On October 8, 1920 the body of a young woman named Kate Lilian Bailey, aged 22, was discovered. It transpired that her husband, George Arthur Bailey, had poisoned his seven-months pregnant wife with prussic acid, and with a whiff of the same chloroform he used to ease her final anguish, sedated his three-year-old daughter whom he placed in bed next to the corpse. Fourteen hours later, he fled the cottage, taking his child to relatives in Swindon before being arrested three days after the murder, at Reading Station with four kinds of poison in his pockets. Police also found a note suggesting that Bailey had intended to kill his little girl as well as himself and his wife. So was this simply the botched suicide pact of a devoted couple that had gone tragically out of control? All would be revealed at a sensational 1921 trial at Aylesbury Assizes; a shabby record of forgery, fraud, theft, false information and army desertion. Bailey - also known to the police as George Cox and Ronald Gilbert Treherne, or Tremayne, was also, it's said, a budding sex criminal and a fantasist of the first order. Although, curiously, he didn't plead insanity at his trial, the accused had a history of mental disorder including nervous breakdowns and several suicide attempts. At his trial - where women would sit on an English murder jury for the first time - Bailey denied all the charges. The prosecution argued that Bailey murdered his wife in order to be free to seduce innocent local girls, and a conviction was swiftly secured after the four day trial. Despite an appeal, Bailey was hanged 'three clear Sundays' after the jury returned with its verdict. George was a milkman and was known as the 'musical milkman' because he could be heard whistling while on his daily rounds.
Ever since John Logie Baird first publicly demonstrated this now all-pervasive medium in his small Soho laboratory, the history of television has been littered with remarkable but true tales of the unexpected. Ranging from bizarre stories of actors’ shenanigans to strange but true executive and marketing decisions, and covering over one hundred shows, series and episodes from both behind and in front of the camera in British and American television studios, 'Television's Strangest Moments' is the ultimate tome of TV trivia. Why did the quintessential English sleuth The Saint drive a Swedish car? What happened when Michael Aspel met Nora Batty on the set of the 1960s drama-documentary 'The War Game'? Why is the Halloween chiller 'Ghostwatch' still unofficially banned by the BBC? From live TV suicide to Ricky Martin's disastrous candid camera-style episode involving a young female fan and several cans of dog food, 'Television's Strangest Moments' will keep you hooked when there's nothing worth watching on the box.
How did Leonardo DiCaprio become a hero on The Beach? Why would the Droids lode control in Star Wars? What persuaded Mad Max to become Hamlet? Who made Long John Silver's parrot dread Treasure Island? When was there a curse on The Exorcist? Where did Harrison Ford's quick-thinking profit Raiders Of The Lost Ark? From the earliest black-and-white flickers to the most recent big-screen blockbusters, the history of filmmaking is littered with remarkable but true tales of the unexpected. Behind the scenes on more then three hundred films, this entertaining survey covers over a hundred years of cinema history. It's a story of disastrous stunts, star temperaments, eccentric animals, Hollywood rivalries, unexplained deaths, casting coups and bizarre locations. Spanning the silents through the Golden Age to today's effects-packed films, Quentin Falk, film critic of the Sunday Mirror and editor of the BAFTA magazine, Academy, revels an astonishing collection of strange-but-true stories.
Charles Crichton is perhaps best remembered as the director of the unlikely blockbuster hit A Fish Called Wanda, made when he was seventy-seven years old. But the most significant part of his career was spent at Ealing Studios in the 1940s and 1950s, working on such beloved comedies as Hue and Cry, The Lavender Hill Mob and The Titfield Thunderbolt. Nonetheless, as this pioneering study of Crichton’s work reveals, his filmmaking skills extended way beyond comedy to wartime dramas and film noir, and his adaptability served him well when he made the transition into primetime television, working on popular shows such as The Avengers, Space: 1999 and The Adventures of Black Beauty. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
An autoantibody is an antibody (a type of protein) manufactured by the immune system that is directed against one or more of the individual's own proteins. Many autoimmune diseases in humans, most notably lupus erythematosus, are caused by such autoantibodies. This book presents the latest research from around the world.
The aim of this collection is to illustrate the pervasive influence of humanist rhetoric on early-modern literature and philosophy. The first half of the book focuses on the classical rules of judicial rhetoric. One chapter considers the place of these rules in Shakespeare's The Merchant of Venice, while two others concentrate on the technique of rhetorical redescription, pointing to its use in Machiavelli's The Prince as well as in several of Shakespeare's plays, notably Coriolanus. The second half of the book examines the humanist background to the philosophy of Thomas Hobbes. A major new essay discusses his typically humanist preoccupation with the visual presentation of his political ideas, while other chapters explore the rhetorical sources of his theory of persons and personation, thereby offering new insights into his views about citizenship, political representation, rights and obligations and the concept of the state.
This is a critical history of analytic philosophy from its inception in the late-19th century to the present day. The book focuses on the connections between the four leading movements in the field - logical realism, logical positivism, ordinary language analysis and linguistic essentialism.
The third of three volumes of essays by Quentin Skinner, one of the world's leading intellectual historians. This collection includes some of his most important essays on Thomas Hobbes, each of which has been carefully revised for publication in this form. In a series of writings spanning the past four decades Professor Skinner examines, with his customary perspicuity, the evolution and character of Hobbes's political thought. An indispensable work in its own right, this volume also serves as a demonstration of those methodological theories propounded in Volume I, and as an appositional commentary on the Renaissance values of civic virtue treated in Volume II. All of Professor Skinner's work is characterised by philosophical power, limpid clarity, and elegance of exposition; these essays, many of which are now recognised classics, provide a fascinating and convenient digest of the development of his thought. Professer Skinner has been awarded the Balzan Prize Life Time Achievement Award for Political Thought, History and Theory. Full details of this award can be found at http://www.balzan.it/News_eng.aspx?ID=2474
The Proceedings of an International Workshop sponsored by the UBC Botanical Garden and Centre for Plant Research held December 11-13, 2002 in Vancouver, British Columbia, Canada.
Charles Crichton is perhaps best remembered as the director of the unlikely blockbuster hit A Fish Called Wanda, made when he was seventy-seven years old. But the most significant part of his career was spent at Ealing Studios in the 1940s and 1950s, working on such beloved comedies as Hue and Cry, The Lavender Hill Mob and The Titfield Thunderbolt. Nonetheless, as this pioneering study of Crichton’s work reveals, his filmmaking skills extended way beyond comedy to wartime dramas and film noir, and his adaptability served him well when he made the transition into primetime television, working on popular shows such as The Avengers, Space: 1999 and The Adventures of Black Beauty. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
How did Leonardo DiCaprio become a hero on The Beach? Why would the Droids lode control in Star Wars? What persuaded Mad Max to become Hamlet? Who made Long John Silver's parrot dread Treasure Island? When was there a curse on The Exorcist? Where did Harrison Ford's quick-thinking profit Raiders Of The Lost Ark? From the earliest black-and-white flickers to the most recent big-screen blockbusters, the history of filmmaking is littered with remarkable but true tales of the unexpected. Behind the scenes on more then three hundred films, this entertaining survey covers over a hundred years of cinema history. It's a story of disastrous stunts, star temperaments, eccentric animals, Hollywood rivalries, unexplained deaths, casting coups and bizarre locations. Spanning the silents through the Golden Age to today's effects-packed films, Quentin Falk, film critic of the Sunday Mirror and editor of the BAFTA magazine, Academy, revels an astonishing collection of strange-but-true stories.
On October 8, 1920 the body of a young woman named Kate Lilian Bailey, aged 22, was discovered. It transpired that her husband, George Arthur Bailey, had poisoned his seven-months pregnant wife with prussic acid, and with a whiff of the same chloroform he used to ease her final anguish, sedated his three-year-old daughter whom he placed in bed next to the corpse. Fourteen hours later, he fled the cottage, taking his child to relatives in Swindon before being arrested three days after the murder, at Reading Station with four kinds of poison in his pockets. Police also found a note suggesting that Bailey had intended to kill his little girl as well as himself and his wife. So was this simply the botched suicide pact of a devoted couple that had gone tragically out of control? All would be revealed at a sensational 1921 trial at Aylesbury Assizes; a shabby record of forgery, fraud, theft, false information and army desertion. Bailey - also known to the police as George Cox and Ronald Gilbert Treherne, or Tremayne, was also, it's said, a budding sex criminal and a fantasist of the first order. Although, curiously, he didn't plead insanity at his trial, the accused had a history of mental disorder including nervous breakdowns and several suicide attempts. At his trial - where women would sit on an English murder jury for the first time - Bailey denied all the charges. The prosecution argued that Bailey murdered his wife in order to be free to seduce innocent local girls, and a conviction was swiftly secured after the four day trial. Despite an appeal, Bailey was hanged 'three clear Sundays' after the jury returned with its verdict. George was a milkman and was known as the 'musical milkman' because he could be heard whistling while on his daily rounds.
This book is a reference to more than 400 videos judged best for viewing by the whole family. The films are judged by whether or not they respect the lessons of history and culture, and are free of gratuitous language, graphic violence, and explicit sex. Includes made-for-TV movies, dozens of recent movies and a section of non-feature length videos for children.
Of the thirty-nine Gallipoli Victoria Crosses arguably none was more deserved than the medal earned by George Leslie Drewry.At just 20, he was the first officer of the Royal Naval Reserve to get the nations premier award for valour when part of the landing on V Beach at Cape Helles. In so doing he was badly wounded.Accident-prone, he survived falling into a bog as a child; he was knocked over by a car; as a novice merchantman he fell from the mast of his ship and on another occasion was shipwrecked after rounding Cape Horn and stranded on a deserted island.Tragically he died at Scapa Flow shortly before the end of The Great War, while in command of his first ship.Using contemporary sources, the author brings Drewrys life into sharp focus and describes the role of Snotty as midshipmen were then known. The result will appeal to addicts of real-life adventure and military historians
Winning the 1992 Best Actor Oscar for his chilling performance as Dr. Hannibal Lecter in "The Silence of the Lambs" overwhelmingly confirmed Anthony Hopkins' star status. He has since been nominated a further three times and has become a huge force in Hollywood, with more recent films such as "Hannibal," "Red Dragon," "The Human Stain," and Oliver Stone's" Alexander." Largely cowritten with the cooperation of Anthony Hopkins, his family, friends, colleagues, and critics, Quentin Falk's acclaimed biography has been fully updated to include his latest film roles, details of how he has now become a United States citizen, and his marriage to third wife Stella Aroyave.
Ever since John Logie Baird first publicly demonstrated this now all-pervasive medium in his small Soho laboratory, the history of television has been littered with remarkable but true tales of the unexpected. Ranging from bizarre stories of actors’ shenanigans to strange but true executive and marketing decisions, and covering over one hundred shows, series and episodes from both behind and in front of the camera in British and American television studios, 'Television's Strangest Moments' is the ultimate tome of TV trivia. Why did the quintessential English sleuth The Saint drive a Swedish car? What happened when Michael Aspel met Nora Batty on the set of the 1960s drama-documentary 'The War Game'? Why is the Halloween chiller 'Ghostwatch' still unofficially banned by the BBC? From live TV suicide to Ricky Martin's disastrous candid camera-style episode involving a young female fan and several cans of dog food, 'Television's Strangest Moments' will keep you hooked when there's nothing worth watching on the box.
Albert Finney has been a film and stage star for over 40 years, ever since first taking the movie and theater worlds by storm in 1960 with his roles in Saturday Night and Sunday Morning and Billy Liar. Oscar-nominated performances followed in Tome Jones, Mueder on the Orient Express, The Dresser, and Under the Volcano. Now 66, Finney's star on both sides of the Atlantic is still rising as he matures into a consistently impressive range of roles. He co-starred again with Tom Courtenay in the BAFTA-winning A Rather English Marriage and received a fifth Oscar nomination for his role opposite Julia Roberts in Erin Brockovitch.
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