Speech processing and speech transmission technology are expanding fields of active research. New challenges arise from the 'anywhere, anytime' paradigm of mobile communications, the ubiquitous use of voice communication systems in noisy environments and the convergence of communication networks toward Internet based transmission protocols, such as Voice over IP. As a consequence, new speech coding, new enhancement and error concealment, and new quality assessment methods are emerging. Advances in Digital Speech Transmission provides an up-to-date overview of the field, including topics such as speech coding in heterogeneous communication networks, wideband coding, and the quality assessment of wideband speech. Provides an insight into the latest developments in speech processing and speech transmission, making it an essential reference to those working in these fields Offers a balanced overview of technology and applications Discusses topics such as speech coding in heterogeneous communications networks, wideband coding, and the quality assessment of the wideband speech Explains speech signal processing in hearing instruments and man-machine interfaces from applications point of view Covers speech coding for Voice over IP, blind source separation, digital hearing aids and speech processing for automatic speech recognition Advances in Digital Speech Transmission serves as an essential link between the basics and the type of technology and applications (prospective) engineers work on in industry labs and academia. The book will also be of interest to advanced students, researchers, and other professionals who need to brush up their knowledge in this field.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. At the forefront of the entertainment industries of the late nineteenth and early twentieth centuries were singular actors: Sarah Bernhardt, Gabrielle Réjane, and Mistinguett. Talented and formidable women with global ambitions, these performers forged connections with audiences across the world while pioneering the use of film and theatrics to gain international renown. Transnational Trailblazers of Early Cinema traces how these women emerged from the Parisian periphery to become world-famous stars. Building upon extensive archival research in France, England, and the United States, Victoria Duckett argues that, through intrepid business prowess and the use of early multimedia to cultivate their celebrity image, these three artists strengthened ties between countries, continents, and cultures during pivotal years of change.
Early modern European society took a serious view of blasphemy, and drew upon a wide range of sanctions - including the death penalty - to punish those who cursed, swore and abused God. Whilst such attitudes may appear draconian today, this study makes clear that in the past, blasphemy was regarded as a very real threat to society. Based on a wealth of primary sources, including court records, theological and ecclesiastical writings and official city statutes, Francisca Loetz explores verbal forms of blasphemy and the variety of contexts within which it could occur. Honour conflicts, theological disputation, social and political provocation, and religious self-questioning all proved fertile ground for accusations of blasphemy, and her contention - that blasphemers often meant more than they said - reveals the underlying complexity of an apparently simple concept. This innovative approach interprets cases of verbal blasphemy as 'speech actions' that reflect broader political, social and religious concerns. Cases in Protestant Zurich are compared with the situation in Catholic Lucerne and related to findings in other parts of Europe (Germany, France, England, Italy) to provide a thorough discussion of different historical approaches to blasphemy - ecclesiastical, legal, intellectual, social, and cultural - in the Early Modern period. In so doing the book offers intriguing suggestions about what a cultural history of religiousness could and should be. By linking a broad overview of the issue of blasphemy, with case studies from Zurich and Lucerne, this book provides a fascinating insight into a crucial, but often misunderstood aspect of early-modern society. The conclusions reached not only offer a much fuller understanding of the situation in Zurich, but also have resonance for all historians of Reformation Europe.
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
This new edition of a core undergraduate textbook for construction managers reflects current best practice, topical industry preoccupations and latest developments in courses and fundamental subjects for students. While the construction process still requires traditional skills, changes over recent decades today demand improved understanding of modern business, production and contractual practices. The authors have responded accordingly and the book has undergone a thorough re-write, eliminating some of the older material and adding new processes now considered essential to achieving lean construction. Particular emphasis is given, for example, to supply chains and networks, value and risk management, BIM, ICT, project arrangements, corporate social responsibility, training, health and welfare and environmental sustainability. Modern Construction Management presents construction as a socially responsible, innovative, carbon-reducing, manager-involved, people-orientated, crisis-free industry that is efficient and cost effective. The overall themes for the Seventh Edition are: Drivers for efficiency: lean construction underpinning production management and off-site production methods. Sustainability: reflecting the transition to a low carbon economy. Corporate Social Responsibility: embracing health & safety, modernistic contracts, effective procurement, and employment issues. Building Information Management: directed towards the improvement of construction management systems. The comprehensive selection of worked examples, based on real and practical situations in construction management and methods will help to consolidate learning. A companion website at www.wiley.com/go/MCM7 offers invaluable support material for both tutors and students: Solutions to the self-learning exercises PowerPoint slides with discussion topics Journal and web references Structured to reflect site, business and corporate responsibilities of managers in construction, the book continues to provide strong coverage of the salient elements required for developing and equipping the modern construction manager with the competencies and skills for both technical and business related areas.
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