), the sole book dealing even in part with the topic is T.F. Ordish's The Early London Theatres in the Fields. This book, however, though good for its time, was written a quarter of a century ago, before most of the documents relating to early theatrical history were discovered, and it discusses only six playhouses. The present volume takes advantage of all the materials made available by the industry of later scholars, and records the history of seventeen regular, and five temporary or projected, theatres. The book is throughout the result of a first-hand examination of originalviii sources, and represents an independent interpretation of the historical evidences. As a consequence of this, as well as of a comparison (now for the first time possible) of the detailed records of the several playhouses, many conclusions long held by scholars have been set aside. I have made no systematic attempt to point out the cases in which I depart from previously accepted opinions, for the scholar will discover them for himself; but I believe I have never thus departed without being aware of it, and without having carefully weighed the entire evidence.
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