This open access book considers the growing field of heritage tourism from community perspectives. It explores how the Cham—Vietnam’s large ethnic minority—reconcile their needs for economic development with the boundaries circumscribed by their traditional culture. It examines struggles that local minority stakeholders like the Cham face when trying to participate in areas of development that typically fall under State control. How will tourism affect the ancient sacred spaces that are the Cham’s lifeblood? In what areas is their participation permitted? From what areas are they excluded? Through a novel mix of indigenous methods, participant observation, local voices, and rich ethnographic description, this book provides a rare glimpse into the discourses that have been percolating throughout the community in recent years. The relevance of this study extends beyond the Cham community, and aims to resonate with experiences of the myriad indigenous and minority communities around the world who face similar issues with heritage conservation and tourism development. This book is of interest to students and researchers of heritage studies, tourism management, cultural studies, Asian studies, as well as policymakers, and academicians seeking current research on the connections between culture, conservation, sustainable development, and tourism.
The Mac Dynasty spanned 150 years and encompassed several nations. In Vietnam, the M c Dynasty's founder, Emperor M c ng Dung, was not a traitor as the LE Dynasty (1009-1225) claimed. Rather, M c ng Dung seized power due to the corruption of the LE Dynasty. Author Quang Hong Mac, a descendant of Mac's family, is now telling the world of his great and historic surname. But his book is not only about the ancient past, it also tells of the author's courageous survival during the Vietnam War and its aftermath. Settling into a new life in the United States after escaping North Vietnamese imprisonment following the war, the author began researching his ancestors who dated back to 770 B.C., so they would never be forgotten. He spent four decades collecting documents and pictures, and speaking to relatives and witnesses. The Mac family's contributions spanned many eras and also impacted the history of China and Korea. The Mac's descendants succeeded as scholars, and were pioneers in the Mekong Delta at Ha Tien, establishing a dynasty that ruled Vietnam for 150 years.
This essay goes beyong the legend of Ho Chi Minh and his disciples. Behind the facade of unity, the Vietnamese communist leadership has for years been torn by a prolonged crisis, sustained by two major ideological factions and later amplified by the development of the Sino-Soviet rift. Ho Chi Minh was far from being a dictator the calibre of Tito, for example. Rather, his style of collective leadership has contributed to the institutionalization of factionalism in Hanoi. His policy of equidistance between Moscow and Beijing became more or less a necessity for the leadership's unity. This book addresses itself to the question: Did Ho Chi Minh leave behind a unified party? The book provides an understanding of one of the most enigmatic - and the most long-lasting - leaderships in the communist annals, and examines the current state of the Hanoi regime.
This book presents an overview of political economic change in Vietnam during a period of significant social and economic change and an era of international turbulence. It combines various political economic perspectives to offer an integrated and comprehensive review of Vietnam’s recent development, discussing topics such as public administrative reform, labour markets and special economic zones, environmental management and other important contemporary issues. This concise and highly readable book includes a considerable amount of research, and as such provides valuable insights for scholars and researchers interested in political economic change and in Vietnam.
Three days before Easter last spring, the North Vietnamese struck South Vietnam with a fury unknown to the Vietnam war since the Tet offensive four years earlier. They poured south across the DMZ, smashed into the central highland from Laos, crossed the border from Cambodia and, with an army of 36,000 men and 100 Russian-made tanks, raced toward Saigon, boasting that they'd be in the city by May 19, Ho Chi Minh's birthday. From one end of the country to the other, bases and villages fell before the savagery of their onslaught. By April 5, all that blocked them from Saigon was a ragtag band of 6,800 South Vietnamese regulars and militiamen and a handful of American advisors holed up in An Loc, a once-prosperous rubber-plantation town of 15,000 astride Highway 13, which led to the capital, 60 miles to the south ... In Thi's opinion, reporting the victory of An Loc would contradict the U.S. media's basic premise that the war could not be won because ARVN was a corrupt and ineffective force. Subsequent published studies of the conflict provide a wealth of details about the use of U.S. airpower and the role of the U.S. advisors, but they fail to provide equal coverage to the activities and performance of ARVN units participating in the siege. Thi believes that it is time to set the record straight. Without denying the tremendous contribution of the U.S. advisors and pilots to the success of An Loc, this book is written primarily to tell the South Vietnamese side of the story and, more importantly, to render justice to the South Vietnamese soldier who withstood ninety-four days of horror and prevailed"--Publisher's website.
Jazz in Socialist Hà Nội: Improvisations between Worlds examines the germination and growth of jazz under communist rule—perceived as the "music of the enemy" and "ideologically decadent"—in the Vietnamese capital of Hà Nội. After disappearing from the scene in 1954 following the end of the First Indochina War, jazz reemerged in the public sphere decades later at the end of the Cold War. Since then, Hà Nội has established itself as a vital and vibrant jazz center, complete with a full jazz program in the national conservatoire. Featuring interviews with principal players involved in cultivating the scene from past to present, this book presents the sociocultural encounters between musicians and the larger powers enmeshed in the broader political economy, detailing jazz’s journey to garner respect comparable to classical music as an art form possessing high artistic value. Ethnographical sketches explore how Vietnamese musicians learn and play jazz while sustaining and nurturing the scene, providing insight as to how jazz managed to grow in such an environment. Jazz in Socialist Hà Nội sheds light on those underlying caveats that allow Vietnamese jazz musicians to navigate the middle grounds between "worlds"—between music and politics—not as an act of resistance, but as realisation of artistic expression.
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