Political editor Priya Sahgal profiles fourteen Gen-Next political leaders under the age of fifty-five. How do they shape their politics in the Age of Modi where the axis of politics revolves around one man? The Contenders captures an intriguing churn in the Indian leadership paradigm. There has been a generational change of guard in most political parties, from the north to the south. Most are pedigreed dynasts whose inheritance has been challenged by the biggest disrupter of them all. Can Rahul Gandhi, Akhilesh Yadav, Tejashwi Yadav, Arvind Kejriwal and Omar Abdullah consolidate and conquer? Will Rahul break out of his existential chakravyuha, caught between destiny and destination? How are Sachin Pilot and Priyanka Gandhi Vadra pitching their politics in a party where (individual) power is poison? Will Sachin's pilot project take off? What about the BJP's second rung? Is Yogi Adiyanath's rise and rise part of a plan, or is he the genie unleashed? What is it about Himanta Biswa Sarma that makes him indispensable to whichever party he belongs to? Can Jyotiraditya Scindia and Anurag Thakur maintain their momentum and panache in a very competitive BJP? With the Congress battling decline, never has the role of regional parties been more crucial, specially within the opposition. What he lacks in numbers, Arvind Kejriwal makes up for in gumption as he takes Modi on, headline for headline. Both Akhilesh and Tejashwi are reinventing themselves, looking beyond their traditional party base, while Asadduddin Owaisi remains a Prime Time warrior. Milind Deora and Jayant Chaudhary have renegotiated their politics, made some new friends and antagonised the old. What are the new rules of engagement in the Modified Game of Thrones? This is a book that listens, but does not judge. As a senior political journalist, Priya has interacted with most of them since their political debut; as she chronicles conversations that bring out their strengths, weaknesses and quirks. The style is easy and conversational, the portraits sharp and engaging. Within these pages you are likely to meet a future prime minister, a couple of chief ministers, several cabinet ministers and one not so reluctant fundamentalist. Do they have what it takes to lead India tomorrow? This book can help you decide.
Political editor Priya Sahgal profiles fourteen Gen-Next political leaders under the age of fifty-five. How do they shape their politics in the Age of Modi where the axis of politics revolves around one man? The Contenders captures an intriguing churn in the Indian leadership paradigm. There has been a generational change of guard in most political parties, from the north to the south. Most are pedigreed dynasts whose inheritance has been challenged by the biggest disrupter of them all. Can Rahul Gandhi, Akhilesh Yadav, Tejashwi Yadav, Arvind Kejriwal and Omar Abdullah consolidate and conquer? Will Rahul break out of his existential chakravyuha, caught between destiny and destination? How are Sachin Pilot and Priyanka Gandhi Vadra pitching their politics in a party where (individual) power is poison? Will Sachin's pilot project take off? What about the BJP's second rung? Is Yogi Adiyanath's rise and rise part of a plan, or is he the genie unleashed? What is it about Himanta Biswa Sarma that makes him indispensable to whichever party he belongs to? Can Jyotiraditya Scindia and Anurag Thakur maintain their momentum and panache in a very competitive BJP? With the Congress battling decline, never has the role of regional parties been more crucial, specially within the opposition. What he lacks in numbers, Arvind Kejriwal makes up for in gumption as he takes Modi on, headline for headline. Both Akhilesh and Tejashwi are reinventing themselves, looking beyond their traditional party base, while Asadduddin Owaisi remains a Prime Time warrior. Milind Deora and Jayant Chaudhary have renegotiated their politics, made some new friends and antagonised the old. What are the new rules of engagement in the Modified Game of Thrones? This is a book that listens, but does not judge. As a senior political journalist, Priya has interacted with most of them since their political debut; as she chronicles conversations that bring out their strengths, weaknesses and quirks. The style is easy and conversational, the portraits sharp and engaging. Within these pages you are likely to meet a future prime minister, a couple of chief ministers, several cabinet ministers and one not so reluctant fundamentalist. Do they have what it takes to lead India tomorrow? This book can help you decide.
Doctoral Thesis / Dissertation from the year 2012 in the subject English Language and Literature Studies - Literature, grade: A, , language: English, abstract: The thesis presents the socio-political realities of India through Khushwant Singh’s novels Delhi and Train to Pakistan, Manohar Malgonkar’s A Bend in the Ganges and The Garland Keepers and Rohinton Mistry’s A Fine Balance and Family Matters. Muslim conquest of India, 1857 Sepoy Mutiny, impact of Gandhiji’s ideology of non-violence, holocaust that took place at the time of the Partition of Indian sub-continent in 1947, State of Internal Emergency declared in 1975 and Post-Babri India are discussed in this book as depicted by the three writers in their novels. Literature is considered to represent one of the highest forms of development of human sensibility. It is a deliberate act of social communication which is written by someone, for someone to read and is meant to convey something. A serious work of literature is a living document of contemporary happenings and also of the historical process underlying them. The great epics and tragedies of ancient Greece are rich in variety, lofty in thought and universal in comprehension. Hence we learn from them about the Greek society of the times as they reflect the ancient Greek civilization. The great renaissance that swept through Europe in fourteenth and fifteenth centuries produced Dante and Shakespeare. Blake, Wordsworth, Byron and Shelley owe much to the French Revolution.
The rise of India as a major power has generated new interest in understanding the drivers of its foreign policy. This book argues that analysing India’s foreign and security policies as representational practices which produce India’s identity as a postcolonial nation-state helps to illuminate the conditions of possibility in which foreign policy is made. Spanning the period between 1947 and 2004, the book focuses on key moments of crisis, such as the India-China war in 1962 and the nuclear tests of 1972 and 1998, and the approach to international affairs of significant leaders like Jawaharlal Nehru. The analysis sheds new light on these key events and figures and develops a strong analytical narrative around India’s foreign policy behaviour, based on an understanding of its postcolonial identity. It is argued that a prominent facet of India’s identity is a perception that it is a civilizational-state which brings to international affairs a tradition of morality and ethical conduct derived from its civilizational heritage and the experience of its anti-colonial struggle. This notion of ‘civilizational exceptionalism’, as well as other narratives of India’s civilizational past, such as its vulnerability to invasion and conquest, have shaped the foreign policies of governments of various political hues and continue to influence a rising India.
Asking what Indian readers chose to read and why, In Another Country shows how readers of the English novel transformed the literary and cultural influences of empire. She further demonstrates how Indian novelists writing in English, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.
India is the land of contra-diction. You can be sure that anything you say about India, the exact opposite is also true. It is the world's largest democracy and yet tolerates political dynasties; a land where medieval tradition jostles with the label '21st century software-superpower'; the nirvana destination of the world and yet one of worst sanitary systems imaginable; the indigenous tribal ...
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