Reading Rivers is the first book in a new series: Roman Studies: Interdisciplinary Approaches. Author Prudence Jones examines rivers as a literary phenomenon, particularly in the poetry of Vergil. The point of such an investigation is twofold: an examination of VergilOs poetry elucidates particularly clearly a point about rivers: that their inclusion functions almost as a literary device, and an examination of rivers makes a point about Vergil: that rivers are essential to understanding the trajectory of his works, in particular the structure of the Aeneid. This study depends primarily on the close analysis of the poetry of Vergil and of other relevant authors. In Part I Jones examines the Greco-Roman understanding of the river in its primary symbolic roles: cosmological, ritual and ethnographical. Part II analyzes the river as a literary device, with particular attention to the works of Vergil, and argues that descriptions of rivers in Roman poetry are, in many cases, a form of authorial comment on the progress or structure of a narrative. Jones gives scholars in the classics, and literary critics who focus specifically on Roman antiquity a special prism through which to view the works of Vergil as well as other significant authors. This book is also for those working in the fields of cultural studies, cultural geography, and ancient philosophy.
In Maya Political Science: Time, Astronomy, and the Cosmos, Prudence M. Rice proposed a new model of Maya political organization in which geopolitical seats of power rotated according to a 256-year calendar cycle known as the May. This fundamental connection between timekeeping and Maya political organization sparked Rice's interest in the origins of the two major calendars used by the ancient lowland Maya, one 260 days long, and the other having 365 days. In Maya Calendar Origins, she presents a provocative new thesis about the origins and development of the calendrical system. Integrating data from anthropology, archaeology, art history, astronomy, ethnohistory, myth, and linguistics, Rice argues that the Maya calendars developed about a millennium earlier than commonly thought, around 1200 BC, as an outgrowth of observations of the natural phenomena that scheduled the movements of late Archaic hunter-gatherer-collectors throughout what became Mesoamerica. She asserts that an understanding of the cycles of weather and celestial movements became the basis of power for early rulers, who could thereby claim "control" over supernatural cosmic forces. Rice shows how time became materialized—transformed into status objects such as monuments that encoded calendrical or temporal concerns—as well as politicized, becoming the foundation for societal order, political legitimization, and wealth. Rice's research also sheds new light on the origins of the Popol Vuh, which, Rice believes, encodes the history of the development of the Mesoamerican calendars. She also explores the connections between the Maya and early Olmec and Izapan cultures in the Isthmian region, who shared with the Maya the cosmovision and ideology incorporated into the calendrical systems.
Reading Rivers is the first book in a new series: Roman Studies: Interdisciplinary Approaches. Author Prudence Jones examines rivers as a literary phenomenon, particularly in the poetry of Vergil. The point of such an investigation is twofold: an examination of VergilOs poetry elucidates particularly clearly a point about rivers: that their inclusion functions almost as a literary device, and an examination of rivers makes a point about Vergil: that rivers are essential to understanding the trajectory of his works, in particular the structure of the Aeneid. This study depends primarily on the close analysis of the poetry of Vergil and of other relevant authors. In Part I Jones examines the Greco-Roman understanding of the river in its primary symbolic roles: cosmological, ritual and ethnographical. Part II analyzes the river as a literary device, with particular attention to the works of Vergil, and argues that descriptions of rivers in Roman poetry are, in many cases, a form of authorial comment on the progress or structure of a narrative. Jones gives scholars in the classics, and literary critics who focus specifically on Roman antiquity a special prism through which to view the works of Vergil as well as other significant authors. This book is also for those working in the fields of cultural studies, cultural geography, and ancient philosophy.
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