A merchant sailor works for a decade, captaining a yacht up and down the coasts of Malaysia, in the hope that his crooked employer will stay true to a promise... Years after a pandemic sweeps across Europe, wiping out its all-white population, a pilgrim returns to his Polish birthplace in search of the only other non-white kid he knew at school... An inscrutable hotelier loses his composure when a secret passage is discovered in his hotel, leading to a mysterious room and a previously hidden existence... Born in what is now Ukraine to Polish parents, naturalised as a British citizen, and schooled on the high seas of international commerce, Joseph Conrad was a true citizen of the world. His novels bore witness to the dehumanising repercussions of empire, explored a world in which state-sponsored terrorism ruined individuals' lives, and pioneered complex narrative structures and subjective points-of-view in what was to become the first wave of literary modernism. To mark his 160th birthday, 14 authors and critics from Britain, Poland and elsewhere have come together to celebrate his legacy with new pieces of fiction and non-fiction. Conrad felt that the writer's task was to offer 'that glimpse of truth for which you have forgotten to ask.' In an age of increasing isolationism, these celebrations remind you of the value of such glimpses.
Faces are more than a montage of organs that see, breathe, speak, hear, eat, sing, smell, and yell. As Josephine Tey points out in her mystery novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the look of the eye, the firmness of a chin, often can provide evidence of character that is as telling as a report card or a police blotter. Those features depicted on portraits of individuals can be equally telling of the person’s inner nature or perhaps of what the artist thinks (or wants the viewer to think) about the person being portrayed. Sometimes a portrait might be even more useful than a biography. While examining these portraits, the author considers three questions: what was Wesley’s attitude toward the portrait (if any), how did the public respond to these portrayals, and what was the artist attempting to convey? This book focuses on the main portraits and their derivatives, looking at them within the three main categories that developed over the years: Oxford don, Methodist preacher, and notable person. Although these types seemed to arise in chronological order, there is some overlap between categories, especially toward the end of Wesley’s life and beyond.
A Real Christian: The Life of John Wesley fills a void in available books in Wesleyan studies by providing a brief, solid biography that focuses on Wesley himself. While exploring Wesley's ancestry, birth, death, and every major biographical and theological event between, Collins also explores the theme of John Wesley's spiritual growth and maturation. Wesley came to the conclusion that real Christians are those whose inward (and outward) lives have been transformed by the bountiful sanctifying grace of God -- what he termed real Christianity--and this he strove to obtain for himself. Real Christianity, as Wesley understood it, embraces both works of piety and mercy, the person and the social.
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