This book probes the materiality of Improvement in early 19th century rural Massachusetts. Improvement was a metaphor for human intervention in the dramatic changes taking place to the English speaking world in the 18th and 19th centuries as part of a transition to industrial capitalism. The meaning of Improvement vacillated between ideas of economic profit and human betterment, but in practice, Improvement relied on a broad assemblage of material things and spaces for coherence and enaction. Utilizing archaeological data from the home of a wealthy farmer in rural Western Massachusetts, as well as an analysis of early Republican agricultural publications, this book shows how Improvement’s twin meanings of profit and betterment unfolded unevenly across early 19th century New England. The Improvement movement in Massachusetts emerged at a time of great social instability, and served to ameliorate growing tensions between urban and rural socioeconomic life through a rationalization of space. Alongside this rationalization, Improvement also served to reshape rural landscapes in keeping with the social and economic processes of a modernizing global capitalism. But the contradictions inherent in such processes spurred and buttressed wealth inequality, ecological distress, and social dislocation.
Het langverwachte, eerste non-fictiewerk van de vermaarde cineast: een even onderhoudend als intelligent filmboek, dat net zo eigenzinnig en origineel is als zijn creaties op het witte doek. Naast het feit dat hij een van de meest gevierde eigentijdse filmmakers is, staat Quentin Tarantino bekend als misschien wel de aanstekelijkste liefhebber van het genre. Al sinds jaar en dag verklaart hij bij gelegenheid dat hij zich uiteindelijk wil gaan richten op het schrijven over film. Met Cinema Speculation/ Filmspeculatie is die tijd aangebroken, en het resultaat is precies waar zijn toegewijde fans – en filmliefhebbers in het algemeen – op hopen. Het boek is opgebouwd rond tien Amerikaanse sleutelfilms uit de jaren zeventig, die hij allemaal als jonge filmbezoeker zag. Zijn essays zijn doordacht, bieden tal van nieuwe inzichten en zijn buitengewoon vermakelijk. Filmkritiek, filmtheorie, reportage en een prachtige persoonlijke geschiedenis: dit boek is het allemaal. In deze essays klinkt de unieke stem die we onmiddellijk herkennen als die van Tarantino, en we krijgen invalshoeken gepresenteerd over film die alleen een van de grootste beoefenaars van deze kunstvorm kan geven.
Instant New York Times bestseller The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT’s and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.
Ever eaten Poodle Strudel? Slain a Jabberwock? Bathed in Irish Stew? Quentin Blake is one of the best loved of children’s illustrators. In this brilliant book he has selected and illustrated his favourite comic verse, making it pure entertainment for nonsense-lovers of all ages. His unique style of drawing brings a new perspective to every poem. Classic writers such as Lewis Carroll and Edward Lear are combined with more contemporary talents such as Roger McGough, Margaret Mahy and Russell Hoban. With fifteen wonderfully absurd sections, including Distracting Creatures, Sticky Ends, I Wish I Were a Jelly Fish, A Recipe for Indigestion and Chortling and Galumphing, here is a delightful collection of the topsy-turvy, the fantastical, the anarchic, the illogical and the utterly wonderful.
The author's imagination is matched by his language, so presenting the unwary reader with difficulties, which the author notes and discusses throughout, defining and explaining the many poetic metres and prose embellishments used, and identifying the sources of numerous borrowings; he also re-examines and collates the manuscripts and printed versions of the text, and considers the most recent scholarship in the field.
Schultze helps readers identify God's call on their lives, offers an expanded understanding of vocation, and shows that what people do is not as important as how they do it.
For many congregations, change creates discomfort. Pastoral leaders are often expected to be experts who manage and control realities beyond their expertise, experience, and ability. That expectation, a product of modern approaches to leadership, views the pastor as responsible for maintaining the status quo. Transforming Pastoral Leadership responds to this context by challenging readers to rediscover key biblical themes around the shepherding metaphor as well as key theological themes steeped in our historical faith narratives. Readers are challenged to consider the origins of our dominant leadership practices and to reconsider how Christ's preeminence as the leader of his church requires us to reconstruct leadership practices that are faithful to his preeminence. To assist congregations, Transforming Pastoral Leadership suggests two processes that might help congregations discern God's missional promptings as they move forward into God's future and experience conflict as opportunities for transformation.
This biography, focused on McKinley''s unusual view of protectionism, a labor-business alliance, and American exceptionalism, offers striking parallels to today as the US struggles to define its international role and to determine the best blend of free trade, protectionism, and immigration. William McKinley was the first US president to address globalization; his legacy in protectionism and immigrant labor offer lessons for the current era. He orchestrated an alliance between big business and the American worker that ushered in one of the greatest periods of growth ever known in the US economy. Yet McKinley has been in the shadow of his successor Theodore Roosevelt for over a hundred years. As Chairman of the Ways and Means Committee, McKinley had forged a tariff bill in 1888 that united a nation that was still divided between North and South, East and West. His continued efforts to support free trade, protected by managed markets in the tradition of Henry Clay, and worker benefits like those provide by George Westinghouse, led to a great economic compromise. Further, with revolutionary, visionary rhetoric laden with America''s economic manifest destiny he appealed to everyone from the steelworkers of Pittsburgh to the New York bankers. He articulated a uniting philosophy: Free trade in the United States is founded upon a community of equalities and reciprocities...[F]ree foreign trade admits the foreigner to equal privileges with our citizens. It invites the product of foreign cheap labor to this market in competition with the domestic, representing better paid labor [albeit with tariffs to protect that domestic product]. McKinley''s vision built the industrial base of the nation. By the end of his presidency the American steel, glass, rubber, oil, machinery and electrical appliance industries dominated the world. He was one of America''s most popular presidents. As his funeral train crossed the nation in 1901, factory workers and captains of industry alike stood along the rails to mourn him. Never since has such a political alliance between labor and management been forged. He was the last president to build a voting alliance between laborers, immigrant workers, and capitalists. That alliance was marred by famous labor strikes and the building of great trusts, yet he still managed to sweep the labor votes in the great industrial centers due to his belief in reciprocity and protectionism. McKinley''s role as a dinner pail Republican offers insights into how America can approach today''s globalization with the best interests of the home team in mind.
A “hard to solve and easy to read” mystery from the Edgar Award–winning author of the Peter Duluth series (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Lewis Denham has always been the black sheep of the family. Adopted into the “proper” Denham household after his working-class parents died, Lew never quite fit in with the rest of the clan—or maybe he simply couldn’t keep his nose elevated that high for that long without getting frostbite. Either way, when he announces his marriage to a British girl without checking how blue her blood is, the family is aghast. But things become truly appalling when Lew finds a dead man in his apartment—and it seems the lower-class victim had a connection with his upper-crust family. Now, feeling more outside the Denham ranks than ever, Lew will have to look past his family’s elite façade and find out who they really are. And he’s about to learn that none of them are too good to get a little blood on their hands . . .
Coal is a topic that has been, remains, and will continue to be of significant interest to those concerned with the causes, course and consequences of industrialization and de-industrialization. This six-volume, reset collection provides scholars with a wide variety of sources relating to the Victorian coal industry.
Membership in Service Clubs provides the first rigorous assessment of the activities of Rotary, a global service organization founded in 1905 that implements projects and helps build goodwill and peace throughout the world.
Throughout the New Labour years - that decade of deceit, that era of wretched wriggle - the Daily Mail's Quentin Letts has maintained a lonely, vehement vigil. Like a lone clay pigeon shot squinting through his sights at a sky black with targets, he has fired his daily bullets at the poseurs and pooh-bahs of British public life. John Prescott? BANG! Alan Sugar? BANG BANG! Peter Mandelson, Harriet Harman, and the Commons Speaker Letts nicknamed 'Gorbals Mick'? Bullseyes - every single one. In this collection of anguished and often snortingly funny political sketches and journalism, Letts lets off more steam than a Chinese laundry. The modern Establishment won't like it. They tried to gag him. Smear him. Even tried to get him fired. Quentin Letts: The man they could not silence. As his wife will be the first to tell you. Praise for Quentin's previous books: 'I salute Mr Letts's one-man stand against the ugly and brainless Bog-Folk.' Daily Mail '[Quentin Letts] discharges his duty with flair and tracer precision...an angry book, beautifully written.' The Spectator
In Bloomsbury Recalled, Quentin Bell has written an extraordinary memoir of the circle of intellectuals in London early in this century know as the Bloomsbury group. Bell offers remarkable judgments about and recollections of each of the notable people among whom he came of age. Here are Bell's candid portraits of his parents, Clive and Vanessa Bell - Virginia Woolf's sister - Vanessa's lover, Duncan Grant, and of Virginia Woolf, Lytton Strachey, E. M. Forster, John Maynard Keynes, Roger Fry, Ottoline Morrell, and others who frequented Gordon Square in Bloomsbury and Charleston, the Bells' country place in Sussex. The stories of this enchanting extended family, the private lives of these public figures, have all the magic and intrigue of the best novels of the day. Bloomsbury Recalled, in the expansive storytelling tradition of the early modernists, re-creates the captivating theater of events that was Bloomsbury.
Ever since John Logie Baird first publicly demonstrated this now all-pervasive medium in his small Soho laboratory, the history of television has been littered with remarkable but true tales of the unexpected. Ranging from bizarre stories of actors’ shenanigans to strange but true executive and marketing decisions, and covering over one hundred shows, series and episodes from both behind and in front of the camera in British and American television studios, 'Television's Strangest Moments' is the ultimate tome of TV trivia. Why did the quintessential English sleuth The Saint drive a Swedish car? What happened when Michael Aspel met Nora Batty on the set of the 1960s drama-documentary 'The War Game'? Why is the Halloween chiller 'Ghostwatch' still unofficially banned by the BBC? From live TV suicide to Ricky Martin's disastrous candid camera-style episode involving a young female fan and several cans of dog food, 'Television's Strangest Moments' will keep you hooked when there's nothing worth watching on the box.
The most important debate among twentieth-century philosophers of time has been whether events that have happened, are happening, or will happen are equally real (the tenseless theory of time) or whether there is a fundamental distinction between past, present, and future, with only present events possessing full existence (the tensed theory). In the 1980s a new version of the tenseless theory of time emerged. While advocates still posit that all events are equally real, they depart from the old tenseless theory by conceding that tensed expressions cannot be translated into tenseless ones, and support their view of time using other arguments." "This anthology offers the latest turns in the debate over the new theory of time, with essays written by many of the most prominent contemporary thinkers in the philosophy of time. There are discussions on the role - or nonrole - of language in determining which theory is true; McTaggart's paradox and the logical difficulties that defenders of the tenseless theory say are inherent in tensed theory; and the nature of our experience of time, which proponents of both theories claim can now be explained. The Preface and the General Introduction to the book set the debate within the wider philosophical context and show why the subject of temporal becoming is a perennial concern of science, religion, language, logic, and the philosophy of mind."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Although many philosophers espouse anti-realism, the only sustained arguments for the position are due to Michael Dummett and Hilary Putnam. Gardiner's unpretentious style and lucid organization make sense of Dummett's and Putnam's discourse.
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