Lahore, First Published In 1993, Is Pran Nevile S Tribute To The Land Of His Birth. Grounded In Memory And Redolent With Nostalgia, Nevile S Reminiscences Transport The Reader Into The Heart Of Lahore As It Was In The 1930S And 40S A City Bustling With Activity Where People Coexisted Harmoniously, Unfettered By Considerations Of Religion, Region Or Caste. From The Riotous Seasonal Festivities Of Kite-Flying To Clandestine Love-Affairs Upon Rooftops, From Matinee Shows At The Cinema To Twilight Hours Spent Amongst The Bejewelled Dancing Girls Of Hira Mandi, Lahore Emerges As A City Of Mesmerizing Contradictions And Chaotic Splendour. The Author Underscores The Contrast Between Pre- And Post-Partition Lahore, And The Sense Of Pain, Loss And Longing For One S Homeland Experienced By The Displaced Millions In India And Pakistan Is Palpable. Evocative And Informative, Lahore Is At Once Social Commentary, Historical Documentation And Memoir.
Culled from Raj literature, Sahib's India reveals little-known aspects of their lives and their dealings with their Indian subjects. Drawing from contemporary journals, plays and poems,
STEP BACK TO GLIMPSE A BYGONE TIME... Mahlee, dhobie, cook, horsekeeper, Each were to the chokee sent, Last of all the wretched sweeper- Still the Colonel's liquor went. 'Devlish odd this!' said the Colonel 'What a land to soldier in! Aboo, this is most infernal - Who the blazes drinks my gin?' Sahib's India's is a panaromic look at the lives of the British in colonial India. Culled from Raj literature , it reveals little-known aspects of their lives and their dealings with their Indian subjects. Drawing from contemporary journals, plays and poems, the author provides wonderful descriptions of British homes and servants , their tastes and fashions, cultural idiosyncrasies, profligacy, sports, hunts and shoots, giving us, with the relaxed familiarity of the after -dinner raconteur, a flavour of the period. The book is peppered with a host of characters- astrologers, jugglers, magicians, grass widows, the 'fishing fleet', missionaries, nautch girls, mavericks and eccentrics- who made India their home as the British turned from traders to empire- builders, and is interspersed with period photographs, paintings and sketches. Thsi is a delightful evocation of a vanished world.
A tribute to the first Singer-Superstar of Indian Cinema Hailed as shahenshah-e-mausiqi (emperor of music) and acclaimed as the ghazal king, K.L. Saigal became a phenomenon in his own lifetime. Idolized for his distinctive style by the first generation of Bollywood playback singers, he is now also the subject of study by several scholars. With no formal training, Saigal recorded 185 songs, including the immortal Diya jalao jagmag jagmag, Rumjhum rumjhum chaal tihari, Baag laga doon sajani and Jab dil hi toot gaya. He also acted in thirty-six feature films, including Tansen, Street Singer and Shahjehan. His popularity, however, skyrocketed with Devdas in which he played the doomed lover to perfection, a portrayal which would influence every actor playing a tragic hero thereafter. This book, interspersed with archival photographs and appended with a filmography and selected songs, provides a fascinating account of one of Hindi cinema’s greatest legends.
Lahore, First Published In 1993, Is Pran Nevile S Tribute To The Land Of His Birth. Grounded In Memory And Redolent With Nostalgia, Nevile S Reminiscences Transport The Reader Into The Heart Of Lahore As It Was In The 1930S And 40S A City Bustling With Activity Where People Coexisted Harmoniously, Unfettered By Considerations Of Religion, Region Or Caste. From The Riotous Seasonal Festivities Of Kite-Flying To Clandestine Love-Affairs Upon Rooftops, From Matinee Shows At The Cinema To Twilight Hours Spent Amongst The Bejewelled Dancing Girls Of Hira Mandi, Lahore Emerges As A City Of Mesmerizing Contradictions And Chaotic Splendour. The Author Underscores The Contrast Between Pre- And Post-Partition Lahore, And The Sense Of Pain, Loss And Longing For One S Homeland Experienced By The Displaced Millions In India And Pakistan Is Palpable. Evocative And Informative, Lahore Is At Once Social Commentary, Historical Documentation And Memoir.
In his unusual and extraordinary life, Pran Nevile has donned several hats - journalist, researcher, diplomat, Soviet bloc expert, United Nations adviser and writer. On short notice, he even turned pandit to perform the wedding ceremony of a close friend's daughter. Carefree Days is the story of his multifaceted life, beginning in pre-Partition Lahore, where he completed his education. It was a time of happy camaraderie between Hindus and Muslims in college that gave way all too soon to the trauma of Partition. His diplomatic postings took him into the corridors of power in Japan, the Soviet Union, Poland and the US. There was a sojourn in Yugoslavia under President Tito in the heyday of India's friendship with the country, which would split up after Tito's death. Along the way, he observed keenly the cultures and peculiarities he encountered, from the Japanese emphasis on discipline and loyalty to the aura of secrecy that shrouded KGB officials in Moscow. During his postings, he also became something of an authority on trading with the communist economies. A great raconteur, Nevile began writing much later in his life. His interests range from the nautch culture of India to the music of K.L. Saigal, in whose memory he has established a music society. A pilgrimage to the past, Carefree Days is an autobiographical account of a life well lived - of several lifetimes lived in one.
A tribute to the first Singer-Superstar of Indian Cinema Hailed as shahenshah-e-mausiqi (emperor of music) and acclaimed as the ghazal king, K.L. Saigal became a phenomenon in his own lifetime. Idolized for his distinctive style by the first generation of Bollywood playback singers, he is now also the subject of study by several scholars. With no formal training, Saigal recorded 185 songs, including the immortal Diya jalao jagmag jagmag, Rumjhum rumjhum chaal tihari, Baag laga doon sajani and Jab dil hi toot gaya. He also acted in thirty-six feature films, including Tansen, Street Singer and Shahjehan. His popularity, however, skyrocketed with Devdas in which he played the doomed lover to perfection, a portrayal which would influence every actor playing a tragic hero thereafter. This book, interspersed with archival photographs and appended with a filmography and selected songs, provides a fascinating account of one of Hindi cinema’s greatest legends.
A study of the forgotten Indian artists who produced remarkable paintings for their British patrons. Defined as the 'Company School' art, these beautiful pictures reveal a lively fusion of eastern warmth with western objectivity. The author highlights how western ideas and artistic techniques were absorbed in the Indian tradition by these artists without losing the essential Indianness.
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