Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton Snowed in with a couple of psychopaths for the winter . . . When two small-time crooks rob Reykjavik's premier drugs dealer, hoping for a quick escape to the sun, their plans start to unravel after their getaway driver fails to show. Tensions mount between the pair and the two women they have grabbed as hostages when they find themselves holed upcountry in an isolated hotel. Back in the capital, Gunnhildur, Eiríkur and Helgi find themselves at a dead end investigating what appear to be the unrelated disappearance of a mother, her daughter and their car during a day's shopping, and the death of a thief in a house fire. Gunna and her team are faced with a set of riddles but as more people are quizzed it begins to emerge that all these unrelated incidents are in fact linked. And at the same time, two increasingly desperate lowlifes have no choice but to make some big decisions on how to get rid of their accidental hostages... The fifth gripping and atmospheric thriller in Quentin Bates's Icelandic crime series. A dark page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
As chilling as an Icelandic winter' S. J. Bolton 'Superior crime fiction set in Iceland' The Times The discovery of a corpse washed up on a beach in an Icelandic backwater sparks a series of events that propels the village of Hvalvik's police sergeant Gunnhildur into deep waters. Although under pressure to deal with the matter quickly, she is suspicious that the man's death was no accident and once she has identified the body, sets about investigating his final hours. The case takes Gunnhildur away from her village and into a cosmopolitan world of shady deals, government corruption and violence. She finds herself alone and less than welcome in this hostile environment as she tries to find out who it was that made sure the young man drowned on a dark night one hundred kilometres from where he should have been - and why. The first chilling and atmospheric thriller in Quentin Bates's Icelandic crime series. A dark page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton When a shipowner is found dead, tied to a bed in one of Reykjavik's smartest hotels, Sergeant Gunnhildur sees no evidence of foul play. However, she still suspects things are not as cut and dried as they seem and, as she investigates the shipowner's untimely demise, she stumbles across a discreet bondage society whose members are being systematically exploited and blackmailed. But how does all this connect to a local gangster recently returned to Iceland after many years abroad, and the unfortunate loss of a government laptop containing sensitive data about various members of the ruling party? What begins as a straightforward case for Gunnhildur soon explodes into a dangerous investigation, uncovering secrets that ruthless men are ready to go to violent extremes to keep. The third dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
A novella featuring Detective Gunnhildur of Quentin Bates's Icelandic crime series. A dark and chilling thriller perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. It's a bitter winter morning when Sergeant Gunnhildur is called to the scene of a violent killing in an abandoned industrial unit. Gunna and her sidekick Helgi quickly find that the battered victim had no shortage of enemies. The case takes Gunna around Reykjavík's darker side and Helgi to the bleak rural district he grew up in as they work out who was prepared to take a grudge as far as murder. Praise for Quentin Bates: 'As chilling as an Icelandic winter' S. J. Bolton 'Superior crime fiction set in Iceland' The Times 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
As chilling as an Icelandic winter' S. J. Bolton 'Superior crime fiction set in Iceland' The Times A successful housebreaker who leaves no traces and no clues as he strips Reykjavík homes of their valuables has been a thorn in the police's side for months. But when one night the thief breaks into the wrong house, he finds himself caught in a trap as the stakes are raised far beyond anything he could have imagined. Gunnhildur Gísladóttir of the Reykjavík police finds herself frustrated at every turn as she searches for a victim who has vanished from the scene of the crime, and wonders if it could be linked to the murders of two businessmen with dubious reputations that her bosses are warning her to keep clear of. The fourth dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton Reykjavík detective Gunnhildur Gísladóttir tries not to believe in ghosts. But when Helgi, one of her team is certain he's seen a man who had been declared dead more than fifteen years ago, she reluctantly gives him some unofficial leeway to look into it. Has the not-so-dead man returned from the grave to settle old scores, or has he just decided to take a last look around his old haunts? Either way, there are people who have nursed grudges for years, hoping for a reckoning one day. Even the rumour of his being alive and kicking is enough to spark a storm of fury and revenge, with Gunnhildur and Helgi caught up in the middle of it. The seventh dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A tense page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton Following her promotion and working now from Reykjavik, Gunnhildur is given responsibility for two cases - the first in tracking down an escaped convict who's keen to settle old scores, and the other, the murder of a TV fitness presenter in her city centre apartment. With the police short staffed and underfunded following the financial crash, Gunnhildur and her team set about delving into the backgrounds of both, where they uncover some unwelcome secrets and some influential friends of both who have no wish to be in the public eye. Set in an Iceland that is coming to terms with the deepening recession, Gunnhildur has to take stock of the whirlwind changes that have taken place as she investigates criminals at opposite ends of the social scale as some uncomfortable links appear between the two cases. The second dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
A novella featuring Detective Gunnhildur of Quentin Bates's Icelandic crime series. An atmospheric and chilling thriller perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. It's the tail end of a hot summer when half of Reykjavík is on holiday and the other half wishes it was. Things are quiet when a man is reported missing from his home in the suburbs. As Gunna and Helgi investigate, it becomes clear that the missing man had secrets of his own that lead to a sinister set of friends, and to someone with little to lose who is a fugitive from both justice and the underworld. It becomes a challenge for Gunna to tail both the victim and his would-be executioner, racing to catch up with at least one of them before they finally meet. Praise for Quentin Bates: 'As chilling as an Icelandic winter' S. J. Bolton 'Superior crime fiction set in Iceland' The Times 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
ÁrÓra returns to Iceland when her estranged sister goes missing, and her search leads to places she could never have imagined. A chilling, tense thriller – FIRST in an addictive, nerve-shattering new series – from one of Iceland's bestselling authors... 'Icelandic crime writing at its finest ... immersive and unnerving' Shari Lapena 'Best-selling Icelandic crime-writer Sigurdardottir has built a formidable reputation with just four novels, but here she introduces a new protagonist who is set to cement her legacy' Daily Mail 'Another bleak, unpredictable classic' Metro **Winner: Best Icelandic Crime Novel of the Year** –––––––––––––– Icelandic sisters ÁrÓra and Ísafold live in different countries and aren't on speaking terms, but when their mother loses contact with Ísafold, ÁrÓra reluctantly returns to Iceland to find her sister. But she soon realizes that her sister isn't avoiding her ... she has disappeared, without trace. As she confronts Ísafold's abusive, drug-dealing boyfriend BjÖrn, and begins to probe her sister's reclusive neighbours – who have their own reasons for staying out of sight – ÁrÓra is led into an ever-darker web of intrigue and manipulation. Baffled by the conflicting details of her sister's life, and blinded by the shiveringly bright midnight sun of the Icelandic summer, ÁrÓra enlists the help of police officer DanÍel, as she tries to track her sister's movements, and begins to tail BjÖrn – but she isn't the only one watching... Slick, tense, atmospheric and superbly plotted, Cold as Hell marks the start of a riveting, addictive new series from one of Iceland's bestselling crime writers. ––––––––––––––––– 'Lilja Sigurdardottir doesn't write cookie-cutter crime novels. She is aware that "the fundamentals of existence are totally incomprehensible and chaotic": anything can and does happen ... Isn't that what all crime writers should aim for?' The Times 'The blinding midnight sun in Iceland's summer is beautifully evoked as Arora establishes herself as a heroine to move the heart' Daily Mail 'Lilja is a standout voice in Icelandic Noir, and this book does not disappoint ... Cold as Hell is her best yet' James Oswald 'Atmospheric' Crime Monthly 'Intricate, enthralling and very moving – a wonderful crime novel' William Ryan 'Three things we love about Cold as Hell: Iceland's unrelenting midnight sun; the gritty Nordic murder mystery; the peculiar and bewitching characters' Apple Books 'Lilja SigurðardÓttir just gets better and better ... Árora is a wonderful character: unique, passionate, unpredictable and very real' Michael Ridpath Praise for Lilja SigurðardÓttir 'Smart writing with a strongly beating heart' Big Issue 'Tough, uncompromising and unsettling' Val McDermid 'Tense and pacey' Guardian 'Deftly plotted' Financial Times 'An emotional suspense rollercoaster on a
A body is found floating in the harbor of a rural Icelandic fishing village. Was it an accident, or something more sinister? It’s up to Officer Gunnhildur, a sardonic female cop, to find out. Her investigation uncovers a web of corruption connected to Iceland’s business and banking communities. Meanwhile, a rookie crime journalist latches onto her, looking for a scoop, and an anonymous blogger is stirring up trouble. The complications increase, as do the stakes, when a second murder is committed. Frozen Assets is a piercing look at the endemic corruption that led to the global financial crisis that bankrupted Iceland’s major banks and sent the country into an economic tailspin from which it has yet to recover.
The rubber industry was born in bankruptcy and built through bankruptcies. As this history details, many of the great rubber barons--Charles Goodyear, Harvey Firestone, B.F. Goodrich, F.A. Seiberling--found themselves or their companies in bankruptcy courts. Fortunately, the industry has always proven as elastic as its product. From the early search for an American location to process the rubber of the tropics to the collapse of the industry, this is the story of rubber in America.
The story of Samuel S. Liebowitz, one of America's renowned criminal lawyers. It is told in terms of the trials of the men and women for whose lives he battled. Now, the author reveals the testimonies behind many of these celebrated cases.
The U.S. Constitution is often depicted in popular films, teaching lessons about what this founding document means and what it requires. Mr. Smith Goes to Washington educates how a bill becomes a law. 12 Angry Men informs us about the rights of the accused. Selma explores the importance of civil rights, voting rights, and the freedom of speech. Lincoln shows us how to amend the Constitution. Not only have films like these been used to teach viewers about the Constitution; they also express the political beliefs of directors, producers, and actors, and they have been a reflection of what the public thinks generally, true or not, about the meaning of the Constitution. From the indictment of Warren Court rulings in Dirty Harry to the defense of the freedom of the press in All the President’s Men and The Post, filmmakers are often putting their stamp on what they believe the Constitution should mean and protect. These films can serve as a catalyst for nationwide conversations about the Constitution and as a way of either reinforcing or undermining the constitutional orthodoxies of their time. Put another way, these films are both symbols and products of the political tug of war over the interpretation of our nation’s blueprint for government and politics. To the contemporary student and the casual reader, popular films serve as an understandable way to explain the Constitution. This book examines several different areas of the Constitution to illuminate how films in each area have tried to engage the document and teach the viewer something about it. We expose myths where they exist in film, draw conclusions about how Hollywood’s constitutional lessons have changed over time, and ultimately compare these films to what the Constitution says and how the U.S. Supreme Court has interpreted it. Given the ever-present discussion of the Constitution in American politics and its importance to the structure of the U.S. government and citizens’ rights, there is no question that the popular perceptions of the document and how people acquire these perceptions are important and timely.
Forensic Shakespeare illustrates Shakespeare's creative processes by revealing the intellectual materials out of which some of his most famous works were composed. Focusing on the narrative poem Lucrece, on four of his late Elizabethan plays (Romeo and Juliet, The Merchant of Venice, Julius Caesar and Hamlet) and on three early Jacobean dramas, (Othello, Measure for Measure and All's Well That Ends Well), Quentin Skinner argues that major speeches, and sometimes sequences of scenes, are crafted according to a set of rhetorical precepts about how to develop a persuasive judicial case, either in accusation or defence. Some of these works have traditionally been grouped together as 'problem plays', but here Skinner offers a different explanation for their frequent similarities of tone. There have been many studies of Shakespeare's rhetoric, but they have generally concentrated on his wordplay and use of figures and tropes. By contrast, this study concentrates on Shakespeare's use of judicial rhetoric as a method of argument. By approaching the plays from this perspective, Skinner is able to account for some distinctive features of Shakespeare's vocabulary, and also help to explain why certain scenes follow a recurrent pattern and arrangement. More broadly, he is able to illustrate the extent of Shakespeare's engagement with an entire tradition of classical and Renaissance humanist thought.
Thanks to William Holmes McGuffey, frontier America's literacy rate was the world's highest, producing four generations of American leadership in the arts, science, and engineering. In his much-loved series of ?readers, ? McGuffey revolutionized education in America, merging basic principles with classic readings.
Ever since John Logie Baird first publicly demonstrated this now all-pervasive medium in his small Soho laboratory, the history of television has been littered with remarkable but true tales of the unexpected. Ranging from bizarre stories of actors’ shenanigans to strange but true executive and marketing decisions, and covering over one hundred shows, series and episodes from both behind and in front of the camera in British and American television studios, 'Television's Strangest Moments' is the ultimate tome of TV trivia. Why did the quintessential English sleuth The Saint drive a Swedish car? What happened when Michael Aspel met Nora Batty on the set of the 1960s drama-documentary 'The War Game'? Why is the Halloween chiller 'Ghostwatch' still unofficially banned by the BBC? From live TV suicide to Ricky Martin's disastrous candid camera-style episode involving a young female fan and several cans of dog food, 'Television's Strangest Moments' will keep you hooked when there's nothing worth watching on the box.
This book makes an original contribution to credential sociology by analysing how high school certificates become and remain valuable in a context of mass high school participation (i.e. credentialism). Building on a detailed analysis of the International Baccalaureate (IB) Diploma, a senior secondary school certificate offered in over 150 countries, Quentin Maire argues that the advent of new private credentials can be understood as a phenomenon of credential stratification in a context of intensified academic competition. Using original data on high school credentials in Australia and internationally, the author makes a strong case for certificates to be studied relationally, by locating them in the credentialing structures in which they are inserted. He systematically applies the comparative method to explain the role of the curriculum, family resources, school segregation and higher education selection in creating a credential hierarchy. His robust combination of theoretical construction and detailed empirical work allows him to offer new insights into social inequality in education systems, credential theory and the IB Diploma.
This book probes the materiality of Improvement in early 19th century rural Massachusetts. Improvement was a metaphor for human intervention in the dramatic changes taking place to the English speaking world in the 18th and 19th centuries as part of a transition to industrial capitalism. The meaning of Improvement vacillated between ideas of economic profit and human betterment, but in practice, Improvement relied on a broad assemblage of material things and spaces for coherence and enaction. Utilizing archaeological data from the home of a wealthy farmer in rural Western Massachusetts, as well as an analysis of early Republican agricultural publications, this book shows how Improvement’s twin meanings of profit and betterment unfolded unevenly across early 19th century New England. The Improvement movement in Massachusetts emerged at a time of great social instability, and served to ameliorate growing tensions between urban and rural socioeconomic life through a rationalization of space. Alongside this rationalization, Improvement also served to reshape rural landscapes in keeping with the social and economic processes of a modernizing global capitalism. But the contradictions inherent in such processes spurred and buttressed wealth inequality, ecological distress, and social dislocation.
As long as there has been a church, there has been Christian communication - people of the book bearing the good news from one place to another, persuading, teaching and even delighting an ever-broadening audience with the message of the gospel. Amid ongoing advances in technology and an ever-more-multicultural context, however, the time...
The second of three volumes of essays by Quentin Skinner, one of the world's leading intellectual historians. This collection includes some of his most important essays on the political thought of the Italian renaissance, each of which has been carefully revised for publication in this form. All of Professor Skinner's work is characterised by philosophical power, limpid clarity, and elegance of exposition; these essays, many of which are now recognised classics, provide a fascinating and convenient digest of the development of his thought. Professor Skinner has been awarded the Balzan Prize Life Time Achievement Award for Political Thought, History and Theory. Full details of this award can be found at http://www.balzan.it/News_eng.aspx?ID=2474
This persuasive volume develops a novel approach to medical education and the medical humanities, making a case for the integration of the two to explore the ways in which ‘warm’ humanism and ‘cold’ technologies can come together to design humane posthumanist futures in medicine. There are many problems with conventional medical education. It can be overly technocratic, dehumanizing, and empathy-eroding, introducing artefacts that lead to harm and reproduce inequality and injustice. Use of the arts, humanities, and qualitative social sciences have been pursued as an antidote or balance to these problems. Arguing against the purely instrumentalist use of medical humanities in this way, this book addresses the importance of a genuine and open-ended engagement with humanities approaches in medicine. It discusses the impact of artificial intelligence and emerging theoretical frameworks and posthumanist perspectives, such as object-oriented ontology, on meaning making in medicine. It demonstrates how the key to such a transition is the recovery of the intrinsic art and humanity of metaphor-heavy biomedical science, in turn framed by models of dynamic complexity rather than static linearity. This book is an important contribution to debates around the medical humanities and its role in medical education. It is an essential read for scholars with an interest in these areas, as well as those working in science and technology studies and the sociology of health and illness.
Coal is a topic that has been, remains, and will continue to be of significant interest to those concerned with the causes, course and consequences of industrialization and de-industrialization. This six-volume, reset collection provides scholars with a wide variety of sources relating to the Victorian coal industry.
This book looks at the practical steps that need to be taken to create the infrastructure for an e-learning initiative. The implications for adopting new learning strategies or delivery methods are far reaching and usually require major developmental input. The book is suitable for those responsible for managing e-learning schemes such as human resource and IT managers, managers of learning resource centtres and team leaders.
This book provides an introduction to the theory of ordinary differential equations and its applications to population dynamics. Part I focuses on linear systems. Beginning with some modeling background, it considers existence, uniqueness, stability of solution, positivity, and the Perron–Frobenius theorem and its consequences. Part II is devoted to nonlinear systems, with material on the semiflow property, positivity, the existence of invariant sub-regions, the Linearized Stability Principle, the Hartman–Grobman Theorem, and monotone semiflow. Part III opens up new perspectives for the understanding of infectious diseases by applying the theoretical results to COVID-19, combining data and epidemic models. Throughout the book the material is illustrated by numerical examples and their MATLAB codes are provided. Bridging an interdisciplinary gap, the book will be valuable to graduate and advanced undergraduate students studying mathematics and population dynamics.
The inimitable Quentin Letts dares to say in a new book what we've all been secretly thinking' Mail on Sunday 'Fuming and chuckling by turns' Daily Telegraph 'Underneath the jocularity of Letts's style is a lot of real anger' Roger Lewis, The Times Hands, face, space. Curfews. Don't drink. Bend your knees. Conform, obey, comply - surrender. British life has become infested by bossiness. Post Lockdown, Quentin Letts storms back with a vituperative howl against the 'bossocracy'. They tell us what to do, what to say, how to think. Letts gives them a prolonged, resonant raspberry. He names the guilty men and women: Dominic Cummings, Prof Neil Ferguson, that strutting self-polisher Nicola Sturgeon, the Archbishop of Canterbury, Cressida Dick, Michael Gove, even the sainted Sir David Attenborough. Bang! They all take a barrel. And then there's publicity-prone plonker Matt Hancock posing for photographs while doing his 'Mr Fit' press-ups. Reasonable people have had enough of being bossed about. And when reasonable people stop respecting the law, society has a problem. 'Brilliantly critical, but always warm-hearted and fair' Rory Knight Bruce, The Field
Exploring both the psychological and practical underpinnings of family businesses, an experienced management consultant presents invaluable advice on minimizing conflicts and maximizing business success. Charts.
Commercial Agreements and Social Dynamics in Medieval Genoa is an empirical study of medieval long-distance trade agreements and the surrounding social dynamics that transformed the feudal organization of men-of-arms into the world of Renaissance merchants. Drawing on 20,000 notarial records, the book traces the commercial partnerships of thousands of people in Genoa from 1150 to 1435 and reports social activity on a scale that is unprecedented for such an early period of history. In combining a detailed historical reading with network modeling to analyze the change in the long-distance trade relationships, Quentin van Doosselaere challenges the prevailing western-centric view of development. He demonstrates that the history of the three main medieval economic frameworks that brought about European capitalism - equity, credit, and insurance - was not driven by strategic merchants' economic optimizations but rather by a change in partners' selections that reflected the dynamic of the social structure as a whole.
How did Leonardo DiCaprio become a hero on The Beach? Why would the Droids lode control in Star Wars? What persuaded Mad Max to become Hamlet? Who made Long John Silver's parrot dread Treasure Island? When was there a curse on The Exorcist? Where did Harrison Ford's quick-thinking profit Raiders Of The Lost Ark? From the earliest black-and-white flickers to the most recent big-screen blockbusters, the history of filmmaking is littered with remarkable but true tales of the unexpected. Behind the scenes on more then three hundred films, this entertaining survey covers over a hundred years of cinema history. It's a story of disastrous stunts, star temperaments, eccentric animals, Hollywood rivalries, unexplained deaths, casting coups and bizarre locations. Spanning the silents through the Golden Age to today's effects-packed films, Quentin Falk, film critic of the Sunday Mirror and editor of the BAFTA magazine, Academy, revels an astonishing collection of strange-but-true stories.
This is the most comprehensive, up-to-date, and easily accessible field guide to the mammals of Borneo—the ideal travel companion for anyone visiting this region of the world. Covering Sabah, Sarawak, Brunei, and Kalimantan, the book provides essential information on 277 species of land and marine mammals and features 141 breathtaking color plates. Detailed facing-page species accounts describe taxonomy, size, range, distribution, habits, and status. This unique at-a-glance guide also includes distribution maps, habitat plates, regional maps, fast-find graphic indexes, top mammal sites, and a complete overview of the vegetation, climate, and ecology of Borneo. Covers 277 species—from orangutans and clouded leopards to otters and other marine mammals Features 141 superb color plates Includes facing-page species accounts, distribution maps, fast-find graphic indexes, and more Describes Borneo's vegetation, climate, and ecology
Charles Crichton is perhaps best remembered as the director of the unlikely blockbuster hit A Fish Called Wanda, made when he was seventy-seven years old. But the most significant part of his career was spent at Ealing Studios in the 1940s and 1950s, working on such beloved comedies as Hue and Cry, The Lavender Hill Mob and The Titfield Thunderbolt. Nonetheless, as this pioneering study of Crichton’s work reveals, his filmmaking skills extended way beyond comedy to wartime dramas and film noir, and his adaptability served him well when he made the transition into primetime television, working on popular shows such as The Avengers, Space: 1999 and The Adventures of Black Beauty. Featuring first-hand testimony from colleagues ranging from Dame Judi Dench and Petula Clark to John Cleese and Sir Michael Palin, this riveting account of Crichton’s fascinating life in film will appeal to film scholars and general readers alike.
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton Hidden away in a secure house outside Reykjavík, Detective Gunna and a high-profile stranger, a guest of the interiors minister, are thrown together - too close for comfort. They soon find they are neither as safe nor as carefully hidden as Gunna and her boss had thought. Conflicting glimpses of the man's past start to emerge as the press begin to sniff him out, as does another group with their own reasons for locating him. Gunna struggles to come to terms with protecting the life of a man who may have the lives of many on his conscience - or indeed may be the philanthropist he claims to be. Isolated together, the friction grows between Gunna and the foreign visitor, and she realises they are out of their depth as the trails lead from the house outside Reykjavík to Brussels, Russia and the Middle East. The sixth dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton Hidden away in a secure house outside Reykjavík, Detective Gunna and a high-profile stranger, a guest of the interiors minister, are thrown together - too close for comfort. They soon find they are neither as safe nor as carefully hidden as Gunna and her boss had thought. Conflicting glimpses of the man's past start to emerge as the press begin to sniff him out, as does another group with their own reasons for locating him. Gunna struggles to come to terms with protecting the life of a man who may have the lives of many on his conscience - or indeed may be the philanthropist he claims to be. Isolated together, the friction grows between Gunna and the foreign visitor, and she realises they are out of their depth as the trails lead from the house outside Reykjavík to Brussels, Russia and the Middle East. The sixth dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Superior crime fiction set in Iceland' The Times 'As chilling as an Icelandic winter' S. J. Bolton When a shipowner is found dead, tied to a bed in one of Reykjavik's smartest hotels, Sergeant Gunnhildur sees no evidence of foul play. However, she still suspects things are not as cut and dried as they seem and, as she investigates the shipowner's untimely demise, she stumbles across a discreet bondage society whose members are being systematically exploited and blackmailed. But how does all this connect to a local gangster recently returned to Iceland after many years abroad, and the unfortunate loss of a government laptop containing sensitive data about various members of the ruling party? What begins as a straightforward case for Gunnhildur soon explodes into a dangerous investigation, uncovering secrets that ruthless men are ready to go to violent extremes to keep. The third dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
As chilling as an Icelandic winter' S. J. Bolton 'Superior crime fiction set in Iceland' The Times A successful housebreaker who leaves no traces and no clues as he strips Reykjavík homes of their valuables has been a thorn in the police's side for months. But when one night the thief breaks into the wrong house, he finds himself caught in a trap as the stakes are raised far beyond anything he could have imagined. Gunnhildur Gísladóttir of the Reykjavík police finds herself frustrated at every turn as she searches for a victim who has vanished from the scene of the crime, and wonders if it could be linked to the murders of two businessmen with dubious reputations that her bosses are warning her to keep clear of. The fourth dark and atmospheric thriller in Quentin Bates's Icelandic crime series. A chilling page-turner perfect for fans of Jo Nesbo, Henning Mankell and Søren Sveistrup's The Chestnut Man. Praise for Quentin Bates: 'A great read - leaves you craving the next installment' Yrsa Sigurðardóttir 'A perfect book to curl up with in front of the fire' The Bookbag 'Well written and absorbing' Woman's Way 'Captures the chilly spirit of Nordic crime fiction . . . Fans of Arnaldur Indridason's Reykjavík mysteries will want to add Bates to their reading lists' Booklist '[A] crackling fiction debut ... palpable authenticity' Publishers Weekly 'A superb new series' Eurocrime
Officer Gunnhildur investigates the discovery of a body floating off an Icelandic fishing village and uncovers a web of political intrigue and corruption.
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