Pseudo-Dionysius the Areopagite, also known as Pseudo-Denys, was a Christian theologian and philosopher of the late 5th to early 6th century, the author of the Corpus Areopagiticum (before 532). The author is identified as "Dionysos" in the corpus, which later incorrectly came to be attributed to Dionysius the Areopagite, the Athenian convert of St. Paul mentioned in Acts 17:34. His surviving works include Divine Names, Mystical Theology, Celestial Hierarchy, Ecclesiastical Hierarchy, and various epistles. Some other works, such as Theological Outlines, are presumed to be lost.His works are mystical and show strong Neoplatonic influence. For example he uses Plotinus' well-known analogy of a sculptor cutting away that which does not enhance the desired image. He shows familiarity with Proclus, which indicates he wrote no earlier than the 5th century, as well as influence from Saint Clement of Alexandria, the Cappadocian Fathers, Origen of Alexandria, and others. The liturgical references in his writings also date his works after the 4th century. His writings were first cited in 519 in a work by Severus of Antioch, Adversus apologiam Juliani, who cited the Fourth Letter. Debates over the author of the Dionysian corpus began in the Renaissance.
By "Dionysius the Areopagite" is usually understood the judge of the Areopagus who, as related in Acts 17:34, was converted to Christianity by the preaching of St. Paul, and according to Dionysius of Corinth (Eusebius, Church History III.4) was Bishop of Athens. In the course of time, however, two errors of far-reaching import arose in connection with this name. In the first place, a series of famous writings of a rather peculiar nature was ascribed to the Areopagite and, secondly, he was popularly identified with the holy martyr of Gaul, Dionysius, the first Bishop of Paris. It is not our purpose to take up directly the latter point; we shall concern ourselves here (1) with the person of the Pseudo-Areopagite; (2) with the classification, contents, and characteristics of his writing; (3) with their history and transmission; under this head the question as to the genuineness of, origin, first acceptance, and gradual spread of these writings will be answered. Deep obscurity still hovers about the person of the Pseudo-Areopagite. External evidence as to the time and place of his birth, his education, and latter occupation is entirely wanting. Our only source of information regarding this problematic personage is the writings themselves. The clues furnished by the first appearance and by the character of the writings enable us to conclude that the author belongs at the very earliest to the latter half of the fifth century, and that, in all probability, he was a native of Syria. His thoughts, phrases, and expressions show a great familiarity with the works of the neo-Platonists, especially with Plotinus and Proclus. He is also thoroughly versed in the sacred books of the Old and New Testament, and in the works of the Fathers as far as Cyril of Alexandria. The works contained in this book are: The Mystical Theology, The Divine Names, The Celestial Hierarchy, The Ecclesiastical Hierarchy, and ten epistles. In these treatises Pseudo-Dionysius develops his apophatic or negative theology, which was to have an immense influence on Christian mysticism in the East and West.Also included is an index and a brief biography and discussion of the writer.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.