Drawing on the political theology of Reinhold Niebuhr, described by Barack Obama as 'one of my favourite philosophers', this book assesses the challenges facing the President during his first term. It evaluates his success in adhering to Niebuhr's path of 'Christian realism' when faced with the pragmatic demands of domestic and foreign affairs. In 2008 Candidate Obama used the ideas of 'Hope' and 'Change' to inspire voters and secure the presidency. Obama promised change not only regarding America's policies, but even more fundamentally in the nation's political culture. Holder and Josephson describe the foundations of President Obama's Christian faith and the extent to which it has shaped his approach to politics. Their book explores Obama's journey of faith in the context of a broadly Augustinian understanding of faith and politics, examines the tensions between Christian realism and pragmatic progressivism, explains why a Christian realist interpretation is essential to understanding Obama's presidency, and applies this model of understanding to considerations of foreign and domestic policy. By combining this theological and political analysis the book offers a special opportunity to reflect on the relationship between Christian faith and statesmanship, reflections that are missing from current popular discussions of the Obama presidency. Through consideration of Niebuhr's models of the prophet and the statesman, and the more popular alternative of the political evangelist, Holder and Josephson are better able to explain the president's successes and his failures, and to unveil the Augustinian limits of the political life.
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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