Professor Lisa Hopkins's Books

Drama and the Succession to the Crown, 1561–1633

By: Professor Lisa Hopkins

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Drama and the Succession to the Crown, 1561–1633

By: Professor Lisa Hopkins

The succession to the throne, Lisa Hopkins argues here, was a burning topic not only in the final years of Elizabeth but well into the 1630s, with continuing questions about how James's two kingdoms might be ruled after his death. Because the issue, with its attendant constitutional questions, was so politically sensitive, Hopkins contends that drama, with its riddled identities, oblique relationship to reality, and inherent blurring of the extent to which the situation it dramatizes is indicative or particular, offered a crucial forum for the discussion. Hopkins analyzes some of the ways in which the dramatic works of the time – by Marlowe, Shakespeare, Webster and Ford among others – reflect, negotiate and dream the issue of the succession to the throne.

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Page Count

200

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409478610

ISBN 13

9781409478614

Renaissance Drama on the Edge

By: Professor Lisa Hopkins

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Renaissance Drama on the Edge

By: Professor Lisa Hopkins

Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.

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Page Count

300

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472405811

ISBN 13

9781472405814

Drama and the Succession to the Crown, 1561–1633

By: Professor Lisa Hopkins

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Drama and the Succession to the Crown, 1561–1633

By: Professor Lisa Hopkins

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200

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Ashgate Publishing, Ltd.

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ISBN 10

1409478610

ISBN 13

9781409478614

Shakespeare on the Edge

Border-crossing in the Tragedies and the Henriad

By: Professor Lisa Hopkins

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Shakespeare on the Edge

Border-crossing in the Tragedies and the Henriad

By: Professor Lisa Hopkins

When Shakespeare's John of Gaunt refers to England as 'this sceptred isle', he glosses over a fact of which Shakespeare's original audience would have been acutely conscious, which was that England was not an island at all, but had land borders with Scotland and Wales. Together with the narrow channels separating the British mainland from Ireland and the Continent, these were the focus of acute, if intermittent, unease during the early modern period. This book analyses works by not only Shakespeare but also his contemporaries to argue that many of the plays of Shakespeare's central period, from the second tetralogy to Hamlet, King Lear, Macbeth, and Othello, engage with the idea of England's borders. But borders, it claims, are not only of geopolitical significance: in Shakespeare's imagination and indeed in that of his culture, eschatological overtones also accrue to the idea of the border. This is because the countries of the Celtic fringe were often discussed in terms of the supernatural and fairy lore and, in particular, the rivers which were often used as boundary markers were invested with heavily mythologized personae. Thus Hopkins shows that the idea of the border becomes a potent metaphor for exploring the spiritual uncertainties of the period, and for speculating on what happens in 'the undiscovered country, from whose bourn no traveller returns'. At the same time, the idea that a thing can only really be defined in terms of what lies beyond it provides a sharply interrogating charge for Shakespeare's use of metatheatre and for his suggestions of a world beyond the confines of his plays.

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266

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409489566

ISBN 13

9781409489566

The Cultural Uses of the Caesars on the English Renaissance Stage

By: Professor Lisa Hopkins

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The Cultural Uses of the Caesars on the English Renaissance Stage

By: Professor Lisa Hopkins

Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. In this study Lisa Hopkins explores the way in which the stories of the Caesars, and of the Julio-Claudians in particular, can be used to figure the stories of English rulers on the Renaissance stage. Analyzing plays by Shakespeare and a number of other playwrights of the period, she demonstrates how early modern English dramatists, using Roman modes of literary representation as cover, commented on the issues of the day and critiqued contemporary monarchs.

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Page Count

180

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409489965

ISBN 13

9781409489962

Hamlet, Protestantism, and the Mourning of Contingency

Not to Be

By: Professor John E. Curran Jr

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Hamlet, Protestantism, and the Mourning of Contingency

Not to Be

By: Professor John E. Curran Jr

Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new.

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Page Count

462

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409489620

ISBN 13

9781409489627

Jane Austen and Animals

By: Professor Barbara K Seeber

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Jane Austen and Animals

By: Professor Barbara K Seeber

The first full-length study of animals in Jane Austen, Barbara K. Seeber’s book situates the author’s work within the serious debates about human-animal relations that began in the eighteenth century and continued into Austen’s lifetime. Seeber shows that Austen’s writings consistently align the objectification of nature with that of women and that Austen associates the hunting, shooting, racing, and consuming of animals with the domination of women. Austen’s complicated depictions of the use and abuse of nature also challenge postcolonial readings that interpret, for example, Fanny Price’s rejoicing in nature as a celebration of England’s imperial power. In Austen, hunting and the owning of animals are markers of station and a prerogative of power over others, while her representation of the hierarchy of food, where meat occupies top position, is identified with a human-nature dualism that objectifies not only nature, but also the women who are expected to serve food to men. In placing Austen’s texts in the context of animal-rights arguments that arose in the late eighteenth and early nineteenth centuries, Seeber expands our understanding of Austen’s participation in significant societal concerns and makes an important contribution to animal, gender, food, and empire studies in the nineteenth century.

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Page Count

271

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409472353

ISBN 13

9781409472353

Disguise on the Early Modern English Stage

By: Professor Peter Hyland

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Disguise on the Early Modern English Stage

By: Professor Peter Hyland

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

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Page Count

192

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409478777

ISBN 13

9781409478775

Shakespeare's Marlowe

The Influence of Christopher Marlowe on Shakespeare's Artistry

By: Professor Robert A Logan

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Shakespeare's Marlowe

The Influence of Christopher Marlowe on Shakespeare's Artistry

By: Professor Robert A Logan

Moving beyond traditional studies of sources and influence, Shakespeare's Marlowe analyzes the uncommonly powerful aesthetic bond between Christopher Marlowe and William Shakespeare. Not only does this study take into account recent ideas about intertextuality, but it also shows how the process of tracking Marlowe's influence itself prompts questions and reflections that illuminate the dramatists' connections. Further, after questioning the commonly held view of Marlowe and Shakespeare as rivals, the individual chapters suggest new possible interrelationships in the formation of Shakespeare's works. Such examination of Shakespeare's Marlovian inheritance enhances our understanding of the dramaturgical strategies of each writer and illuminates the importance of such strategies as shaping forces on their works. Robert Logan here makes plain how Shakespeare incorporated into his own work the dramaturgical and literary devices that resulted in Marlowe's artistic and commercial success. Logan shows how Shakespeare's examination of the mechanics of his fellow dramatist's artistry led him to absorb and develop three especially powerful influences: Marlowe's remarkable verbal dexterity, his imaginative flexibility in reconfiguring standard notions of dramatic genres, and his astute use of ambivalence and ambiguity. This study therefore argues that Marlowe and Shakespeare regarded one another not chiefly as writers with great themes, but as practicing dramatists and poets-which is where, Logan contends, the influence begins and ends.

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276

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409489744

ISBN 13

9781409489740

Radical Comedy in Early Modern England

Contexts, Cultures, Performances

By: Professor Rick Bowers

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Radical Comedy in Early Modern England

Contexts, Cultures, Performances

By: Professor Rick Bowers

Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the "Shepherds' Play," Thomas Dekker's pamphlets, and the comic dramas of Marston, Middleton, and Jonson are all driven, Bowers points out, by an ability to criticize authority, assert plebeian culture, and insist on the complexity and innovation of human discourse. The texts examined (including The Jew of Malta, Metamorphosis of Ajax, Antonio and Mellida, Bartholomew Fair, The Alchemist, and A Chaste Maid in Cheapside) simultaneously create and employ standard comedic elements. Farce, absurdity, excess, over-the-top characters, unremitting irony, black humor, toilet humor, and tricksters of all types - such features and more combine to satirize medical, religious, and political authority and to implement necessary social change. Written with a narrative ease, Radical Comedy in Early Modern England shows how comic interventions both describe and reconfigure prevalent authority in its own time while arguing that, through early modern comedy, one can observe the changes in social behavior and understandings characteristic of the Renaissance.

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Page Count

148

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409475018

ISBN 13

9781409475019

The Culture of Piracy, 1580–1630

English Literature and Seaborne Crime

By: Professor Claire Jowitt

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The Culture of Piracy, 1580–1630

English Literature and Seaborne Crime

By: Professor Claire Jowitt

Listening to what she terms 'unruly pirate voices' in early modern English literature, in this study Claire Jowitt offers an original and compelling analysis of the cultural meanings of 'piracy'. By examining the often marginal figure of the pirate (and also the sometimes hard-to-distinguish privateer) Jowitt shows how flexibly these figures served to comment on English nationalism, international relations, and contemporary politics. She considers the ways in which piracy can, sometimes in surprising and resourceful ways, overlap and connect with, rather than simply challenge, some of the foundations underpinning Renaissance orthodoxies-absolutism, patriarchy, hierarchy of birth, and the superiority of Europeans and the Christian religion over other peoples and belief systems. Jowitt's discussion ranges over a variety of generic forms including public drama, broadsheets and ballads, prose romance, travel writing, and poetry from the fifty-year period stretching across the reigns of three English monarchs: Elizabeth Tudor, and James and Charles Stuart. Among the early modern writers whose works are analyzed are Heywood, Hakluyt, Shakespeare, Sidney, and Wroth; and among the multifaceted historical figures discussed are Francis Drake, John Ward, Henry Mainwaring, Purser and Clinton. What she calls the 'semantics of piracy' introduces a rich symbolic vein in which these figures, operating across different cultural registers and appealing to audiences in multiple ways, represent and reflect many changing discourses, political and artistic, in early modern England. The first book-length study to look at the cultural impact of Renaissance piracy, The Culture of Piracy, 1580-1630 underlines how the figure of the Renaissance pirate was not only sensational, but also culturally significant. Despite its transgressive nature, piracy also comes to be seen as one of the key mechanisms which served to connect peoples and regions during this period.

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Page Count

246

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409476014

ISBN 13

9781409476016

The Cultural Uses of the Caesars on the English Renaissance Stage

By: Professor Lisa Hopkins

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The Cultural Uses of the Caesars on the English Renaissance Stage

By: Professor Lisa Hopkins

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Page Count

180

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409489965

ISBN 13

9781409489962

Coriolanus

A Critical Reader

By: L. E. Semler

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Coriolanus

A Critical Reader

By: L. E. Semler

Coriolanus is the last and most intriguing of Shakespeare's Roman tragedies. Critics, directors and actors have long been bewitched by this gripping character study of a warrior that Rome can neither tolerate nor do without. Caius Martius Coriolanus is a terrifying war machine in battle, a devoted son to a wise and ambitious mother at home, and an inflammatory scorner of the rights and rites of the common people. This Critical Reader opens up the extraordinary range of interpretation the play has elicited over the centuries and offers exciting new directions for scholarship. The volume commences with a Timeline of key events relating to Coriolanus in print and performance and an Introduction by the volume editor. Chapters survey the scholarly reaction to the play over four centuries, the history of Coriolanus on stage and the current research and thinking about the play. The second half of the volume comprises four 'New Directions' essays exploring: the rhetoric and performance of the self, the play's relevance to our contemporary world, an Hegelian approach to the tragedy, and the insights of computer-assisted stylometry. A final chapter critically surveys resources for teaching the play"--

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Page Count

312

Published Date

ISBN 10

1350111228

ISBN 13

9781350111226

Book's by Professor Lisa Hopkins

Drama and the Succession to the Crown, 1561–1633

Drama and the Succession to the Crown, 1561–1633

Renaissance Drama on the Edge

Renaissance Drama on the Edge

Drama and the Succession to the Crown, 1561–1633

Drama and the Succession to the Crown, 1561–1633

Shakespeare on the Edge

Shakespeare on the Edge

The Cultural Uses of the Caesars on the English Renaissance Stage

The Cultural Uses of the Caesars on the English Renaissance Stage

Hamlet, Protestantism, and the Mourning of Contingency

Hamlet, Protestantism, and the Mourning of Contingency

Jane Austen and Animals

Jane Austen and Animals

Disguise on the Early Modern English Stage

Disguise on the Early Modern English Stage

Shakespeare's Marlowe

Shakespeare's Marlowe

Radical Comedy in Early Modern England

Radical Comedy in Early Modern England

The Culture of Piracy, 1580–1630

The Culture of Piracy, 1580–1630

The Cultural Uses of the Caesars on the English Renaissance Stage

The Cultural Uses of the Caesars on the English Renaissance Stage

Coriolanus

Coriolanus

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