A guide to understanding and handling food allergies and sensitivities A comprehensive overview of food sensitivities, including food allergies and food intolerances. The authors clear up much of the confusion consumers have about food sensitivities as they help food-sensitive individuals understand their symptoms, manage their condition and learn to enjoy eating again. Features: - Listing of most common food allergies - Examination of the differences between allergies and intolerances - Discussion of where to look for hidden food allergens - Case studies of various allergic reactions Questions to ask your doctor - Guide to traveling with food allergies - Quiz for when to get tested A look at new and future treatments for food sensitivity
Navigating the uncertainty of a divided China wracked by warfare and corruption, Tao Yuanming’s poetry—expertly translated by Red Pine—chooses the path walked by China’s ancient sages, finding joy in living a simple life. The latest work in Red Pine’s rich career of translation, Choosing to be Simple: Collected Poems of Tao Yuanming, is a definitive portrait of the early Chinese politician and poet. Thoroughly researched and beautifully translated, this bilingual collection of over 160 verses chronicles Tao Yuanming’s path from civil servant to reclusive poet during the formative Six Dynasties period (220–589). Familiar scenes like farming and contemplating the nature of work and writing are examined with intimate honesty. As Red Pine illuminates Tao Yuanming’s sensitive voice, we find the poet’s solace and sorrow in a China transformed by modernity. Tao Yuanming’s distinct verse shows a keen attention to rhythm as he explores the tension of scarcity and indulgence, duty and escape. Reverberating with clarity and sincerity and laced with humor, the poems of Choosing to Be Simple portray a man’s timeless desire to live by the principles enshrined by China’s sages. Guided by Tao Yuanming’s own wonderment, we, too, find ourselves asking: “Why did I ever question my heart”? We are encouraged to find joy in simplicity—the tending of a garden, the sharing of wine with a stranger.
Written by experienced teachers and thoroughly trialled with non-native students of Chinese, this much-needed text helps students to write coherently, clearly and appropriately in a variety of contexts.
Chinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism. Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
Is there really a soul in the endless starfield that can give the unimaginable ability to ordinary people? Whether the beautiful pictures believed by countless people really exist? It seemed that destiny had abandoned Qin Xuan from the beginning. In order to open the road towards cultivation, Qin came to the cold area alone three years ago. Three years later, he still hadn't made any progress. It was also during these several years that his parents were framed and expelled from the family, and he was betrayed by close friends. Is there really a soul in the endless starfield that can give the unimaginable ability to ordinary people? Whether the beautiful pictures believed by countless people really exist? ☆About the Author☆ Qian Qiu Xue, a new web novelist, has the fiction debut "Peerless God Emperor". This fantasy novel is still ongoing and has accumulated nearly five million words. Because of the excellent literary quality, Qian Qiu Xue has become a contract writer of a novel website.
Ben has been having a hard time. Ever since he can remember, his two sisters and his parents eat whatever they want, whenever they want, and they seem to be fine. But not Ben. When he eats, he often has stomach aches, experiences gagging, and worse yet, he vomits. It seems to him that eating is not a very fun thing at all. Then he is diagnosed with a condition that is hard to pronounce, but the doctor says it's good that they know what it is so that she can help Ben learn to manage his illness. After his endoscopy shows that Ben has EoE, he and his doctor--a gastroenterologist--work together as detectives to solve the mystery of what foods are causing his EoE symptoms. But Ben is worried, not to mention frustrated and sad about all of the problems his disease is causing. Being placed on a special elemental diet, in which he gets his nutrition primarily from drinking something called Splash, isn't nearly as fun or tasty as eating. Soon enough, Ben is able to gradually add food back into his diet. Sometimes he has to eliminate foods based on the findings of his regular endoscopies, and though it is frustrating, he is sure that they will figure it out soon. Eventually, he and his doctor solve the mystery and he is able to avoid eating these foods and remain healthy.
Imperial-Time-Order is an engagingly written critical study on a persistent historical way of thinking in modern China. Defined as normalization of unification and moralization of time, Qian suggests, the imperial-time-order signifies a temporal structure of empire that has continued to shape the way modern China developed itself conceptually. Weaving together intellectual debates with literary and media representations of imperial history since the late Qing period, ranging from novels, stage plays, films, to television series, Qian traces the different temporalities of each period and takes “time” as the analytical node by which issues of empire, nation, family, morality, individual and collective subjectivity are constructed and contested.
This SpringerBrief offers two concrete design examples for traffic offloading. The first is an optimal resource allocation for small-cell based traffic offloading that aims at minimizing mobile users’ data cost. The second is an optimal resource allocation for device-to-device assisted traffic offloading that also minimizes the total energy consumption and cellular link usage (while providing an overview of the challenging issues). Both examples illustrate the importance of proper resource allocation to the success of traffic offloading, show the consequent performance advantages of executing optimal resource allocation, and present the methodologies to achieve the corresponding optimal offloading solution for traffic offloading in heterogeneous cellular networks. The authors also include an overview of heterogeneous cellular networks and explain different traffic offloading paradigms ranging from uplink traffic offloading through small cells to downlink traffic offloading via mobile device-to-device cooperation. This brief is an excellent resource for postgraduate students studying advanced-level topics in wireless communications and networking. Researchers, engineers and professionals working in related fields will also find this brief a valuable resource tool.
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
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