Raj turned back to look at Gauri. Her hair was disheveled. Her face was not glowing as before. For the first time, he saw a common girl in her and no longer an angel. Gauri was unable to see the tears in his eyes from that distance. Raj cried his heart out all the way home. The road was deserted except for his sobs which reverberated against the surrounding hills and rocks, turning into an echo that only his soul could hear. It was the echo of a broken heart that Raj heard for the first time.
As Manav opened his eyes, he saw Madhu sitting beside him, trying to wake him up. Her body fragrance and her damp hair suggested she had taken a shower. Manav's eyes struggled to fully open, still heavy with sleep. He looked towards the window, and darkness still lingered outside. Glancing at the clock, he realized it was twenty minutes past three in the night. "What's the matter, Madhu?" "Get up, wash your face, and freshen up. I'm heading to make tea. Then we'll go for a walk in the park." "It's still nighttime, Madhu. It's only three-twenty in the morning," he checked the clock again. "Nighttime? I'm already up and have taken a shower. I thought it was morning.
A racy thriller about a banker who is found in a pool of blood in his house one fine day. Why would anyone kill him? He had a straight record, a helpful man with no apparent enemies. His wife and Inspector Dayal begin their own investigation and converge at a point to discover the real motive behind the murder.
The Transnational in English Literature examines English literary history through its transnational engagements and argues that every period of English Literature can be examined through its global relations. English identity and nationhood is therefore defined through its negotiation with other regions and cultures. The first book to look at the entirety of English literature through a transnational lens, Pramod Nayar: Maps the discourses that constitute the global in every age, from the Early Modern to the twentieth century Offers readings of representative texts in poetry, fiction, essay and drama, covering a variety of genres such as Early Modern tragedy, the adventure novel, the narrative poem, Gothic and utopian fiction Examines major authors including Shakespeare, Defoe, Behn, Swift, Coleridge, Wordsworth, Austen, Mary Shelley, the Brontës, Doyle, Ballantyne, Orwell, Conrad, Kipling, Forster Looks at themes such as travel and discovery, exoticism, mercantilism, commodities, the civilisational mission and the multiculturalization of England. Useful for students and academics alike this book offers a comprehensive survey of the English canon questioning and analysing the transnational and global engagements of English literature.
During the course of governing India — the Raj — a number of words came to have particular meanings in the imperial lexicon. This book documents the words and terms that the British used to describe, define, understand and judge the subcontinent. It offers insights into the cultures of the Raj, through a sampling of its various terms, concepts and nomenclature, and utilizes critical commentaries on specific domains to illuminate not only the linguistic meaning of a word but its cultural and political nuances. It also provides literary and cultural texts from the colonial canon where these Anglo-Indian colloquialisms, terms and official jargon occurred.
This is a cultural history of the British Empire in India presented through ten key non-literary texts. Each of these texts embodies a particular attitude, ideology and/or development in imperial thinking, administrative process or cultural practices, and it is this attitude, ideology and development that the book unpacks through a reading of the texts, along with excerpts from the original documents. The aim is to flag and signpost momentous events and ideas through imperial texts such as J.Z. Holwell's 1756 account of the Black Hole of Calcutta, T.B. Macaulay's 1835 'Minute' on Indian education and Flora Annie Steel and Grace Gardiner's 1888 advice book on colonial domesticity, The Complete Indian Housekeeper and Cook. Through this book, it is hoped, the reader will get a flavour and glimpse of the complex and complicated structure that was the Raj. The book will appeal not only to the academic audience and literary scholars keen on the rhetoric of empire but also to the general, informed readers.
‘The punishment for Mutiny,’ said John Nicholson, Commander of the Movable Column, ‘is death’. As India marks 150 years of the 1857 Uprising, this meticulously researched and vivid work recounts a time both tragic and compelling. Many-staged and many-charactered, this volume searches for the key issues, causes and effects, figures and developments that culminated in the massacres of Cawnpore, Satichaura and Bibighar, the ensuing counter-massacres, and the gory retribution dealt out by the British on their subjects. Beginning with an account of the state of the British Raj in 1857, Pramod Nayar moves on the ‘A Gathering Storm’, the strife that led to the Uprising, ‘The Summer of Discontent’, recounting the Mutiny, ‘The Retreat of the Native’ which tells us how the British won back lost ground, and ‘The Raj Rises Again’, explaining the repercussions the Mutiny had on the administrative plans of the empire. He also delves into the real causes of the Uprising, more complex than what conventional history upholds. Detailed descriptions of the Mutiny’s main figures, including Henry Lawrence, John Nicholson, Lord Canning, Nana Sahib, the Rani of Jhansi, and the tragic king of Delhi, Bahadur Shah Zafar, are interspersed with quotes, facts and anecdotes that reanimate the past. An overview and analysis of the Mutiny is flavoured with references to the literature of the time and includes an appendix on how the events of 1857 influenced European literary imagination. Kanpur and Jhansi, violence and counter-violence, heroism and savagery – this every-person’s guide to 1857 captures the most tumultuous years of British India and re-enacts the drama of the first stirrings of nationalism.
The collection of essays in the book moves from the largest domain of celebrity culture in India – Bollywood – through celebrity life writing and biopics and, finally, to the politics of and by celebrity culture. The book begins with an exploration of films made around celebrity victims to the vernacular cosmopolitanism of Bollywood stars’ philanthropic and humanitarian work and, finally, to celebrity charisma and its role in the current era of ‘post-truth.’ Two studies of celebrity biopics and auto/biographies – from sports stars to Bollywood stars – and their disease memoirs are included. Finally, a section of essays are devoted to celebrity cultural politics, including Indian writing as a celebrity, the Narmada River as a celebrity, the desacralization of celebrity statues, Arundhati Roy’s celebrated and celebrity activism and the self-fashioning of Indian authors in the age of digital culture.
The book discusses electoral politics of Bihar post Congress era. It discusses the rise and popularity of Lalu Prasad Yadav in 1990s. It dwells upon the Mandal & Kamandal politics, alienation of other than Muslims and Yadavas away from Lalu Prasad Yadav leading to emergence of Nitish Kumar in Bihar in 2005. In the process there are interesting discussions about political weather scientist Ram Vilas Paswan, his son and Asaduddin Owaisi. The book narrates as to why Nitish Kumar made back-to-back two political switchovers earning the label of biggest ‘Turncoat of Indian Politics’. Lastly it concludes as to how Tejaswi has consolidated his position and established as a leader independent of his parental history during 2020 assembly elections. The Author has neither justified any particular political move nor suggested as to what should have been done. As a neutral observer, Author has just analyzed whatever incidents took place in the political landscape of Bihar and tried to find out as to why and how politics of Bihar moved the way it has moved till date.
The theory, methods and politics of cultural studies are examined in this book which is concerned with the ways in which public culture reflects the relations between identities, race, gender and class. Adapting a range of theories and approaches, the author demonstrates how a cultural form effectively disseminates meanings - a political act - by marginalizing certain identities, norms, modes of thinking and knowledges while valuing others. The book covers topics as diverse as comic book superheroes, patriotic songs in Hindi films, the projection of ′authenticity′ in tourist brochures and the poetics of display in museums.
This accessible cultural history explores 400 years of British imperial adventure in India, developing a coherent narrative through a wide range of colonial documents, from exhibition catalogues to memoirs and travelogues. It shows how these texts helped legitimize the moral ambiguities of colonial rule even as they helped the English fashion themselves. An engaging examination of European colonizers’ representations of native populations Analyzes colonial discourse through an impressive range of primary sources, including memoirs, letters, exhibition catalogues, administrative reports, and travelogues Surveys 400 years of India’s history, from the 16th century to the end of the British Empire Demonstrates how colonial discourses naturalized the racial and cultural differences between the English and the Indians, and controlled anxieties over these differences
This is a cultural history of the British Empire in India presented through ten key non-literary texts. Each of these texts embodies a particular attitude, ideology and/or development in imperial thinking, administrative process or cultural practices, and it is this attitude, ideology and development that the book unpacks through a reading of the texts, along with excerpts from the original documents. The aim is to flag and signpost momentous events and ideas through imperial texts such as J.Z. Holwell's 1756 account of the Black Hole of Calcutta, T.B. Macaulay's 1835 'Minute' on Indian education and Flora Annie Steel and Grace Gardiner's 1888 advice book on colonial domesticity, The Complete Indian Housekeeper and Cook. Through this book, it is hoped, the reader will get a flavour and glimpse of the complex and complicated structure that was the Raj. The book will appeal not only to the academic audience and literary scholars keen on the rhetoric of empire but also to the general, informed readers.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.