Ecocriticism and the Idea of Culture: Biology and the Bildungsroman draws on work by Kinji Imanishi, Frans de Waal, and other biologists to create an interdisciplinary, materialist notion of culture for ecocritical analysis. In this timely intervention, Feder examines the humanist idea of culture by taking a fresh look at the stories it explicitly tells about itself. These stories fall into the genre of the Bildungsroman, the tale of individual acculturation that participates in the myth of its complete separation from and opposition to nature which, Feder argues, is culture’s own origin story. Moving from Voltaire’s Candide to Mary Shelley’s Frankenstein and from Virginia Woolf’s Orlando to Jamaica Kincaid’s Lucy, the book dramatizes humanism’s own awareness of the fallacy of this foundational binary. In the final chapters, Feder examines the discourse of animality at work in this narrative as a humanist fantasy about empathy, one that paradoxically excludes other animals from the ethical community to justify the continued domination of both human and nonhuman others.
Arguing that the Bildungsroman is humanist culture's own origin story, Feder draws on the work of biologists in her examination of works by Voltaire, Mary Shelley, Virginia Woolf and Jamaica Kincaid. She dramatizes Western culture's own awareness of the instability of the binary of nature and culture, making a timely intervention in the ongoing culture-nature debate, bridging the gap between cultural theory and biologically grounded research.
The real heroes of television crime shows in the twenty-first century are no longer police detectives but forensic technologies. The immense popularity of high-tech crime television shows has changed the way in which crime scene work is viewed. The term 'CSI-effect' was coined to signify a situation where people's views and practices have been influenced by such media representations, e.g. judges and jurors putting more weight on forensic evidence that has been produced with high-tech tools - in particular, DNA evidence - than on other kinds of evidence. While considerable scholarly attention has been paid to examining the CSI effect on publics, jurors, judges, and police investigators, prisoners' views on forensic technologies and policing have been under-explored. Drawing on a research sample of over 50 interviews carried out with prisoners in Portugal and Austria, this groundbreaking book shows how prisoners view crime scene traces, how they understand crime scene technologies, and what effect they attribute to the existence of large police databases on their own lives, careers, and futures. Through critically engaging with STS, sociological and criminological perspectives on the use of DNA technologies within the criminal justice system, this work provides the reader with valuable insights into the effect of different legal, political, discursive, and historical configurations on how crime scene technologies are utilized by the police and related to by convicted offenders.
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