Professor Brian Cummings's Books

Passions and Subjectivity in Early Modern Culture

By: Dr Freya Sierhuis,Professor Brian Cummings

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Passions and Subjectivity in Early Modern Culture

By: Dr Freya Sierhuis,Professor Brian Cummings

Bringing together scholars from literature and the history of ideas, Passions and Subjectivity in Early Modern Culture explores new ways of negotiating the boundaries between cognitive and bodily models of emotion, and between different versions of the will as active or passive. In the process, it juxtaposes the historical formation of such ideas with contemporary philosophical debates. It frames a dialogue between rhetoric and medicine, politics and religion, in order to examine the relationship between mind and body and between experience and the senses. Some chapters discuss literature, in studies of Shakespeare, Donne, and Milton; other essays concentrate on philosophical arguments, both Aristotelian and Galenic models from antiquity, and new mechanistic formations in Descartes, Hobbes and Spinoza. A powerful sense of paradox emerges in treatments of the passions in the early modern period, also reflected in new literary and philosophical forms in which inwardness was displayed, analysed and studied—the autobiography, the essay, the soliloquy—genres which rewrite the formation of subjectivity. At the same time, the frame of reference moves outwards, from the world of interior states to encounter the passions on a public stage, thus reconnecting literary study with the history of political thought. In between the abstract theory of political ideas and the inward selves of literary history, lies a field of intersections waiting to be explored. The passions, like human nature itself, are infinitely variable, and provoke both literary experimentation and philosophical imagination. Passions and Subjectivity in Early Modern Culture thus makes new connections between embodiment, selfhood and the emotions in order to suggest both new models of the self and new models for interdisciplinary history.

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511

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472413660

ISBN 13

9781472413666

Literature and the Encounter with God in Post-Reformation England

By: Professor Michael Martin

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Literature and the Encounter with God in Post-Reformation England

By: Professor Michael Martin

Each of the figures examined in this study—John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead—is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists. The three main themes that inform this study are Cura animarum, the care of souls, and the diminished role of spiritual direction in post-Reformation religious life; the rise of scientific rationality; and the struggle against the disappearance of the Holy. Arising from the methods and commitments of phenomenology, the primary mode of inquiry of this study resides in contemplation, not in a religious sense, but in the realm of perception, attendance, and acceptance. Martin portrays figures such as Dee, Digby, and Thomas Vaughan not as the eccentrics they are often depicted to have been, but rather as participating in a religious mainstream that had been radically altered by the disappearance of any kind of mandatory or regular spiritual direction, a problem which was further complicated and exacerbated by the rise of science. Thus this study contributes to a reconfiguration of our notion of what ‘religious orthodoxy’ really meant during the period, and calls into question our own assumptions about what is (or was) ‘orthodox’ and ‘heterodox.’

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233

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472432681

ISBN 13

9781472432681

Philip Sidney and the Poetics of Renaissance Cosmopolitanism

By: Professor Robert E Stillman

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Philip Sidney and the Poetics of Renaissance Cosmopolitanism

By: Professor Robert E Stillman

Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.

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290

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409475026

ISBN 13

9781409475026

Religion and Power

No Logos without Mythos

By: Professor David Martin

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Religion and Power

No Logos without Mythos

By: Professor David Martin

In this book David Martin argues, against Juergen Habermas, that religion and politics share a common mythic basis and that it is misleading to contrast the rationality of politics with the irrationality of religion. In contrast to Richard Dawkins (and New Atheists generally), Martin argues that the approach taken is brazenly unscientific and that the proclivity to violence is a shared feature of religion, nationalism and political ideology alike rooted in the demands of power and social solidarity.

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281

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472433629

ISBN 13

9781472433626

The Study

The Inner Life of Renaissance Libraries

By: Andrew Hui,Associate Professor of Humanities (Literature) Andrew Hui

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The Study

The Inner Life of Renaissance Libraries

By: Andrew Hui,Associate Professor of Humanities (Literature) Andrew Hui

With the advent of the printing press in Europe, the possibility of assembling a personal library became more and more attainable for the cultural elite. In this book, Andrew Hui traces the historical development of the Renaissance studiolo, a personal study and library, from Petrarch to Montaigne, considering literary representations of the studiolo in Rabelais, Cervantes, Shakespeare, and Marlowe as well as its presence in the visual arts. He explores the ways in which Renaissance writers and scholars engaged with these personal libraries, both real and imaginary, as places for research and refuge, and the impact of their legacy on writers of our own age, such as Jorge Luis Borges and Italo Calvino. Hui is interested in how these workspaces shaped the interior lives of their occupants, and how the bookish sanctuary they offered was cast as both a remedy and a poison for the soul. Painters of the period, for example, depicted such Biblical figures as the Virgin Mary and St. Jerome in studies surrounded by books, and some writers extolled the studiolo as a space for salutary self-reflection. But other writers suggested that too much time spent reading and amassing books could lead to bibliomania: it drove Don Quixote to madness, Faustus to perdition, Prospero to exile. Individual chapters focus on the invention of the studiolo as seen through Federico da Montefeltro's Gubbio Studiolo and Raphael's School of Athens; Rabelais's parodies of erudition and classification; the transformation of private study into self-conscious spectacle in The Tempest; and more. While primarily drawing on works from Renaissance Europe, the chapters range across time and geography, incorporating a more global and comparative approach by drawing on texts from the classical tradition of China. Throughout the book, Hui weaves in accounts of his own life with books and libraries, arguing that to study the history of reading, scholars must also become aware of their own history of readings"--

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320

Publisher

Princeton University Press

Published Date

ISBN 10

0691243328

ISBN 13

9780691243320

Martyrs and Players in Early Modern England

Tragedy, Religion and Violence on Stage

By: Professor David K. Anderson

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Martyrs and Players in Early Modern England

Tragedy, Religion and Violence on Stage

By: Professor David K. Anderson

Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity.

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257

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472428285

ISBN 13

9781472428288

Catholic Reformation in Protestant Britain

By: Professor Alexandra Walsham

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Catholic Reformation in Protestant Britain

By: Professor Alexandra Walsham

The survival and revival of Roman Catholicism in post-Reformation Britain remains the subject of lively debate. This volume examines key aspects of the evolution and experience of the Catholic communities of these Protestant kingdoms during the sixteenth and seventeenth centuries. Rejecting an earlier preoccupation with recusants and martyrs, it highlights the importance of those who exhibited varying degrees of conformity with the ecclesiastical establishment and explores the moral and political dilemmas that confronted the clergy and laity. It reassesses the significance of the Counter Reformation mission as an evangelical enterprise; analyses its communication strategies and its impact on popular piety; and illuminates how Catholic ritual life creatively adapted itself to a climate of repression. Reacting sharply against the insularity of many previous accounts, this book investigates developments in the British Isles in relation to wider international initiatives for the renewal of the Catholic faith in Europe and for its plantation overseas. It emphasises the reciprocal interaction between Catholicism and anti-Catholicism throughout the period and casts fresh light on the nature of interconfessional relations in a pluralistic society. It argues that persecution and suffering paradoxically both constrained and facilitated the resurgence of the Church of Rome. They presented challenges and fostered internal frictions, but they also catalysed the process of religious identity formation and imbued English, Welsh and Scottish Catholicism with peculiar dynamism. Prefaced by an extensive new historiographical overview, this collection brings together a selection of Alexandra Walsham's essays written over the last fifteen years, fully revised and updated to reflect recent research in this flourishing field. Collectively these make a major contribution to our understanding of minority Catholicism and the Counter Reformation in the era after the Council of Trent.

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Page Count

509

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472432533

ISBN 13

9781472432537

Reading Humility in Early Modern England

By: Professor Jennifer Clement

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Reading Humility in Early Modern England

By: Professor Jennifer Clement

While humility is not especially valued in modern Western culture, Clement argues, it is central to early modern understandings of Christian faith and behavior, and is vital to contemporary concepts of the self. Early modern literary engagements with humility link it to self-knowledge through the practice of right reading. This study complicates modern views of an early modern virtue, and challenges the assumption that agency is always defined by resistance.

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167

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472453778

ISBN 13

9781472453778

The Making and Marketing of Tottel’s Miscellany, 1557

Songs and Sonnets in the Summer of the Martyrs’ Fires

By: Professor J Christopher Warner

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The Making and Marketing of Tottel’s Miscellany, 1557

Songs and Sonnets in the Summer of the Martyrs’ Fires

By: Professor J Christopher Warner

First published in the summer of 1557 - as the protestant martyrs’ pyres blazed across England - Songes and Sonettes, written by the ryght honorable Lorde Henry Haward late Earle of Surrey, and other (more generally known as Tottel’s Miscellany) is widely regarded as the first anthology of English poetry responsible for introducing Italianate verse forms to England. Yet those scholars who have paid attention to the book usually dismiss its literary quality and regard its chief accomplishment as paving the way for the Golden Age of Elizabethan verse to come. As Professor Warner makes clear, however, there is much more historical significance to the Miscellany than merely being a precursor to Shakespeare and Sidney. Drawing upon a wealth of historical, textual and literary evidence, this new study recasts the Miscellany as a peculiar phenomenon of the reign of Mary I. Placing it in the context of its European counterparts and its competition in the London book market, Warner argues that at heart the Miscellany was a collaborative project between the printer, Richard Tottel and law students from the Inns of Court, and represented a timely response to the religious, political and social upheavals of the English Reformation and Counter-Reformation. Analysing from both a literary and historical perspective, this study reconnects the Miscellany with the social, cultural, literary and religious milieu in which it was created. Warner thus reveals not only the distinctiveness of the book’s design compared to other English verse works for sale in 1557, but its function as a patriotic retort to Continental collections of verse -including one that put into print a selection of satirical songs and sonnets written by the Spanish caballeros who found themselves reluctant attendants at the court of Mary I.

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372

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1472408284

ISBN 13

9781472408280

Queer Attachments

The Cultural Politics of Shame

By: Professor Sally R Munt

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Queer Attachments

The Cultural Politics of Shame

By: Professor Sally R Munt

Why is shame so central to our identity and to our culture? What is its role in stigmatizing subcultures such as the Irish, the queer or the underclass? Can shame be understood as a productive force? In this lucid and passionately argued book, Sally R. Munt explores the vicissitudes of shame across a range of texts, cultural milieux, historical locations and geographical spaces – from eighteenth-century Irish politics to Philip Pullman's His Dark Materials trilogy, from contemporary US academia to the aesthetics of Tracey Emin. She finds that the dynamics of shame are consistent across cultures and historical periods, and that patterns of shame are disturbingly long-lived. But she also reveals shame as an affective emotion, engendering attachments between bodies and between subjects – queer attachments. Above all, she celebrates the extraordinary human ability to turn shame into joy: the party after the fall. Queer Attachments is an interdisciplinary synthesis of cultural politics, emotions theory and narrative that challenges us to think about the queerly creative proclivities of shame.

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278

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Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409491315

ISBN 13

9781409491316

The Rule of Law

A Very Short Introduction

By: Aziz Z. Huq,Frank and Bernice J Greenberg Professor of Law Aziz Z Huq

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The Rule of Law

A Very Short Introduction

By: Aziz Z. Huq,Frank and Bernice J Greenberg Professor of Law Aziz Z Huq

This very short introduction sets out the origins and development of an English-language debate centered around the phrase "rule of law." It aims is to explore the distinctive ethical contribution offered by various thinkers to this specific phrase, first theorized by the English scholar A.V. Dicey, while largely setting aside how the same questions are framed and resolved in other traditions. The book opens by canvassing the classical and early modern sources upon which Dicey and his successors explicitly drew. It then explores the idea of Dicey, who it flags as the first self-conscious theorist of the rule of law. It then recounts his immediate successors. These include a heterogenous range of thinkers, such as Friedrich Hayek, Lon Fuller, Ronald Dworkin, and Tom Bingham. With this genealogy in hand, the book then reflects the important question of why the rule of law (in some version or other) persists-that is, why do actors with the power to cast aside the rule of law not do so? The book next turns to the ways in which the term "rule of law" has diffused across borders, making it a geopolitical phenomenon. Specifically, the phrase was taken toward the end of the twentieth century across borders by actors as diverse as the World Bank, Singapore, and the Chinese Communist Party. Finally, the book closes by examining the way that the rule-of-law tradition can be challenged both as a matter of theory and practice"--

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153

Publisher

Oxford University Press

Published Date

ISBN 10

0197657427

ISBN 13

9780197657423

Humanism and Protestantism in Early Modern English Education

By: Professor Ian Green

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Humanism and Protestantism in Early Modern English Education

By: Professor Ian Green

This volume is the first attempt to assess the impact of both humanism and Protestantism on the education offered to a wide range of adolescents in the hundreds of grammar schools operating in England between the Reformation and the Enlightenment. By placing that education in the context of Lutheran, Calvinist and Jesuit education abroad, it offers an overview of the uses to which Latin and Greek were put in English schools, and identifies the strategies devised by clergy and laity in England for coping with the tensions between classical studies and Protestant doctrine. It also offers a reassessment of the role of the 'godly' in English education, and demonstrates the many ways in which a classical education came to be combined with close support for the English Crown and established church. One of the major sources used is the school textbooks which were incorporated into the 'English Stock' set up by leading members of the Stationers' Company of London and reproduced in hundreds of thousands of copies during the seventeenth and eighteenth centuries. Although the core of classical education remained essentially the same for two centuries, there was a growing gulf between the methods by which classics were taught in elite institutions such as Winchester and Westminster and in the many town and country grammar schools in which translations or bilingual versions of many classical texts were given to weaker students. The success of these new translations probably encouraged editors and publishers to offer those adults who had received little or no classical education new versions of works by Aesop, Cicero, Ovid, Virgil, Seneca and Caesar. This fascination with ancient Greece and Rome left its mark not only on the lifestyle and literary tastes of the educated elite, but also reinforced the strongly moralistic outlook of many of the English laity who equated virtue and good works with pleasing God and meriting salvation.

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404

Publisher

Ashgate Publishing, Ltd.

Published Date

ISBN 10

1409480380

ISBN 13

9781409480389

War Paint

Art, War, State and Identity in Britain, 1939-1945

By: Brian Foss,Professor of Art History School for Studies in Art and Culture Brian Foss

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War Paint

Art, War, State and Identity in Britain, 1939-1945

By: Brian Foss,Professor of Art History School for Studies in Art and Culture Brian Foss

In this groundbreaking examination of British war art during the Second World War, Brian Foss delves deeply into what art meant to Britain and its people at a time when the nation's very survival was under threat. Foss probes the impact of war art on the relations between art, state patronage, and public interest in art, and he considers how this period of duress affected the trajectory of British Modernism. Supported by some two hundred illustrations and extensive archival research, the book offers the richest, most nuanced view of mid-century art and artists in Britain yet written. The author focuses closely on Sir Kenneth Clark's influential War Artists' Advisory Committee and explores topics ranging from censorship to artists' finances, from the depiction of women as war workers to the contributions of war art to evolving notions of national identity and Britishness. Lively and insightful, the book adds new dimensions to the study of British art and cultural history.

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Page Count

280

Publisher

Yale University Press

Published Date

ISBN 10

0300108907

ISBN 13

9780300108903

Understanding Japanese Society

By: Professor of Social Anthropology Joy Hendry

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Understanding Japanese Society

By: Professor of Social Anthropology Joy Hendry

Fully updated, revised and expanded, this is a welcome new edition of this bestselling book providing a clear, accessible and readable introduction to Japanese society.

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284

Publisher

Routledge

Published Date

ISBN 10

1134502575

ISBN 13

9781134502578

Pronoun Envy : Literary Uses of Linguistic Gender

Literary Uses of Linguistic Gender

By: Berkeley Anna Livia Visiting Assistant Professor of French University of California

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Pronoun Envy : Literary Uses of Linguistic Gender

Literary Uses of Linguistic Gender

By: Berkeley Anna Livia Visiting Assistant Professor of French University of California

Controversy over gendered pronouns, for example using the generic "he," has been a staple of feminist arguments about patriarchal language over the last 30 years, and is certainly the most contested political issue in Western feminist linguistics. Most accounts do not extend beyond policy issues like the official institution of non-sexist language. In this volume, Anna Livia reveals continuities both before and after the sexist language refore movement and shows how the creative practices of pronoun use on the part of feminist writers had both aesthetic and political ends. Livia uses the term "pronoun envy" ironically to show that rather being a case of misguided envy, battles over gendered language are central to feminist concerns. Livia examines a broad corpus of written texts in English and French, concentrating on those texts which problematize the traditional functioning of the linguistic gender system. They range from novels and prose poems to film scripts and personal testimonies, and in time from the 19th century to the present. Some withhold any indication of gender; others have non-gendered characters. Livia's goal is two-fold; to help bridge the divide between linguistic and literary analysis, and to show how careful study of the manipulation of linguistic gender in these texts informs larger concerns. This fresh and highly interdisciplinary work lies at the intersection of several vital areas, including language and gender, sociolinguistics, and feminist literary analysis.

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Page Count

250

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0195343921

ISBN 13

9780195343922

Dictionary of African Biography

By: Emmanuel Kwaku Akyeampong,Professor Henry Louis Gates, Jr.

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Dictionary of African Biography

By: Emmanuel Kwaku Akyeampong,Professor Henry Louis Gates, Jr.

From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).

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3382

Published Date

ISBN 10

0195382072

ISBN 13

9780195382075

Beyond Ethnicity : Consent and Descent in American Culture

Consent and Descent in American Culture

By: Werner Sollors Professor of American Literature and Afro-American Studies Harvard University

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Beyond Ethnicity : Consent and Descent in American Culture

Consent and Descent in American Culture

By: Werner Sollors Professor of American Literature and Afro-American Studies Harvard University

Nothing is "pure" in America, and, indeed, the rich ethnic mix that constitutes our society accounts for much of its amazing vitality. Werner Sollors's new book takes a wide-ranging look at the role of "ethnicity" in American literature and what that literature has said--and continues to say--about our diverse culture. Ethnic consciousness, he contends, is a constituent feature of modernism, not modernism's antithesis. Discussing works from every period of American history, Sollors focuses particularly on the tension between "descent" and "consent"--between the concern for one's racial, ethnic, and familial heritage and the conflicting desire to choose one's own destiny, even if that choice goes against one's heritage. Some of the stories Sollors examines are retellings of the biblical Exodus--stories in which Americans of the most diverse origins have painted their own histories as an escape from bondage or a search for a new Canaan. Other stories are "American-made" tales of melting-pot romance, which may either triumph in intermarriage, accompanied by new world symphonies, or end with the lovers' death. Still other stories concern voyages of self-discovery in which the hero attempts to steer a perilous course between stubborn traditionalism and total assimilation. And then there are the generational sagas, in which, as if by magic, the third generation emerges as the fulfillment of their forebears' dream. Citing examples that range from the writings of Cotton Mather to Liquid Sky (a "post-punk" science fiction film directed by a Russian emigre), Sollors shows how the creators of American culture have generally been attracted to what is most new and modern. About the Author: Werner Sollors is Chairman of the Afro-American Studies Department at Harvard University and the author of Amiri Baraka: The Quest for a Populist Modernism. A provocative and original look at "ethnicity" in American literature DTCovers stories from all periods of our nation's history DTRelates ethnic literature to the principle of literary modernism DT"Grave and hilarious, tender and merciless...The book performs a public service."-Quentin Anderson

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314

Publisher

Oxford University Press, USA

Published Date

ISBN 10

0198020724

ISBN 13

9780198020721

Hard Neighbors

The Scotch-Irish Invasion of Native America and the Making of an American Identity

By: Colin G Calloway,John Kimble Jr 1943 Professor of History and Professor of Native American and Indigenous Studies Colin G Calloway

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Hard Neighbors

The Scotch-Irish Invasion of Native America and the Making of an American Identity

By: Colin G Calloway,John Kimble Jr 1943 Professor of History and Professor of Native American and Indigenous Studies Colin G Calloway

Colin Calloway offers an intricate portrait of the early American settlers who came to be known as Scotch-Irish -- from their origins on borderlands on one side of the Atlantic to their crucial part in conquering borderlands on the other. "Hard neighbors," as they were called, the Scotch-Irish were the tip of the spear of white colonial expansion into Indian lands, earning a reputation first as Indian killers and then as embodiments of the American pioneer spirit.

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529

Publisher

Oxford University Press

Published Date

ISBN 10

0197618391

ISBN 13

9780197618394

Libraries Partnering with Self-Publishing

A Winning Combination

By: Robert J. Grover Professor Emeritus,Kelly Visnak,Carmaine Ternes,Miranda Ericsson,Lissa Staley

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Libraries Partnering with Self-Publishing

A Winning Combination

By: Robert J. Grover Professor Emeritus,Kelly Visnak,Carmaine Ternes,Miranda Ericsson,Lissa Staley

Help your library leverage opportunities in the popular do-it-yourself publishing movement by following this guide's process for creating and producing books. In this useful guidebook, you'll learn how to transform your library into a self-publishing center with pointers, advice, and strategies for creating, producing, and printing books—both digitally and on paper. The book outlines your partnering role with patrons in the creation of published materials, offering step-by-step guidance for assisting library users who wish to put their written words in print. By using the detailed plan in this reference, you'll be able to help patrons identify an audience for their material, select the best publishing software for their needs, and utilize social media to promote and distribute their work. Chapters follow the publishing process from planning to creative development, production, and marketing. The final chapter features books, websites, and Internet sources for designing brochures; creating a website; and designing, printing, and distributing a book. Helpful guidelines accompany excerpts from interviews with librarians experienced with this publishing model, examples of self-published books, and graphic models.

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Page Count

165

Publisher

Bloomsbury Publishing USA

Published Date

ISBN 10

1440841594

ISBN 13

9781440841590

Book's by Professor Brian Cummings

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