This study unpacks the history of Verdi's composition from its creation, performance, and publication in the 1860s through its appropriation as social and political commentary and its perception by American broadcast media as a 'weapon of art' in the mid-twentieth century. The project also offers the first fully documented study of the performances, radio broadcast, and filming of the work by conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi's music was appropriated by expatriate Italians and the US government for cross-cultural propaganda, it addresses the intertwining of Italian and American culture with regard to art, politics, and history.
Carmen in Diaspora is a cultural history of Carmen adaptations set in African diasporic contexts. Beginning with Prosper Mérimée's novella and Georges Bizet's opera and continuing through twentieth- and twentieth-first century interpretations in literature, film, and musical theatre, the book explores how opera's most famous character has exceeded the 19th-century French context in which she was created and taken on a life of her own. Through this transformation, the Carmen figure has sparked important conversations not only about French culture and canonical opera but also about Black womanhood, community, and self-determination.
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