Nine-year-old Jessie spends the summer vacation at her absent-minded uncle's rambling old manor, finding adventures with an elegantly sophisticated cat named Wickham, a garrulous mynah bird named Flummery, and assorted relatives and friends.
Institutions for juveniles have achieved a degree of professionalism that allows them to mask their selection of particular clients for organizationally convenient rather than clinically appropriate reasons. In Normal Bad Boys, Prue Rains and Eli Teram document the evolution and transformation of client recruitment strategies and explain the dynamics underlying the processing of juveniles. In doing so, they raise important questions about the policy safeguards that presumably protect young people.
Growing up in the outback of South Africa, sensible Poppy realized she would always have to look out for her younger sister, the beautiful, wild, and unreliable Carrie. Years later, in London, Poppy, a stage actress with three children and a charming, handsome husband, never imagines that Carrie, now a sexy and passionate caterer, would try to hurt her. But Carrie can't help herself. She's resentful that Poppy has everything she always wanted: a successful, fulfilling career, a gorgeous husband, a loving family, a house in the country, while Carrie has nothing but debts, one-night-stands, and an uncertain future. Carrie discovers the chink in Poppy's armor, her husband Eduardo, and she sets out to exploit it in the way she knows best. She provides Eduardo with danger, excitement, and great sex - all things that have faded in Eduardo and Poppy's marriage. But in destroying her sister's peace of mind, Carrie risks losing all those who love her. Prue Leith has written a poignant and moving story about the real choices siblings have to make once they grow up and start taking stock of their lives. Sisters is a brilliantly crafted portrait of sibling rivalry, love, and the ultimate betrayal.
Culinary Taste: Consumer Behaviour in the International Restaurant Sector looks at the factors that influence our culinary tastes and dining behaviour, illustrating how they can translate into successful business in industry. With a foreword from Prue Leith, restaurateur, author, teacher, and prolific cookery writer and novelist, and a list of well-known and respected international contributors from the UK, France, Australia and Hong Kong, this text discusses the issues involved from a multitude of angles.
Emotional family saga following the Angelotti food dynasty, from household name Prue Leith. Perfect for fans of Penny Vincenzi and Barbara Taylor Bradford. A new generation. It is 1968. Angelica Angelotti has grown up in her parents' Italian restaurant. Now she is striking out on her own in Paris. There she falls in love with her charismatic but unpredictable cousin Mario. A fresh challenge. Navigating a blossoming career, from the Savoy hotel to the world of television, alongside an increasingly toxic relationship proves impossible. The offer to run the pub on her family's estate as a restaurant seems like the perfect escape. Chorlton has called her home... A brighter future. Soon she has a thriving business, and even the chance of a new love. But when Mario reappears, determined to win her back, will Angelica be able to hold on to everything she's sacrificed so much for?
When Lucy and Rebecca agree to help the shy Joanna overcome stagefright during their choral class, an unlikely friendship develops among the three. And soon enough, the lessons turn to matters of the heart. Lucy has been recently widowed and now faces the loss of her "old-fashioned" food column. Rebecca is a flighty single mother with a voracious sexual appetite, and Joanna is a hard charging businesswoman, who comes home nightly to an empty house. From acclaimed writer Prue Leith comes a delightful novel that proves it's never too late for a lesson in life and love.
From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.
Updated to introduce topics within the context of the new Primary Strategy and the National Literacy Strategy, this edited collection provides sound advice and practical suggestions about the teaching of literacy.
Few books have had the global impact of Thomas Piketty’s Capital in the Twenty-First Century. An overnight bestseller, Piketty’s assessment that inherited wealth will always grow faster, on average, than earned wealth has energised debate. Hailed as ‘bigger than Marx’ (The Economist) or dismissed as ‘medieval’ (Wall Street Journal), the book is widely acknowledged as having significant economic and political implications. Collected in this BWB Text are responses to this phenomenon from a diverse range of New Zealand economists and commentators. These voices speak independently to the relevance of Piketty’s conclusions. Is New Zealand faced with a one-way future of rising inequality? Does redistribution need to focus more on wealth, rather than just income? Was the post-war Great Convergence merely an aberration and is our society doomed to regress into a new Gilded Age?
Why should we continue to draw by hand when computers and photography can do it for us? Freehand drawing is currently enjoying a widespread renaissance. In this path-breaking study, the act of drawing is explored as a way to foster epistemic development and wise thinking skills. Drawing exposes the connecting processes of perception, by which we make sense of the world, creating and using systems of classification which ultimately create boundaries. By exploring the relationships between metaphor, the mental activity fundamental to language, and the coordination of hand and eye essential for drawing, such categories can be dissolved through the development of visual intelligence. This book discusses approaches to epistemic development in relation to experiential learning, citing students’ descriptions of their encounters with ways of knowing based on value judgments rather than the perceived safety of facts. Chapters on prehistoric cave art and early medieval practices of the art of memory provide further insights into what it means to draw, and what a drawing is. A chapter on the history of engineering education discusses the narrowing effects of abstract and theoretical approaches to knowledge at the expense of practical skill and experience. The study was developed in the setting of a postgraduate industrial design course for engineers at the Royal College of Art, London, but its concerns and recommendations, including a wealth of teaching ideas, apply wherever professional practitioners have to make judgments involving conflicting ideas. Its insights hint at a deeper role for the university, taking postgraduates beyond the narrow instrumentalist training agendas favoured by current government policies, to a larger vision of the meaning of professional development.
Proceedings of the 23rd annual conference of the Australasian Association for Engineering Education, held in Melbourne in December 2012. The conference theme was 'the profession of engineering education: advancing teaching, research and careers' and the conference explored opportunities for improving teaching and scholarship, rigorous research in engineering education and career advancement as an engineering educator.
Proceedings of the 20th annual conference for the Australasian Association for Engineering Education, held at the University of Adelaide in December 2009. Papers were presented by Australian and international delegates. The conference was focused on the engineering curriculum in higher education.
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