Kannagi and Silappatikaram are important parts of the cultural landscape of Tamil Nadu-the story has been told in many genres of literature and continues to be told. Every narrative, however, carries the imprint of the times it was released in. Kannagi through the Ages: From the Epic to the Dravidian Movement aims to understand the ways in which representations of Kannagi in the epic Silappatikaram differ in every new narrative. Looking at the portrayals of Kannagi in plays, commentaries and folk narratives, the book examines how representations of gender and culture have evolved over time. Focusing on the interrelationships between a text and a society as well as between society and the way it moulds the category of 'woman' at different times through symbols and icon, the author analyses the social, cultural and political processes that contributed to the emergence of Kannagi as an icon of Tamil culture and epitome of Tamil womanhood.
The Moon faced Ganesha’s wrath for laughing at him,when the elephant- headed god fell off the mouse he rode.When Ravana obtained the Atmalinga from Shiva, thegods were perturbed and turned to Ganesha for a solution.Kind-hearted, benign and always ready to help, Ganesha can also display anger at injustice and foolishness.This Amar Chitra Katha features stories that revolve around one of the most popular and endearing figures in Indian mythology.
The Hindu Temple and Its Sacred Landscape explores Hinduism as it was practised in temples across the Indian subcontinent throughout history, highlighting the temple’s significance as a marker of cultural identity. The Hindu Temple and Its Sacred Landscape illustrates how careful attention to the Hindu temple, its social history, and cultural landscape allows us to better appreciate how Hinduism has been practised and lived throughout history. The Hindu temple was not merely a place of worship or a static indicator of royal generosity but an institution that involved the active participation of the community for its establishment, maintenance, and survival. Rather than studying temples as isolated structures, The Hindu Temple and Its Sacred Landscape thus suggests that we need to examine them in the context of their social base and the sacred microcosms of which they form a part. Through a combination of textual study, archaeological evidence, and insights from contemporary anthropology, the book explores the diverse ways in which devotees, patrons, and visitors have engaged with temples, shrines, and their wider surroundings. Drawing attention to the vibrancy of the Hindu temple in different locales, The Hindu Temple and Its Sacred Landscape traces the ways in which Hindu notions of sanctity and sacredness were defined and redefined throughout history through the diversity of temple audiences, deities, and rituals. The book thus allows us to form a more accurate picture of Hindu religious life in the past and the central role the temple has played in consolidating Hindu identity. EXPERT ANALYSIS: Author Himanshu Prabha Ray provides authoritative analysis of the Hindu temple, drawing on her expertise as an award-winning Sanskrit scholar, historian, and archeologist. SUPPLEMENTAL STUDY: The Hindu Temple and Its Sacred Landscape provides a breadth of educational knowledge as a supplement to both academic coursework and the independent study of Hinduism. With the integration of discussion questions, suggested further reading, a glossary of key terms, and images throughout, The Hindu Temple and Its Sacred Landscape offers an accessible introduction to studying the history and significance of Hindu temples. EXPLORE THE SERIES: The Hindu Temple and Its Sacred Landscape expands the collection of academic texts developed by the Oxford Centre for Hindu Studies. Women in the Hindu World and The Bhagavad Gita: A New Translation and Study Guide are also available in the series.
Omprakash Valmiki describes his life as an untouchable, or Dalit, in the newly independent India of the 1950s. "Joothan" refers to scraps of food left on a plate, destined for the garbage or animals. India's untouchables have been forced to accept and eat joothan for centuries, and the word encapsulates the pain, humiliation, and poverty of a community forced to live at the bottom of India's social pyramid. Although untouchability was abolished in 1949, Dalits continued to face discrimination, economic deprivation, violence, and ridicule. Valmiki shares his heroic struggle to survive a preordained life of perpetual physical and mental persecution and his transformation into a speaking subject under the influence of the great Dalit political leader, B. R. Ambedkar. A document of the long-silenced and long-denied sufferings of the Dalits, Joothan is a major contribution to the archives of Dalit history and a manifesto for the revolutionary transformation of society and human consciousness.
This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.
Kannagi and Silappatikaram are important parts of the cultural landscape of Tamil Nadu-the story has been told in many genres of literature and continues to be told. Every narrative, however, carries the imprint of the times it was released in. Kannagi through the Ages: From the Epic to the Dravidian Movement aims to understand the ways in which representations of Kannagi in the epic Silappatikaram differ in every new narrative. Looking at the portrayals of Kannagi in plays, commentaries and folk narratives, the book examines how representations of gender and culture have evolved over time. Focusing on the interrelationships between a text and a society as well as between society and the way it moulds the category of 'woman' at different times through symbols and icon, the author analyses the social, cultural and political processes that contributed to the emergence of Kannagi as an icon of Tamil culture and epitome of Tamil womanhood.
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