Professor George J Buelow's Books

Musicology and Performance

By: Frieder Lang,Paul Henry Lang,Professor George J Buelow

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Musicology and Performance

By: Frieder Lang,Paul Henry Lang,Professor George J Buelow

Arriving in the United States at age twenty-seven, Hungarian-born Paul Henry Lang (1901-1991) went on to exert a powerful influence on musical life and scholarship in his adopted country for more than six decades. As professor of musicology at Columbia University, editor of the Musical Quarterly, a founder of the American Musicological Society, and chief music critic of the New York Herald Tribune, Lang became one of Americas foremost musical scholars and commentators. This anthology of his previously uncollected writings includes essays written throughout his career on a full array of musical subjects, as well as unpublished chapters of the book on performance practice that he was writing at the time of his death. Lang was concerned above all with safeguarding the purity of musical knowledge as reflected in both scholarship and performance. Whether addressing his fellow musicologists or the general public, he expressed a broadly humanistic conception of musicology in his erudite and entertaining writings on such diverse subjects as Bach and Handel, the historical veracity of the film Amadeus, Marxist theory and music, and the controversial issue of authenticity in performance.

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Page Count

294

Publisher

Yale University Press

Published Date

ISBN 10

0300068050

ISBN 13

9780300068054

The Birth of the Orchestra : History of an Institution, 1650-1815

History of an Institution, 1650-1815

By: Music History and Literature San Francisco Conservatory of Music John Spitzer Chair,Neal Zaslaw Professor of Music Cornell University

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The Birth of the Orchestra : History of an Institution, 1650-1815

History of an Institution, 1650-1815

By: Music History and Literature San Francisco Conservatory of Music John Spitzer Chair,Neal Zaslaw Professor of Music Cornell University

This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.

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Page Count

670

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0199719918

ISBN 13

9780199719914

Style and Performance for Bowed String Instruments in French Baroque Music

By: Professor Mary Cyr

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Style and Performance for Bowed String Instruments in French Baroque Music

By: Professor Mary Cyr

Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.

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Page Count

288

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409495337

ISBN 13

9781409495338

Commedia dell' Arte and the Mediterranean

Charting Journeys and Mapping 'Others'

By: Professor Erith Jaffe-Berg

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Commedia dell' Arte and the Mediterranean

Charting Journeys and Mapping 'Others'

By: Professor Erith Jaffe-Berg

Drawing on published collections and manuscripts from Mantuan archives, this study locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. It provides a broad perspective on commedia dell’ arte as an expression of cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form reflected on power and cultural exchange.

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Page Count

185

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

147241814X

ISBN 13

9781472418142

Enchanted Evenings : The Broadway Musical from Show Boat to Sondheim

The Broadway Musical from Show Boat to Sondheim

By: Washington Geoffrey Block Professor of Music University of Puget Sound

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Enchanted Evenings : The Broadway Musical from Show Boat to Sondheim

The Broadway Musical from Show Boat to Sondheim

By: Washington Geoffrey Block Professor of Music University of Puget Sound

The classic musicals of Broadway can provide us with truly enchanted evenings. But while many of us can hum the music and even recount the plot from memory, we are often much less knowledgeable about how these great shows were put together. What was the inspiration for Rodgers and Harts Pal Joey, or Rodgers and Hammersteins Carousel? Why is Marias impassioned final speech in West Side Story spoken, rather than sung? Now, in Enchanted Evenings, Geoffrey Block offers theatre lovers an illuminating behind-the- scenes tour of some of the best loved, most admired, and most enduring musicals of Broadways Golden Era. Readers will find insightful studies of such all-time favorites as Show Boat, Anything Goes, Porgy and Bess, Carousel, Kiss Me, Kate, Guys and Dolls, The Most Happy Fella, My Fair Lady, and West Side Story. Block provides a documentary history of fourteen musicals in all--plus an epilogue exploring the plays of Stephen Sondheim--showing how each work took shape and revealing, at the same time, production by production, how the American musical evolved from the 1920s to the early 1960s, and beyond. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Drawing on manuscript material such as musical sketches, autograph manuscripts, pre-production librettos and lyric drafts, Block reveals the winding route the works took to get to their final form. Block blends this close attention to the nuances of musical composition and stagecraft with trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Rodgers and Hammerstein, Lerner and Loewe, Kurt Weill, Frank Loesser, Leonard Bernstein, Sondheim, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision and integrity. Opening night reviews and accounts of critical and popular response to subsequent revivals show how particular musicals have adapted to changing times and changing audiences, shedding light on why many of these innovative shows are still performed in high schools, colleges, and community theaters across the country, while others, such as Weills One Touch of Venus or Marc Blitzsteins The Cradle Will Rock, languish in comparative obscurity. Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history. It will deepen readersappreciation and enjoyment of these beloved musicals even as it delights both the seasoned theater goer and the neophyte encountering the magic of Broadway for the first time.

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Page Count

434

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0199769885

ISBN 13

9780199769889

Book's by Professor George J Buelow

Musicology and Performance

Musicology and Performance

The Birth of the Orchestra : History of an Institution, 1650-1815

The Birth of the Orchestra : History of an Institution, 1650-1815

Style and Performance for Bowed String Instruments in French Baroque Music

Style and Performance for Bowed String Instruments in French Baroque Music

Commedia dell' Arte and the Mediterranean

Commedia dell' Arte and the Mediterranean

Enchanted Evenings : The Broadway Musical from Show Boat to Sondheim

Enchanted Evenings : The Broadway Musical from Show Boat to Sondheim

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