A faceless man often appears in Eleanor¿s dreams. He passionately engages her, carrying her into worlds unknown, speaking softly and making her feel beautiful inside and out. In her dreams, she is loved. But in everyday life, Eleanor has been wounded by date-rape and the pitfalls of teenage love. In everyday life, the free-spirited Eleanor is also trapped by the perfect ideals of the church¿ trapped by what is ¿right and proper¿ and who is ¿higher.¿ While trying to find solace and peace through doing all the right things, Eleanor lost herself. She married Mr. Wrong twice. She gave her life to the church only to be cast away and labeled unworthy. Throughout it all, the faceless man gives comfort and solace. But Eleanor longs for more than a faceless dream. She longs for more than a church that tosses away people like trash. She longs for more than rolling over in the morning to find the dream gone and the pain of everyday laughing at the end of the bed. And deep down inside, Eleanor wonders what happened to the carefree Eleanor of days gone by. Join Eleanor as she searches for something more than the dream, something more than the emptiness¿ as she searches for happiness.
A faceless man often appears in Eleanor¿s dreams. He passionately engages her, carrying her into worlds unknown, speaking softly and making her feel beautiful inside and out. In her dreams, she is loved. But in everyday life, Eleanor has been wounded by date-rape and the pitfalls of teenage love. In everyday life, the free-spirited Eleanor is also trapped by the perfect ideals of the church¿ trapped by what is ¿right and proper¿ and who is ¿higher.¿ While trying to find solace and peace through doing all the right things, Eleanor lost herself. She married Mr. Wrong twice. She gave her life to the church only to be cast away and labeled unworthy. Throughout it all, the faceless man gives comfort and solace. But Eleanor longs for more than a faceless dream. She longs for more than a church that tosses away people like trash. She longs for more than rolling over in the morning to find the dream gone and the pain of everyday laughing at the end of the bed. And deep down inside, Eleanor wonders what happened to the carefree Eleanor of days gone by. Join Eleanor as she searches for something more than the dream, something more than the emptiness¿ as she searches for happiness.
The microhistory of the wine industry in colonial Moquegua, Peru, during the colonial period stretches from the sixteenth through nineteenth centuries, yielding a wealth of information about a broad range of fields, including early modern industry and labor, viniculture practices, the cultural symbolism of alcohol consumption, and the social history of an indigenous population. Uniting these perspectives, Vintage Moquegua draws on a trove of field research from more than 130 wineries in the Moquegua Valley. As Prudence Rice walked the remnants of wine haciendas and interviewed Peruvians about preservation, she saw that numerous colonial structures were being razed for development, making her documentary work all the more crucial. Lying far from imperial centers in pre-Hispanic and colonial times, the area was a nearly forgotten administrative periphery on an agricultural frontier. Spain was unable to supply the Peruvian viceroyalty with sufficient wine for religious and secular purposes, leading colonists to import and plant grapevines. The viniculture that flourished produced millions of liters, most of it distilled into pisco brandy. Summarizing archaeological data and interpreting it through a variety of frameworks, Rice has created a three-hundred-year story that speaks to a lost world and its inhabitants.
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