Prudentius’ Crown of Martyrs offers an English translation, with introduction and commentary, of the Liber Peristephanon, Prudentius’ vivid collection of lyric hymns in honor of Christian martyrs. To render Prudentius’ metrically varied lines for twenty-first-century readers, Len Krisak relies on the inherent iambic nature of English. The introduction offers insight into social, political, and literary features of the fourth century, the life of Prudentius, the poet’s other works, his Latinity and mastery of ancient meters, and the manuscript tradition and the reception of Prudentius in the Middle Ages and beyond. Given Prudentius’ central place in the history of Latin poetry, this translation is a welcome resource for general readers interested in Western literary history. It will also find a home with scholarly audiences working on Late Antique and Early Christian literature and culture, in a wide variety of college classrooms and in academic libraries.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Aurelius Prudentius Clemens (348-ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.
Aurelius Prudentius Clemens (348-ca. 406) is one of the great Christian Latin writers of late antiquity. Born in northeastern Spain during an era of momentous change for both the Empire and the Christian religion, he was well educated, well connected, and a successful member of the late Roman elite, a man fully engaged with the politics and culture of his times. Prudentius wrote poetry that was deeply influenced by classical writers and in the process he revived the ethical, historical, and political functions of poetry. This aspect of his work was especially valued in the Middle Ages by Christian writers who found themselves similarly drawn to the Classical tradition. Prudentius's Hamartigenia, consisting of a 63-line preface followed by 966 lines of dactylic hexameter verse, considers the origin of sin in the universe and its consequences, culminating with a vision of judgment day: the damned are condemned to torture, worms, and flames, while the saved return to a heaven filled with delights, one of which is the pleasure of watching the torments of the damned. As Martha A. Malamud shows in the interpretive essay that accompanies her lapidary translation, the first new English translation in more than forty years, Hamartigenia is critical for understanding late antique ideas about sin, justice, gender, violence, and the afterlife. Its radical exploration of and experimentation with language have inspired generations of thinkers and poets since-most notably John Milton, whose Paradise Lost owes much of its conception of language and its strikingly visual imagery to Prudentius's poem.
Combining faithfulness to the Latin with sensitivity to Prudentius' poetic qualities, Nicholas Richardson offers a precise yet creative verse translation of a major work by one of the most important Christian Latin poets of late antiquity. Prudentius' Hymns for Hours and Seasons also provides readers with a wealth of supporting material which sets the life and output of this poet in its historical, religious and literary context, outlines manuscript and editorial details, discusses metrics and Latinity, and also gives a sense of the individual hymns of the Cathemerinon. Richardson's fresh translation allows readers unfamiliar with Latin to understand and interpret the poems, as well as offering those who know Latin a translation that keeps very close to the original text. Detailed notes at the end of the book illuminate both the literary and the religious aspects of each hymn. This commentary, along with the introduction and translated text, provides students and scholars alike with a comprehensive volume on one of the key works of later Latin poetry.
Is celibacy an exclusive practice of the Latin Church? Why has priestly celibacy in the Catholic Church always been singled out for attacks? Is the requirement of celibacy harmful to man's psycho-sexual equilibrium and to the normal development of human personality? Is celibacy a greater burden to priests from non-Western cultures like Ingho-Nigerian culture? Is priestly celibacy still relevant in today's society? If priestly celibacy is a charism, how can it be imposed by law? These crucial questions about priestly celibacy find their answers in this work. There has been a debate concerning the primary source of the obligation of priestly celibacy. This work clarifies that since priestly celibacy is a charism of the Holy Spirit, the primary source of obligation does not rise from the law but from the charism itself (gift) and from the free response which the person gives in love to this charism (commitment). The work traced the magisterium of the Church on priestly celibacy from 1917 code to the pontificate of Benedict XVI and came to the conclusion that the crisis associated with celibacy is not solved by abrogating the law but through an integrated celibate formation of seminarians. The work therefore developed an integrated celibate formation model for Igho-Nigerian seminarians, a model which is adaptable to the formation of seminarians in any socio-cultural and ecclesial situation.
This new translation brings to life Prudentius' Psychomachia, one of the most widely read poems in western Europe from Late Antiquity through the Renaissance. With accompanying notes and introduction, this volume provides a fresh exploration of its themes and influence. The Psychomachia of Prudentius (348-c. 405), an allegorical epic poem of nearly 1,000 lines about the battle between the virtues and the vices for possession of the human soul, led early modern scholars to refer to the late antique poet as "the Christian Vergil." Combining depictions of violent, single combats with allusions to pagan epic poetry, biblical scenes, and Christian doctrine, the poem captures the dynamism of the later Roman Empire in which the pagan world was giving way to a new, Christian Europe. In this volume, the introduction sets the historical and literary context and illuminates the Psychomachia's prominent role in western literary history. Mastrangelo's translation aims to capture the rhetorical power of the author's Roman Christian Latin for the 21st-century reader. The notes provide the reader with in-depth information on Prudentius' Latinity, the Roman epic tradition, and Christian doctrine. This volume is directed at students and scholars across the disciplines of comparative literature, classics, religion, and ancient and medieval studies, as well as any reader interested in the history and development of literature in the West.
Lively new translations of two classical works that offer wise advice about how to resist temptation How to Have Willpower brings together two profound ancient meditations on how to overcome pressures that encourage us to act against our own best interests--Plutarch's essay On Dysopia or How to Resist Pressure and Prudentius's poetic allegory Psychomachia or How to Slay Your Demons. Challenging the idea that humans are helpless victims of vice, these works--introduced and presented in vivid, accessible new prose translations by Michael Fontaine, with the original Latin and Greek texts on facing pages--emphasize the power of personal choice and the possibility of personal growth, as they offer insights and practical advice about resisting temptation. In the spirit of the best ancient self-help writing, Plutarch, a pagan Greek philosopher and historian, offers a set of practical recommendations and steps we can take to resist pressure and to stop saying "yes" against our better judgment. And in a delightfully different work, Prudentius, a Latin Christian poet, dramatizes the necessity to actively fight temptation through the story of an epic battle within the human soul between fierce warrior women representing our virtues and vices. Plutarch and Prudentius insist that we allow pressure or temptations to get the best of us. But they also agree that we can do something about it. And their wisdom can help.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.