The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonn� of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.
One of the finest private collections of Indian, Himalayan and Southeast Asian art in America is owned by James and Marilynn Alsdorf. This catalogue provides an opportunity for individuals other than scholars and specialists to view the works of art.
Jainism originates in India where it has been practised since the 6th century BC. The Jains have produced a diverse range of art that has been little known in the West. This volume is illustrated with examples from all ages, offering a comprehensive introduction to the art of the Jains and an insight into the practices, principles and beliefs of the religion. Pratapaditya Pal describes the different forms of art produced in each period: temples and shrines, wood, stone and bronze, illuminated manuscripts, monumental cloth paintings, architectural reliefs and votive tablets. The volume also includes an examination of Jain ritual and philosophical thought, an entertaining account of Jain pilgrimages and overviews of Jain cosmological painting and manuscript illustration.
These lavishly illustrated books are the first and second in a series of three cataloguing the Asian art collection at the Norton Simon Museum. Each work of art is fully illustrated and discussed, and both volumes include substantial introductions that shed light on the aesthetic and metaphysical underpinnings of these masterpieces. Volume 1 focuses on sculptures from the Indian subcontinent, except those from the Himalayas. Representing almost all schools of Indian sculptural art and three major religions - Hinduism, Buddhism, and Jainism - the works span two millennia, from the second century B.C.E. to the eighteenth century C.E. The collection’s many highlights include a particularly fine assemblage of South Indian bronzes of the Chola period. Volume 2 concentrates on sculptures and paintings from the Indian states of Jammu, Kashmir, and Himachal Pradesh, as well as the countries of Nepal, Tibet, and China. These works date from the fifth to the twentieth century. The collection’s many highlights include Buddhist bronzes from Nepal, folk bronzes from Himachal Pradesh, and thankas and metalwork from Tibet.
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