Martin Parr was born in Epsom in 1952. When he was a boy, his budding interest in the medium of photography was encouraged by his grandfather. Martin studied photography at Manchester Polytechnic, from 1970 to 1973 and since that time he has worked on numerous photographic projects. This book explores his work.
Picasso, Duchamp, Cocteau, mais aussi Hemingway, Joyce ou Chanel: Man Ray les a tous photographiés. En 1921, lorsqu'il arrive à Paris, l'artiste américain devient portraitiste, pour gagner sa vie. Dans son studio de Montparnasse, il photographie autant ses amis dadaïstes et surréalistes que les Américains de Paris ou les personnalités de la mode, du spectacle et du cinéma. En 1940, l'invasion allemande l'oblige à retourner aux Etats-Unis. Installé à Hollywood, il photographie l'intelligentsia européenne qui s'y est réfugiée, les acteurs et les producteurs américains : Thomas Mann, Jean Renoir, Paulette Goddard ou Ava Gardner. De retour à Paris en 1951, c'est désormais en couleurs qu'il fixe l'image des vedettes du moment: Yves Montand, Juliette Gréco ou Line Renaud. Sans équivalent pour la période, cette extraordinaire archive dessine le visage d'une époque. Elle prend place aux côtés des autres grandes collections de portraits de la vie culturelle française, celles d'un Nadar pour la seconde moitié du XIXe siècle, ou du studio Harcourt pour l'après-guerre. En 1994 et 1995, le Centre Pompidou-Musée national d'art moderne recevait en dation et donation 12 304 négatifs provenant de l'atelier de Man Ray. Cette collection unique au monde est aux deux tiers constituée de portraits. Ce n'est qu'après un long travail d'inventaire, d'identification et de numérisation qu'il a été possible de mesurer l'importance historique et documentaire de ce fonds. Le présent ouvrage vient parachever ce processus. Avec près de 500 négatifs reproduits en positif, des notices biographiques recontextualisant les personnes représentées, deux essais de Quentin Bajac et Clément Chéroux, ainsi que des textes de Man Ray lui-même expliquant sa façon de travailler, ce livre souhaite faire découvrir à un large public cette étonnante collection de visages. Il a aussi pour ambition de redonner à Man Ray la place qu'il mérite dans l'art du portrait au XXe siècle.
One of the most influential photographers of our time, Stephen Shore has often been categorized as one of a group of artists of the 1970s who captured American popular culture in straightforward, unglamorous color images. While this is true, it is only part of the story: Shore has worked with many forms of photography, switching from cheap automatic cameras to large format in the 1970s, pioneering the use of color film before returning to black and white in the 1990s, and, in the 2000s, taking up the opportunities offered by digital photography, digital printing and social media. Published to accompany the first comprehensive survey of Stephen Shore's work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); his photographs of the scene at Andy Warhol's Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
A deluxe large-scale book celebrating the life and design of The Abby Aldrich Rockefeller Sculpture Garden, an oasis at the heart of The Museum of Modern Art. The Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art is beloved by all, whether artists or ordinary museum goers, New Yorkers or visitors from around the world. It is a respite from the crowds and skyscrapers that surround it, as well as a place to commune with major works of modern and contemporary art. Through essays and archival images, this lavishly illustrated volume pays tribute to the Garden_s beauty and remarkable history, while offering a behind-the-scenes look at the many exhibitions, programmes and events that have taken place there over the past eighty years. The Abby Aldrich Rockefeller Sculpture Garden at The Museum of Modern Art features the sculptures that have become synonymous with the Garden, along with the many architects, artists and curators who have worked on and in this remarkable space. This unique publication also debuts a portfolio of images of the Garden by some of the world_s most renowned contemporary photographers, demonstrating that while the outdoor gallery is constantly changing with the seasons, new programming, and rotations of the art on display, it continues to be an inspiration to artists and the broader public alike.
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