Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.
Two central questions are at the core of international legal theory: 'What is international law?', and 'Is international law really law?' This volume examines these critical questions and the philosophical foundations of modern international law using the tools of Anglo-American legal theory and western political thought. Engaging with both contemporary and historical legal theory and with an analysis of international law in action, the book builds an understanding and theory of law from the perspective of those who actually use this legal system and understand it, rather than constructing an artificial system from the standpoint of political scientists and moral philosophers. Law at the Vanishing Point provides a fascinating new challenge to those who reduce international law either to ethics or to politics and provides a critical new appraisal of its power as an independent force in human social relations.
An up-to-date examination of Mexico's version of the "War on Drugs" that exposes the evolution of major cartels and their corruption of politicians, law-enforcement agencies, and the Army. What can President Enrique Peña Nieto do to curb the narcotics-induced mayhem in Mexico, and what would be the consequences to the United States if he fails? This book analyzes Mexico's transition from a relatively peaceful kleptocracy controlled by the Tammany-Hall style Institutional Revolutionary Party/PRI (19292000) to a country plagued by rural and urban enclaves of grotesque violence. The author examines the major drug cartels and their success in infiltrating American and Mexican businesses; details the response from the Obama administration; assesses the threat that the continuing bloodshed represents for the United States; and emphasizes the constraints on America's ability to solve Mexico's crisis, despite U.S. contributions of intelligence, military equipment, training, and diplomatic support.
When we think of "heaven," we generally conjure up positive, blissful images. Heaven is, after all, where God is and where good people go after death to receive their reward. But how and why did Western cultures come to imagine the heavenly realm in such terms? Why is heaven usually thought to be "up there," far beyond the visible sky? And what is the source of the idea that the post mortem abode of the righteous is in this heavenly realm with God? Seeking to discover the roots of these familiar notions, this volume traces the backgrounds, origin, and development of early Jewish and Christian speculation about the heavenly realm -- where it is, what it looks like, and who its inhabitants are. Wright begins his study with an examination of the beliefs of ancient Israel's neighbors Egypt and Mesopotamia, reconstructing the intellectual context in which the earliest biblical images of heaven arose. A detailed analysis of the Hebrew biblical texts themselves then reveals that the Israelites were deeply influenced by images drawn from the surrounding cultures. Wright goes on to examine Persian and Greco-Roman beliefs, thus setting the stage for his consideration of early Jewish and Christian images, which he shows to have been formed in the struggle to integrate traditional biblical imagery with the newer Hellenistic ideas about the cosmos. In a final chapter Wright offers a brief survey of how later Jewish, Christian, and Islamic traditions envisioned the heavenly realms. Accessible to a wide range of readers, this provocative book will interest anyone who is curious about the origins of this extraordinarily pervasive and influential idea.
Machiavelli in the British Isles reassesses the impact of Machiavelli's The Prince in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form. This study concentrates on two of the four extant sixteenth-century versions: William Fowler's Scottish translation and the Queen's College (Oxford) English translation, which has been hitherto overlooked by scholars. Alessandra Petrina begins with an overview of the circulation and readership of Machiavelli in early modern Britain before focusing on the eight surviving manuscripts. She reconstructs each manuscript's history and the afterlife of the translations before moving to a detailed examination of two of the translations. Petrina's investigation of William Fowler's translation takes into account his biography, in order to understand the Machiavellian influence on early modern political thought. Her study of the Queen's College translation analyses the manuscript's provenance as well as technical details including writing and paper quality. Importantly, this book includes annotated editions of both translations, which compare the texts with the original Italian versions as well as French and Latin versions. With this volume Petrina has compiled an important reference source, offering easy access to little-known translations and shedding light on a community of readers and scholars who were fascinated by Machiavelli, despite political or religious opinion.
First, this is a major work of scholarship, the product of immense knowledge and gestation over many years of study, which looks at higher education in a new way; second, at a time when confidence has been seriously undermined by the effects of the economic downturn this is a study which implicitly asserts the fundamental role of higher education in the broad spectrum of modern societies....his grasp of detail and his understanding of the historical context is secure and his bibliography is a treasure trove of little known material. Moreover he writes in an attractive and informal style....This will be an influential book and will set new trends of thinking in higher education.'-----M. L. Shattock, The Times Higher Education Supplement ( London ).
This handbook offers a comprehensive and varied study of deification within Christian theology. Forty-six leading experts in the field examine points of convergence and difference on the constitutive elements of deification across different writers, thinkers, and traditions.
Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.
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