Professor Peter Stansky's Books

Sassoon

The Worlds of Philip and Sybil

By: Peter Stansky,Professor Peter Stansky

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Sassoon

The Worlds of Philip and Sybil

By: Peter Stansky,Professor Peter Stansky

Using the lives of the Sassoon siblings as a lens through which to view English life, particularly in its highest reaches, Stansky offers new insights into British attitudes toward power, politics, old versus new money, homosexuality, war, Jews, taste and style."--BOOK JACKET.

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Page Count

328

Publisher

Yale University Press

Published Date

ISBN 10

0300095473

ISBN 13

9780300095470

The First Day of the Blitz

7-Sep-40

By: Peter Stansky,Professor Peter Stansky

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The First Day of the Blitz

7-Sep-40

By: Peter Stansky,Professor Peter Stansky

On September 7, 1940, the Blitz began. The bombing of London, by over one thousand planes on that night alone, was recognised at the time as being a direct measure to break the country's resistance. This book tells of the impact that this terror from the skies had on British people and the course of war.

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Page Count

236

Publisher

Yale University Press

Published Date

ISBN 10

0300125569

ISBN 13

9780300125566

Fallen Soldiers : Reshaping the Memory of the World Wars

Reshaping the Memory of the World Wars

By: University of Wisconsin (Emeritus) George L. Mosse Bascom-Weinstein Professor of History, and Koebner Professor of History Hebrew University (Emeritus)

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Fallen Soldiers : Reshaping the Memory of the World Wars

Reshaping the Memory of the World Wars

By: University of Wisconsin (Emeritus) George L. Mosse Bascom-Weinstein Professor of History, and Koebner Professor of History Hebrew University (Emeritus)

At the outbreak of the First World War, an entire generation of young men charged into battle for what they believed was a glorious cause. Over the next four years, that cause claimed the lives of some 13 million soldiers--more than twice the number killed in all the major wars from 1790 to 1914. But despite this devastating toll, the memory fostered by the belligerents was not of the grim reality of its trench warfare and battlefield carnage. Instead, the nations that fought commemorated the war's sacredness and the martyrdom of those who had died for the greater glory of the fatherland. The sanctification of war is the subject of this pioneering work by well-known European historian George L. Mosse. Fallen Soldiers offers a profound analysis of what he calls the Myth of the War Experience--a vision of war that masks its horror, consecrates its memory, and ultimately justifies its purpose. Beginning with the Napoleonic wars, Mosse traces the origins of this myth and its symbols, and examines the role of war volunteers in creating and perpetuating it. His book is likely to become one of the classic studies of modern war and the complex, often disturbing nature of human perception and memory.

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Page Count

274

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0199762775

ISBN 13

9780199762774

Ritual and the Idea of Europe in Interwar Writing

By: Professor Patrick R Query

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Ritual and the Idea of Europe in Interwar Writing

By: Professor Patrick R Query

While most critical studies of interwar literary politics have focused on nationalism, Patrick Query makes a case that the idea of Europe intervenes in instances when the individual and the nation negotiate identity. He examines the ways interwar writers use three European ritual forms-verse drama, bullfighting, and Roman Catholic rite-to articulate ideas of European cultural identity. Within the growing discourse of globalization, Query argues, Europe presents a special, though often overlooked, case because it adds a mediating term between local and global. His book is divided into three sections: the first treats the verse dramas of T.S. Eliot, W.B. Yeats, and W.H. Auden; the second discusses the uses of the Spanish bullfight in works by D.H. Lawrence, Stephen Spender, Jack Lindsay, George Barker, Cecil Day Lewis, and others; and the third explores the cross-cultural impact of Catholic ritual in Graham Greene, Evelyn Waugh, and David Jones. While all three ritual forms were frequently associated with the most conservative tendencies of the age, Query shows that each had a remarkable political flexibility in the hands of interwar writers concerned with the idea of Europe.

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Page Count

440

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409472159

ISBN 13

9781409472155

Aspects of Aristocracy

Grandeur and Decline in Modern Britain

By: David Cannadine,Professor of History and Director of the Institute of Historical Research David Cannadine

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Aspects of Aristocracy

Grandeur and Decline in Modern Britain

By: David Cannadine,Professor of History and Director of the Institute of Historical Research David Cannadine

He reconstructs the extraordinary financial history of the dukes of Devonshire, narrates the story of the Cozens-Hardys, a Norfolk family who played a remarkably varied part in the life of their county, and offers a controversial reappraisal of the forebears, lives, work, and personalities of Harold Nicolson and Vita Sackville-West - a portrait, notes Cannadine, of more than a marriage.

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Page Count

372

Publisher

Yale University Press

Published Date

ISBN 10

0300059817

ISBN 13

9780300059816

The Avant-Garde in Interwar England : Medieval Modernism and the London Underground

Medieval Modernism and the London Underground

By: Davis Michael T. Saler Associate Professor of History University of California

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The Avant-Garde in Interwar England : Medieval Modernism and the London Underground

Medieval Modernism and the London Underground

By: Davis Michael T. Saler Associate Professor of History University of California

The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.

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Page Count

262

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0198028121

ISBN 13

9780198028123

Nineteenth-Century British Literature Then and Now

Reading with Hindsight

By: Professor Simon Dentith

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Nineteenth-Century British Literature Then and Now

Reading with Hindsight

By: Professor Simon Dentith

Envisioning today’s readers as poised between an impossible attempt to read texts as their original readers experienced them and an awareness of our own temporal moment, Simon Dentith complicates traditional prejudices against hindsight to approach issues of interpretation and historicity in nineteenth-century literature. Suggesting that the characteristic aesthetic attitude encouraged by the backward look is one of irony rather than remorse or regret, he examines works by Charles Dickens, George Eliot, Anthony Trollope, William Morris and John Ruskin in terms of their participation in significant histories that extend to this day. Liberalism, class, gender, political representation and notions of progress, utopianism and ecological concern as currently understood can be traced back to the nineteenth century. Just as today’s critics strive to respect the authenticity of nineteenth-century writers and readers who responded to these ideas within their historical world, so, too, do those nineteenth-century imaginings persist to challenge the assumptions of the present. It is therefore possible, Dentith argues, to conceive of the act of reading historical literature with an awareness of the historical context and of the difference between the past and the present while allowing that friction or difference to be part of how we think about a text and how it communicates. His book summons us to consider how words travel to the reality of the reader’s own time and how engagement with nineteenth-century writers’ anticipation of the judgements of future generations reveal hindsight’s capacity to transform our understanding of the past in the light of subsequent knowledge.

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Page Count

193

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472418875

ISBN 13

9781472418876

War Paint

Art, War, State and Identity in Britain, 1939-1945

By: Brian Foss,Professor of Art History School for Studies in Art and Culture Brian Foss

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War Paint

Art, War, State and Identity in Britain, 1939-1945

By: Brian Foss,Professor of Art History School for Studies in Art and Culture Brian Foss

In this groundbreaking examination of British war art during the Second World War, Brian Foss delves deeply into what art meant to Britain and its people at a time when the nation's very survival was under threat. Foss probes the impact of war art on the relations between art, state patronage, and public interest in art, and he considers how this period of duress affected the trajectory of British Modernism. Supported by some two hundred illustrations and extensive archival research, the book offers the richest, most nuanced view of mid-century art and artists in Britain yet written. The author focuses closely on Sir Kenneth Clark's influential War Artists' Advisory Committee and explores topics ranging from censorship to artists' finances, from the depiction of women as war workers to the contributions of war art to evolving notions of national identity and Britishness. Lively and insightful, the book adds new dimensions to the study of British art and cultural history.

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Page Count

280

Publisher

Yale University Press

Published Date

ISBN 10

0300108907

ISBN 13

9780300108903

Leonard Woolf

Bloomsbury Socialist

By: Fred Leventhal,Peter Stansky

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Leonard Woolf

Bloomsbury Socialist

By: Fred Leventhal,Peter Stansky

Leonard Woolf: Bloomsbury Socialist is an invaluable biography of an important if somewhat neglected figure in British cultural and political life,whose significance has been overshadowed by that of his wife, Virginia Woolf. His vital role in her life and career is a central aspect of this incisive study. Born to a prosperous middle-class Jewish family, he was profoundly affected by the early death of his father, a prominent barrister and QC, which left his family in reduced economic circumstances. Fred Leventhal and Peter Stansky expertly reveal that, despite his youthful loss of religious faith, being Jewish was as crucial in shaping Woolf's ideas as the Hellenism he imbibed at St Paul's and Trinity College, Cambridge. As an undergraduate member of the celebrated elite Apostles-along with his close friends, Lytton Strachey and John Maynard Keynes-he played a formative role in what later became the Bloomsbury Group. He subsequently spent seven years as a colonial servant in Ceylon, the background to his powerful novel, The Village in the Jungle. Within a year of his return to England in 1911 he married Virginia Stephen, and in 1917 they founded the Hogarth Press, an innovative and commercially successful publishing house. In the course of his long life he wrote prolifically on international relations, notably on the creation of the League of Nations, on socialism, and on imperial policy, particularly in Africa. Throughout this authoritative study,Leventhal and Stansky illuminate the life, scope, and thought of this seminal figure in twentieth-century British society.

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Page Count

259

Publisher

Oxford University Press

Published Date

ISBN 10

019254389X

ISBN 13

9780192543899

Leonard Woolf

Bloomsbury Socialist

By: F. M. Leventhal,Peter Stansky

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Leonard Woolf

Bloomsbury Socialist

By: F. M. Leventhal,Peter Stansky

Leonard Woolf: Bloomsbury Socialist is an invaluable biography of an important if somewhat neglected figure in British cultural and political life, whose significance has been overshadowed by that of his wife, Virginia Woolf. His vital role in her life and career is a central aspect of this incisive study. Born to a prosperous middle-class Jewish family, he was profoundly affected by the early death of his father, a prominent barrister and QC, which left his family in reduced economic circumstances. Fred Leventhal and Peter Stansky expertly reveal that, despite his youthful loss of religious faith, being Jewish was as crucial in shaping Woolf's ideas as the Hellenism he imbibed at St Paul's and Trinity College, Cambridge. As an undergraduate member of the celebrated elite Apostles-along with his close friends, Lytton Strachey and John Maynard Keynes-he played a formative role in what later became the Bloomsbury Group. He subsequently spent seven years as a colonial servant in Ceylon, the background to his powerful novel, The Village in the Jungle. Within a year of his return to England in 1911 he married Virginia Stephen, and in 1917 they founded the Hogarth Press, an innovative and commercially successful publishing house. In the0course of his long life he wrote prolifically on international relations, notably on the creation of the League of Nations, on socialism, and on imperial policy, particularly in Africa. Throughout this authoritative study, Leventhal and Stansky illuminate the life, scope, and thought of this seminal figure in twentieth-century British society.

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Page Count

232

Published Date

ISBN 10

0191851795

ISBN 13

9780191851797

Book's by Professor Peter Stansky

Sassoon

Sassoon

The First Day of the Blitz

The First Day of the Blitz

Fallen Soldiers : Reshaping the Memory of the World Wars

Fallen Soldiers : Reshaping the Memory of the World Wars

Ritual and the Idea of Europe in Interwar Writing

Ritual and the Idea of Europe in Interwar Writing

Aspects of Aristocracy

Aspects of Aristocracy

The Avant-Garde in Interwar England : Medieval Modernism and the London Underground

The Avant-Garde in Interwar England : Medieval Modernism and the London Underground

Nineteenth-Century British Literature Then and Now

Nineteenth-Century British Literature Then and Now

War Paint

War Paint

Leonard Woolf

Leonard Woolf

Leonard Woolf

Leonard Woolf

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