This book offers a theoretical intervention into the normative ideals of public space that are deeply rooted in Western urbanism. It disrupts the binaries of presence/absence, inclusion/exclusion by presenting a series of case studies that vividly convey the complexity and vicissitude of grassroots spatial practices. It engages powerfully with the question of what constitutes the “urban public” in our everyday cities. Moreover, it provides a fresh perspective on the proliferating scholarship on Chinese urbanism in the reform era by seriously considering the ways in which ordinary urban inhabitants respond to and negotiate the impacts of rapid social change and the reshuffling of the systems of values and ideologies. The urban public, therefore, is analyzed as an important field in which identities and cultural differences are formed and performed. This book is a worthwhile read for anyone interested in theories of urban public space in general or urban transformation of post-reform China in particular.
This translation of 65 pieces from Qian Zhongshu's Guanzhui bian (Limited Views) makes available for the first time in English a representative selection from Qian's massive four-volume collection of essays and reading notes on the classics of early Chinese literature.
He had awoken before, Jing Ke was a steed, he had slept before, he had changed between mountains and rivers. Some people said that he had appeared and set up tombstones for him. Others said that he had never appeared, and they disdained him. The great Dao was intangible, Pan Gu nurtured the world; the great Dao was heartless, Yin and Yang turned in four directions; the great Dao was nameless, nourishing all living things. With just a single thought, he lost track of the year. Fate has been established since the very beginning, with no desire to live and no desire to live. The Green Lotus of Eternity, independent Primal Chaos, thus there was someone who spoke of the Green Lotus of Clouds and Blue Lotus as an immortal from ancient times, the White Jade Pillar, the Purple Gold Beam, the Green Lotus from ancient times had transformed into an unparalleled ancient times, thus the Green Emperor was incomparable to the Primordial Era.
Once she transmigrated, she brought along her adorable baby, the battle concubine, and the trashy girl to fight against her selfish father. Feng Yu's life could only be described as wonderful!She thought that she would be able to bring her baby around the ancient times, but who would have thought that a cold and dark prince would suddenly appear in the middle of her path?Alright, then she will spar against him and see who can do what he wants!
The soul of the Hierarch had revived the theory of destiny; another battle had created a bloody storm!He had thought that it was only because the heavens had eyes, that he would be able to return to the Sky Realm and take revenge for his death. Who would have thought that it would be the Divine Lord's guidance that had chosen him as the child of the gods, giving humanity hope.He commanded the Sky Profound Realm, dominated the White Spirit Realm, and stepped into the nine heavens of the Gods and Demons.Absolute Monarch Sanctuary, Devil Slayer, Universal Palm!
Is there really a soul in the endless starfield that can give the unimaginable ability to ordinary people? Whether the beautiful pictures believed by countless people really exist? It seemed that destiny had abandoned Qin Xuan from the beginning. In order to open the road towards cultivation, Qin came to the cold area alone three years ago. Three years later, he still hadn't made any progress. It was also during these several years that his parents were framed and expelled from the family, and he was betrayed by close friends. Is there really a soul in the endless starfield that can give the unimaginable ability to ordinary people? Whether the beautiful pictures believed by countless people really exist? ☆About the Author☆ Qian Qiu Xue, a new web novelist, has the fiction debut "Peerless God Emperor". This fantasy novel is still ongoing and has accumulated nearly five million words. Because of the excellent literary quality, Qian Qiu Xue has become a contract writer of a novel website.
The term Sino-Korean may refer to either the phonological system or vocabulary in Korean that is of Chinese origin. Along with the borrowing of Chinese characters, the Chinese readings of characters must also have been transmitted into Korean. A Study of Sino-Korean Phonology aims to contribute to the field of Sino-Korean phonology by re-examining the origin and layers of Sino-Korean pronunciations from a loanword phonology perspective. The central issues of this book include an ongoing discussion on the questions of which Chinese dialect Sino-Korean is based on and how the source form in Chinese was adapted into Korean. Last is an in-depth analysis of the layers of Sino-Korean.
Duan Hong, a man with a demonic personality, was sent to the temple to practice martial arts. The Violent Spirit hidden in his blood allowed him to burst forth with unparalleled strength. As the saying goes, "color is emptiness," "void is color." The Buddha sat inside, and the wine and sex passed through his intestines. When he returned to the city, he still found it difficult to change his devilish nature. Dual-faced beautiful mature woman, the beautiful mature woman, the beautiful Barbarian Queen Sister walked around him, and a pair of pure and innocent sisters were by his side as well. He, who was surrounded by red powder, how would he perform his devilish life ...
This book is the first book on the history of Chinese traveling culture. It reviewed the history of Chinese traveling culture, and revealed the cultural significance of China's traveling phenomena and the underlying principles of its changing traveling culture.It has the following features: First, it divided the history of Chinese traveling culture into six periods to create a system to explain the phenomena and changes of traveling culture. Second, it emphasized the significance of travelers in traveling culture, and revealed the influence of zeitgeist on traveling culture. Third, it explained phenomena through investigations of the artifacts, institutions, behaviors and attitudes of traveling culture, and the dynamic interactions between the subjects, objects and media in traveling. Fourth, it expanded the theory of traveling by building upon extant ideas.Published by SCPG Publishing Corporation and distributed by World Scientific for all markets except China
He had stolen the tomb, but somehow, it had become the corpse of a woman in a coffin. Worst of all, this body had brought him, a pure man, back to a thousand years ago. Can't a man live by becoming a woman? See how he plays with the dynasty!
Chinese culture held a well-known fascination for modernist poets like Ezra Pound and William Carlos Williams. What is less known but is made fully clear by Zhaoming Qian is the degree to which oriental culture made these poets the modernists they became. This ambitious and illuminating study shows that Orientalism, no less than French symbolism and Italian culture, is a constitutive element of Modernism. Consulting rare and unpublished materials, Qian traces Pound's and Williams's remarkable dialogues with the great Chinese poets--Qu Yuan, Li Bo, Wang Wei, and Bo Juyi--between 1913 and 1923. His investigation reveals that these exchanges contributed more than topical and thematic ideas to the Americans' work and suggests that their progressively modernist style is directly linked to a steadily growing contact and affinity for similar Chinese styles. He demonstrates, for example, how such influences as the ethics of pictorial representation, the style of ellipsis, allusion, and juxtaposition, and the Taoist/Zen-Buddhist notion of nonbeing/being made their way into Pound's pre-Fenollosan Chinese adaptations, Cathay, Lustra, and the Early Cantos, as well as Williams's Sour Grapes and Spring and All. Developing a new interpretation of important work by Pound and Williams, Orientalism and Modernism fills a significant gap in accounts of American Modernism, which can be seen here for the first time in its truly multicultural character.
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
Traveling a part of the city, painting a legend. Li Jun, who had a background of "Golden Hunter", returned to the city after three years of silence. Facing his jealous, jealous, petty and stingy superior, the Qing Gang had cheated each other internally, and the ancient mafia, Barnano Family's global wanted poster ... ... He put on his black leather suit, tied the Widow Maker, and pushed the bullets from the Golden Desert Eagle into the chamber of the gun, moving against the wind. Just how many piles of bones did he need to be able to do whatever he wanted? He could do anything he wanted!
She was a famous surgeon of the modern age, and once transmigrated, she became a mad woman imprisoned in an iron cage. In her previous life, she had risked her life to save the peerless Southern Hill's King. When the bridge of flowers was carried into the palace, her older sister had used a sword to wound her and replaced her. In this life, the Southern Hill's Royal Concubine only wanted to relieve Princess Rou of her boredom, as she was stuffed into the bridal bridge and became the substitute for her second sister.
Imperial-Time-Order is an engagingly written critical study on a persistent historical way of thinking in modern China. Defined as normalization of unification and moralization of time, Qian suggests, the imperial-time-order signifies a temporal structure of empire that has continued to shape the way modern China developed itself conceptually. Weaving together intellectual debates with literary and media representations of imperial history since the late Qing period, ranging from novels, stage plays, films, to television series, Qian traces the different temporalities of each period and takes “time” as the analytical node by which issues of empire, nation, family, morality, individual and collective subjectivity are constructed and contested.
Sima Qian (145?-90? BCE) was the first major Chinese historian. His Shiji, or Records of the Grand Historian, documents the history of China and its neighboring countries from the ancient past to his own time. These three volumes cover the Qin and Han dynasties.
In 1898, Qing dynasty emperor Guangxu ordered a series of reforms to correct the political, economic, cultural, and educational weaknesses exposed by China's defeat by Japan in the First Sino-Japanese War. The "Hundred Day's Reform" has received a great deal of attention from historians who have focused on the well-known male historical actors, but until now the Qing women reformers have received almost no consideration. In this book, historian Nanxiu Qian reveals the contributions of the active, optimistic, and self-sufficient women reformers of the late Qing Dynasty. Qian examines the late Qing reforms from the perspective of Xue Shaohui, a leading woman writer who openly argued against male reformers' approach that subordinated women's issues to larger national concerns, instead prioritizing women's self-improvement over national empowerment. Drawing upon intellectual and spiritual resources from the freewheeling, xianyuan (worthy ladies) model of the Wei-Jin period of Chinese history (220–420) and the culture of women writers of late imperial China, and open to Western ideas and knowledge, Xue and the reform-minded members of her social and intellectual networks went beyond the inherited Confucian pattern in their quest for an ideal womanhood and an ideal social order. Demanding equal political and educational rights with men, women reformers challenged leading male reformers' purpose of achieving national "wealth and power," intending instead to unite women of all nations in an effort to create a just and harmonious new world.
This comprehensive volume examines contemporary life and history in Beijing, covering such topics as culture, politics, economics, crime, security, the environment, and more. While it is not China's most populated city, Beijing serves an important role as the political and cultural capital of the country. This volume examines Beijing's long history, contemporary society, and current challenges the city faces as we move further into the 21st century. Geared toward high school readers, undergraduates, and general readers interested in learning about Beijing, this volume consists of 12 narrative chapters focused on geography, history, and culture. Coverage includes location, people, history, politics, economy, environment and sustainability, local crime and violence, security issues, natural hazards and emergency management, culture and lifestyle, popular culture, and the future. "Life in the City" sidebars feature interviews and memories transcribed by people who are from, lived in, or traveled through Beijing, while other sidebars offer cultural fun facts and travel tips. This volume is the perfect read for anyone looking to get a better idea of what life is like in Beijing and how its culture has arrived at this point.
Patchwork: Seven Essays on Art and Literature presents in English translation a number of essays written by the Chinese literary scholar and novelist Qian Zhongshu (1910-1998). One of the great minds of the twentieth century, Qian, with his characteristic erudition and wit, addresses here aspects of the classical literary and artistic traditions of China. Better known, as a scholar, for his magisterial Limited Views: Essays on Ideas & Letters (Guanzhui bian) (1979-80) and, as a novelist, for his Fortress Besieged (Weicheng) (1947), these essays, first written during the period 1948-83 and much revised over the years, allow readers insight into Qian’s abiding concern with “striking connections” between disparate literary, historical, and intellectual traditions, ancient and modern, Chinese and Western. Dr. Duncan Campbell was awarded the China Book Award for Special Contributions at the 23rd Beijing International Book Fair. Dr. Campbell received this award for his translation of this volume.
Longlisted for the Carnegie Medal for Excellence A TIME Best Book of 2023 “Qian has a gift for sensory details, and for the speculative and grotesque. . . . a pleasure to read.”—Raven Leilani, author of Luster The electric, unsettling, and often surreal stories in LET'S GO LET'S GO LET'S GO explore the alienated, technology-mediated lives of restless Asian and Asian American women today. A woman escapes into dating simulations to forget her best friend’s abandonment; a teenager begins to see menacing omens on others’ bodies after her double eyelid surgery; reunited schoolmates are drawn into the Japanese mountains to participate in an uncanny social experiment; a supernatural karaoke machine becomes a K-pop star’s channel for redemption. In every story, characters refuse dutiful, docile stereotypes. They are ready to explode, to question conventions. Their compulsions tangle with unrequited longing and queer desire in their search for something ineffable across cities, countries, and virtual worlds. With precision and provocation, Cleo Qian’s immersive debut jolts us into the reality of lives fragmented by screens, relentless consumer culture, and the flattening pressures of modern society—and asks how we might hold on to tenderness against the impulses within us.
In the 1990s, China’s economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics in Post-Mao China looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender, locality and faith in contemporary China.
In biotechnology and bioengineering, small molecules can be used to increase the efficiency reduce the cost and damage to the environment of certain bioprocesses. This book introduces readers to the important field of chemically promoted biotechnology and bioengineering and presents the theory behind the biotechnology of enzymatic reactions and how they can be chemically enhanced. The book covers chemical modulators for enzymatic reactions, chemically promoted biotechnology in plant cell cultures, chemically promoted biotechnology for plant protection and future prospects for the field. Knowledge gained allows both chemists to make use of biotechnology to solve chemical problems in an environmentally-friendly way, and biologists to make use of chemistry to increase biotechnological efficiency. This book is useful for scientists in a broad range of disciplines, including agricultural chemistry, pesticide science, medicinal chemistry, biochemistry, bio-organic chemistry, cell and molecular biology. Students and researchers in both academia and industry will find it a useful handbook.
Heidegger characterizes the relationship between language and Being as "language is the house of Being", negating the idea that language is merely a tool ready to be used at hand. Drawing on this idea, as well as ideas from anthropology, pragmatics, and folklore studies, the author argues that "language is the last homestead of human beings", meaning that mankind lives within language, has to live within language, and lives in formulaic speech events. The author takes Western classic works on the philosophy of language and his own insights of language use, rooted in traditional Chinese culture, in order to develop his own localized theory. In this title, the author explores the philosophical aspect of man’s survival by presenting day-to-day exchange routines such as weddings and fortune-telling dialogues in the Chinese context. Awarded the first prize for Academic Excellence in Philosophy and Social Sciences in Guangdong Province, and second prize in the second Xu Guozhang Award for Foreign Language Studies, this is a must-read for researchers interested in philosophy of language and pragmatics.
This book provides a comprehensive examination of the socio-cultural and political context of modern China in terms of its interaction with America and the West, focusing on the influence of the well-known Chinese writer and intellectual Lin Yutang (1895-1976). Offering a unique study of the life and works of Lin Yutang, it highlights his intellectual legacy in modern China and considers how his cross-cultural life and ideas embodied the modern Chinese cultural experience. It notably focuses on Lin’s reputation as an outspoken critic of the infringement of human rights during the rise of the Communist regime in China, but also on his rediscovery of Chinese cultural resources. At a time when China’s cultural contributions are increasingly relevant worldwide, this book contributes to ongoing critical reflections of Chinese modernity, particularly in terms of its intellectual legacies, but also to a renewed understanding of the cross-cultural interactions between China and America and a re-opening the dialogue and search for a new cultural understanding.
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