The unknown history of letters For as long as any letter could remember, Vowels and Consonants had been enemies. U without N? Q without U? Mpssh! you say. Yet once, long ago, P's and Q's minded their p's and q's, and though U and I deserved not one iota of respect. For their part, Vowels knew only that the dot on the youngest i was far moe important than the most capital W. And so they came to wage a fierce war to prove who were the better letters. But as S's outflank E's and O's surround H's, an enemy of all the alphabet appers on the horizon--one which neither Vowels or Consonants can conquer alone. In this hilarious look at the hidden life of letters, Priscilla and Whitney Turner reveal how sworn enemies become allies and discovered what you and I now take for granted: that the pen is mightier than the swrd.
Describes the ordeal of three teenagers who set out to climb to the summit of Oregon's Mount Hood and encounter snowstorms, an avalanche, and starvation.
A cross-cultural romance between an American Indian and a white woman. The heroine is Dr. Meggie O'Connor, a psychologist who studied under an Indian medicine woman who brought them together, even though the Indian is married. By the author of Winona's Web.
Acres Homes was established in 1910. Working class families, laborers, farmers, water front workers, carpenters, domestics, military, and factory workers filled with hope and self-pride began migrating and purchasing property platted for African Americans approximately 10 miles northwest of downtown Houston from developer Alfred A. Wright. The settlement acquired its name Acreage Home from the fact that land was sold by the acre rather than by the lot. The land owners benefited from low taxes, inexpensive land, and an agrarian lifestyle a bit of genteel country with quick and easy access to the city.
Why does Western culture remain fascinated with and saturated by cannibalism? Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the theory of germs through AIDS, Ebola, and the like. At the same time, it has expanded to encompass the workings of entire economic systems (such as in "consumer cannnibalism"). Our Cannibals, Ourselves is an interdisciplinary study of cannibalism in contemporary culture. It demonstrates how what we take for today's ordinary culture is imaginatively and historically rooted in very powerful processes of the encounter between our own and different, often "threatening," cultures from around the world. Walton shows that the taboo on cannibalism is heavily reinforced only partly out of fear of cannibals themselves; instead, cannibalism is evoked in order to use fear for other purposes, including the sale of fear entertainment. Ranging from literature to popular journalism, film, television, and discourses on disease, Our Cannibals, Ourselves provides an all-encompassing, insightful meditation on what happens to popular culture when it goes global.
“This is Us” meets “The Wedding Date”…Latinx style! When social media influencer Sara Vance is stranded sans her flaky boyfriend just before a Key West family vacation, a meet-cute with Cuban-American firefighter Luis Navarro in the parking lot of the airport is the answer to her prayers. With Luis as her fake fiancée for the week, Sara can maintain her “perfect” image IRL. But what happens when the fake starts feeling so real? Gorgeously repackaged in mass-market, Island Affair from USA Today bestselling author Priscilla Oliveras is the ultimate beach read! Sought-after social media influencer Sara Vance, in recovery from an eating disorder, is coming into her own, with a potential career expansion on the horizon. Despite the good news, her successful siblings (and their perfect spouses) have a way of making her feel like the odd one out. So, when her unreliable boyfriend is a no-show for a Florida family vacation, Sara recruits Luis Navarro—a firefighter paramedic and dive captain willing to play the part of her smitten fiancé . . . Luis’s big Cuban familia has been in Key West for generations, and his quiet strength feeds off the island’s laidback style. Though guarded after a deep betrayal, he’ll always help someone in need—especially a spunky beauty with a surprising knowledge of Spanish curse words. Soon, he and Sara have memorized their “how we met” story and are immersed in family dinners, bike tours, private snorkeling trips . . . sharing secrets, and slow, melting kisses. But when it’s time for Sara to return home, will their fake relationship fade like the stunning sunset . . . or blossom into something beautiful?
Imagining Modernity in the Andes is an interdisciplinary work that deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. This book focuses initially on Indigenismo, attempting to recuperate the intellectual energy of writers and artists from the twenties who rewrote political and cultural discourse in an irreversible manner, and concludes with a consideration of the new configurations of indigeneity that are emerging today not only in the Andes but across the globe. The multidisciplinary work of José Marìa Arguedas occupies a privileged place in this study and his anthropological work is analyzed in the context of an ideological climate. In addition to considering sociological and anthropological accounts, Archibald examines representations of urbanization and social informality by four Peruvian novelists, pointing to the prevalence of the troupe of the grotesque as a metaphor for the unmanageability associated with cities of the South. Finally, Imagining Modernity in the Andes analyzes the implications of the emergence of new visual media in a culture context long defined by the oral-textual divide, and considers the continued relevance of the concept of transculturation in a transnational and post-literary context.
Since the late 1970s, a subgenre of crime fiction, written by women and featuring a professional woman investigator, has exploded on the popular fiction market. Priscilla L. Walton and Manina Jones focus on this recent proliferation of women writers of detective fiction, providing the first book-length study of the historical and societal changes that fueled this popularity, along with insightful and entertaining readings of the texts themselves. Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hard-boiled tradition has been challenged and transformed. Issues of child, spousal, and sexual abuse are more likely to surface in women's detective novels, the authors show, and female sleuths face many of the same dilemmas as those who read about them—everyday problems with relationships, parenting, and money. Detective Agency also integrates interviews with authors and publishers, reader surveys, publication data, and analysis of internet discussion groups to present a fascinating picture of the "industry" of women's detective fiction. Authors of these works are powerful players in the publishing system as well as agents of cultural intervention, Walton and Jones claim. They conclude by examining the rise of female detectives in television and film.
The "Happiest Place on Earth" opened in 1955 during a trying time in American life--the Cold War. Disneyland was envisioned as a utopian resort where families could play together and escape the tension of the "real world." Since its construction, the park has continually been updated to reflect changing American culture. The park's themed features are based on familiar Disney stories and American history and folklore. They reflect the hopes of a society trying to understand itself in the wake of World War II. This second edition expands its perspective in response to, among other things, the cultural shifts brought on by the Covid-19 pandemic. New and updated chapters endeavor to hold Disney accountable: not accountability for misdeeds, but its accountability to include everyone, as American mythmakers and cultural titans.
Where is the "common ground of womanhood"? In a unique and highly nuanced study of previously unexplored cross-class alliances, Priscilla Murolo charts the shifting points of consensus and conflict between working women and their genteel club sponsors, working women and their male counterparts, and among working women of differing ethnic backgrounds. The working girls' club movement lasted from the 1880s, when women poured into the industrial labor force, into the 1920s. Clubs initially were governed by upper-class women, and activities converged around standards of "respectability" and the defense and uplift of the character of women who worked for wages. Later, the workers themselves presided over the clubs, at which point the focus shifted to issues of labor reform, women's rights, and sisterhood across class lines. This valuable and lucid study of the club movement's trajectory throws new light on broader trends in the history of women's alliances, social reform, gender conventions, and worker organizing. A volume in the series Women in American History, edited by Anne Firor Scott, Nancy A. Hewitt, and Stephanie Shaw, and in the series The Working Class in American History, edited by David Brody, Alice Kessler-Harris, David Montgomery, and Sean Wilentz
Priscilla J. Brewer examines the development and history of the first American appliance—the cast iron stove—that created a quiet, but culturally contested transformation of domestic life and sparked many important debates about the role of women, industrialization, the definition of social class, and the development of a consumer economy. Brewer explores the shift from fireplaces to stoves for cooking and heating in American homes, and sheds new light on the supposedly "separate spheres" of home and world of nineteenth- century America. She also considers the changing responses to technological development, the emergence of a consumption ethic, and the attempt to define and preserve distinct Anglo-American middle class culture. There are few works that treat this significant subject, and Brewer covers impressive new ground. Extensively documented—based on letters, diaries, probate inventories, census records, sales figures, advertisements, fiction, and advice literature-this book will be valuable to scholars of American history and women's studies.
The Houston Mutiny and Riot of 1917, marks one of Houston's darkest hours in race relations. On August 23,1917, Acting First Sergeant Vida Henry led 156 armed soldiers toward Houston's Police Department by way of Brunner Avenue continuing along San Felipe Street. The book Camp Logan takes an in depth look at the cause and events that occurred in Houston, Texas on August 23, 1917. It contains a review of Sergeant Henry's death, identification of the victims and convicted soldiers by name, rank, and conviction outcomes. The book also contains a visual footprint of the 1917 Riot route. The content of the book is based on information retrieved from over 290 government documents pertaining to the three court martials and convictions on 117 African American soldiers stationed at Camp Logan, Texas in 1917.
Constituting Americans" rethinks the way that certain writers of the mid-nineteenth and early twentieth century contributed to fixing the words precisely of what it means to be an American
This ambitious interdisciplinary volume places population processes in their social, political, and economic contexts while it considers their environmental impacts. Examining the multi-faceted patterns of human relationships that overlay, alter, and distort our ties to urban and rural landscapes, the book focuses especially on the essential experi
This book is unusually rewarding in that its author has pulled off the rare trick of providing deep philosophical and theoretical underpinnings to a comprehensive reconsideration of childhood. Priscilla Alderson deploys Bhaskar's 'dialectical critical realism' to excellent effect, illuminating not only our understanding of the presence, and absence, of children in our lives and discourses, but also the field of childhood studies. It is rare that such an integrated text is accomplished and I look forward to the planned second volume. This is a work that should facilitate a rethinking of childhood for the new century." Graham Scrambler, Professor of Medical Sociology at University College London. Childhoods Real and Imagined explores and charts the relation of dialectical critical realist concepts to many aspects of childhood. By demonstrating their relevance and value to each other, Alderson presents an introductory guide to applied critical realism for researchers, lecturers and students. Each chapter summarises key themes from several academic disciplines and policy areas, combining adults’ and children’s reported views and experiences and filtering these through a critical realist analysis. The four main chapters deal with the more personal aspects of childhood in relation to the body, interpersonal relations, social structures, and the person, soul or self. The second volume will widen the scope to include the impact on children and young people of present policies relating to ecology, economics, ideas of social evolution or progress, and ethics. Each chapter demonstrates how children are an integral part of the whole of society and are often especially affected by policies and events. Through developing the dialectical critical realist analysis of childhood and youth Childhoods Real and Imagined will be of great interest to critical realists and childhood researchers and policy advisers.
A nation's heritage is one of the most potent forces for generating tourism: the Tower of London is the greatest 'visitor attraction' in Britain. But it is pushed into insignificance by comparison with the visitors travelling to Disneyland, Epcot and the other entertainment complexes in the USA; and it will be dwarfed by Euro-Disneyland east of Paris. So how should heritage attractions respond: should they find their own specific audiences and resources? This book, written by a leading hertage specialist, is essential reading for all those concerned both with heritage and leisure managment. International in scope, it examines successfgul examples of heritage management for tourism, and equally some failures. It aims to lay some useful ground rules which should underpin all heritage developments designed to attract tourism on a major scale.
How should we understand the fear and fascination elicited by the accounts of communicable disease outbreaks that proliferated, following the emergence of HIV, in scientific publications and the mainstream media? The repetition of particular characters, images, and story lines—of Patients Zero and superspreaders, hot zones and tenacious microbes—produced a formulaic narrative as they circulated through the media and were amplified in popular fiction and film. The “outbreak narrative” begins with the identification of an emerging infection, follows it through the global networks of contact and contagion, and ends with the epidemiological work that contains it. Priscilla Wald argues that we need to understand the appeal and persistence of the outbreak narrative because the stories we tell about disease emergence have consequences. As they disseminate information, they affect survival rates and contagion routes. They upset economies. They promote or mitigate the stigmatizing of individuals, groups, locales, behaviors, and lifestyles. Wald traces how changing ideas about disease emergence and social interaction coalesced in the outbreak narrative. She returns to the early years of microbiology—to the identification of microbes and “Typhoid Mary,” the first known healthy human carrier of typhoid in the United States—to highlight the intertwined production of sociological theories of group formation (“social contagion”) and medical theories of bacteriological infection at the turn of the twentieth century. Following the evolution of these ideas, Wald shows how they were affected by—or reflected in—the advent of virology, Cold War ideas about “alien” infiltration, science-fiction stories of brainwashing and body snatchers, and the HIV/AIDS pandemic. Contagious is a cautionary tale about how the stories we tell circumscribe our thinking about global health and human interactions as the world imagines—or refuses to imagine—the next Great Plague.
Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell.
The focus of this product package is to provide students with a strong knowledge base, an understanding of contemporary practice issues in Australia and the capacity for sound clinical reasoning. You will use these professional attributes in order to provide safe and effective nursing care. This easily understood, straightforward Australian edition integrates the following concepts: epidemiology, pathophysiology, pharmacology, legal and ethical issues, therapeutic communication, interprofessional communication and cultural safety.
150 Years, Standing Strong is a collection of church histories, places, and people that illustrate their origin and connection with Historic Freedmen's Town in Houston's Fourth Ward.
Newly updated: “An enjoyable introduction to American working-class history.” —The American Prospect Praised for its “impressive even-handedness”, From the Folks Who Brought You the Weekend has set the standard for viewing American history through the prism of working people (Publishers Weekly, starred review). From indentured servants and slaves in seventeenth-century Chesapeake to high-tech workers in contemporary Silicon Valley, the book “[puts] a human face on the people, places, events, and social conditions that have shaped the evolution of organized labor”, enlivened by illustrations from the celebrated comics journalist Joe Sacco (Library Journal). Now, the authors have added a wealth of fresh analysis of labor’s role in American life, with new material on sex workers, disability issues, labor’s relation to the global justice movement and the immigrants’ rights movement, the 2005 split in the AFL-CIO and the movement civil wars that followed, and the crucial emergence of worker centers and their relationships to unions. With two entirely new chapters—one on global developments such as offshoring and a second on the 2016 election and unions’ relationships to Trump—this is an “extraordinarily fine addition to U.S. history [that] could become an evergreen . . . comparable to Howard Zinn’s award-winning A People’s History of the United States” (Publishers Weekly). “A marvelously informed, carefully crafted, far-ranging history of working people.” —Noam Chomsky
The First Lady of Decorative Painting" has already taught more than a million people around the world the pleasures of creative painting, and now she reveals how to turn "seen better days" old furniture into extraordinary works of decorative art. Anyone can do it, simply by following her no-fail instructions. Just trace the patterns and follow the color photographs that illustrate the techniques, from prepping the furniture to adding lifelike illustrations of flora and fauna; from creating distressed and "crackle" finishes to preserving the finished piece with a variety of sealing and trimming methods. The projects include a British Colonial Palm Tree Chair complete with climbing monkeys, a Lollipop Roses Desk, a Fly Fishing Stool, and other beautiful and fun items.
Ethical questions are at the centre of research with children and young people. This clear and practical text informs students and researchers about the relevant laws and guidelines and current debates in research ethics. Priscilla Alderson and Virginia Morrow cover ethics at every stage of research, and with all kinds of young research participants, particularly those who are vulnerable or neglected. They break down the process of research into ten stages, each with its own set of related questions and problems, and they show how these need to be addressed. This practical book is essential reading for anyone who conducts or reviews research with children or young people. Priscilla Alderson is Emerita Professor of Childhood Studies at the Institute of Education University of London. Virginia Morrow is Senior Research Officer in the Department of International Development, University of Oxford.
Buffalo Soldiers is a visual presentation of Buffalo Soldiers throughout American history including photos of Confederate and Union Soldiers. The book also offers a glimpse of the Buffalo Soldiers' 150th Anniversary held in Houston, Texas on July 30, 2016.
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