Ethnicity and racial relations are almost universally seen as a prime motivating force behind social conflict and change. Often volatile and complex, racial interaction resonates through all aspects of contemporary society. Social issues which appear to have little connection to race often become entagled with ethnic friction to create far more complex problems. Race is often used by individuals and political organizations to further their own objectives. Since the 1994 publication of the third edition of this acclaimed reference book there have been enormous changes in the area of race and ethnic relations throughout the world. The Dictionary of Race and Ethnic Relations deals with these changes through in-depth articles which both define and analyze the terms. For this edition, there has been a total revision of existing entries and many new entries that take account of developments in society and intellectual trends. Features include: * Fully updated lists of further reading and cross-references. * New entries include: Black feminism, Causes celebres, Environmental racism, Hybridity, Postcolonialism * Invaluable teaching and reference tool for students at all levels
Why all the fuss over television? It is blamed for an assortment of evils, including violence, shortened attention spans, the decline of literacy and political indoctrination. In this scintillating and approachable book, Ellis Cashmore weighs up the theories and evidence. He argues that much of the panic is without foundation and that the single most important danger posed by TV is that it encourages us to spend too much. Cashmore agrees with many writers that television is an elemental force in today's culture, but he offers us a completely different account of how and why this has come about. It is an evaluation that will surprise, provoke and delight. In essence, Cashmore argues that television is the central apparatus of consumer society and its success is measured not in terms of whether we enjoy programs, but how much we spend as a result of watching them. It is a book that should be read by anyone who watches television and wants to know what it is doing to them.
The fourth edition of this dictionary includes substantial revision of the entries, fully updated lists of further reading and new entries including black feminism, environmental racism and many more.
Can politicians effectively control national borders even if they wish to do so? How do politically powerless migrants relate to more privileged migrants and to national citizens? Is it possible for capital to move to labour rather than vice versa? In this book Robin Cohen shows how the preferences, interests and actions of the three major social actors in international migration policy – global capital, migrant labour and national politicians – intersect and often contradict each other. Cohen addresses these vital questions in a wide-ranging, lucid and accessible account of the historical origins and contemporary dynamics of global migration.
The career of the prolific pop artist Prince has become inextricably intertwined with the history of popular music since the late 1970s. This multi-instrumental icon, who remains one of the highest-grossing live performers in America, has been called a genius for his musicianship, composition and incredible performances. But Prince holds iconic status for more than his music. Best known for his racial blurring and extravagant sexual persona, Prince's music and visual iconography has always chimed with the ambiguity of subjectivity at any given moment. 'Prince' the sign offers a space for fans to evaluate and reconfigure their attitudes towards their own identities, and towards their position as subjects within the socio-cultural sphere. This much-needed interdisciplinary analysis is the first of its kind to examine critically Prince's popular music, performances, sounds, lyrics and the plethora of accompanying visual material such as album covers, posters, fashions, promotional videos and feature films. Specifically, the book explores how and why he has played such a profoundly meaningful and significant role in his fans' lives.
Argues that television is the central apparatus of consumer society and its success is measured not in terms of whether we enjoy programs, but how much we spend as a result of watching them. Should be read by anyone who watches television.
A brilliant cultural history.' Irish Examiner Girls behave badly. If they're not obscenity-shouting, pint-swigging ladettes, they're narcissistic, living dolls floating around in a cloud of self-obsession, far too busy twerking to care. And this is news. In this witty and wonderful book, Carol Dyhouse shows that where there's a social scandal or a wave of moral outrage, you can bet a girl is to blame. Whether it be stories of 'brazen flappers' staying out and up all night in the 1920s, inappropriate places for Mars bars in the 1960s or Courtney Love's mere existence in the 1990s, bad girls have been a mass-media staple for more than a century. And yet, despite the continued obsession with their perceived faults and blatant disobedience, girls are infinitely better off today than they were a century ago. This is the story of the challenges and opportunities faced by young women growing up in the swirl of the twentieth century, and the pop-hysteria that continues to accompany their progress.
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