From the acclaimed author of Lost Souls, Drawing Blood, and Wormwood comes the provocative and thrilling serial killer novel that #1 New York Times bestselling author Peter Straub calls “a guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the ambition of bringing his art to new heights. Tortured by his own perverse desires and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his own art to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of New Orleans’s French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. With “intelligence, sweep, nerve, knowledge, and deeply unsettling erotic power” (Dennis Cooper, author of Frisk), Exquisite Corpse is a novel for those who dare trespass where the sacred and profane become one.
Poppy Z. Brite re-imagines the haunted house novel, creating a fresh, sensual, and totally original reading experience. IT'S A PASSION. IT'S AN ART. IT'S THE ONLY WAY OUT. . . In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both—his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family—and worse, to spare one of his sons. . . . But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding—true understanding—or to a blood-raining repetition of the past. . . . Praise for Drawing Blood “Electrifying . . . explosive lyricism . . . [a] soul-sucking antagonist . . . rich background descriptions. That there is a Brite future never doubt.”—Kirkus Reviews “Exotica . . . disaffected youth . . . a spicy gumbo of sub-cultural hipness simmered in a cauldron of modern horror fiction.”—Fangoria “Darker and more exotic than Anne Rice, more cerebral than Stephen King . . . Horror is rarely this good.”—Echo
Tales of “fearlessly offbeat” horror from the author of Lost Souls and Exquisite Corpse (Locus). Poppy Z. Brite, an acclaimed horror fan favorite, is known for going to the edge and back—and this collection of stories, many set against the backdrop of the author’s native New Orleans, explores the outermost regions of murder, sex, death, and religion. Featuring titles such as “In Vermis Veritas,” “Entertaining Mr. Orton,” and “Mussolini and the Axeman’s Jazz,” as well as collaborations with Christa Faust and David Ferguson, this volume also offers notes on each story by the author, an introduction by #1 NewYork Times–bestselling author Peter Straub, and an afterword by Caitlín R. Kiernan. Are You Loathsome Tonight? is an edgy, gruesome tour of “the darkness at the heart of things [with] a number of superb stories, powerful in style and characters” (Locus).
Two years after the opening of Liquor, New Orleans chefs Rickey and G-man are immersed in the life of their restaurant, enjoying a loyal cast of diners, and cooking great booze-laced food. All’s well until a bad review in a local paper not-so-subtly hints that their “silent” backer, celebrity chef Lenny Duveteaux, has ulterior motives. When Lenny is accused of serious criminal activity by eccentric D.A. Placide Treat, Rickey and G-man realize it may be time to end their dependence on him. When Rickey is offered a plum consulting job at a Dallas restaurant, it seems the perfect way to beef up their bank account. But taking the gig will mean a reunion with Cooper Stark, the older chef with whom Rickey shared an unsettling cocaine-fueled encounter back in culinary school, as well as dealing with gung-ho Texas businessman/restaurateur Frank Firestone. At G-man’s urging, Rickey finally accepts the offer and revamps Firestone’s menu to rave reviews. Home in New Orleans, Rickey has just settled back into his daily kitchen routine when he receives disturbing information that forces his return to Dallas. As Placide Treat’s machinations grow ever more bizarre, G-man learns that there’s more to the story—and that Rickey is in Texas-size danger.
Two line cooks decide to open their own restaurant in New Orleans in the second book in the Rickey and G-Man series by novelist Poppy Z. Brite. New Orleans natives Rickey and G-man are lifetime friends and down-and-out line cooks desperate to make a quick buck. When Rickey concocts the idea of opening a restaurant in their alcohol-loving hometown where every dish packs a spirited punch, they know they’re on their way to the bank. With some wheeling and dealing, a slew of great recipes, and a few lucky breaks, Rickey and G-man are soon on their way to opening Liquor, their very own restaurant. But first they need to pacify a local crank who doesn’t want to see his neighborhood disturbed, sidestep Rickey’s deranged ex-boss, rein in their big-mouth silent partner before he runs amok, and stay afloat in a stew of corruption in a town well known for its bottom feeders. A manic, spicy romp through the kitchens, back alleys, dive bars, and drug deals of the country’s most sublimely ridiculous city, author Poppy Z. Brite masterfully shakes equal parts ambition, scandal, cocaine, and murder, and serves Liquor straight up, with a twist.
A sharp commentary on race relations in pre-Katrina New Orleans and a fast ride through the dark side of haute cuisine. Liquor has become one of the hottest restaurants in town, thanks in part to chefs Rickey and G-man’s wildly creative, booze-laced food. At the tail end of a busy Mardi Gras, Milford Goodman walks into their kitchen—he’s spent the last ten years in Angola Prison for murdering his boss, a wealthy New Orleans restaurateur, but has recently been exonerated on new evidence and released. Rickey remembers him as an ingenious chef and hires him on the spot. When a pill-pushing doctor and a Carnival scion talk Rickey into consulting at the restaurant they’re opening in one of the city’s “floating casinos,” Rickey recommends Milford for the head chef position and stays on to supervise. But soon Rickey finds himself medicating a kitchen injury with the doctor’s wares, and G-man grows tired of holding down the fort at Liquor alone. As the new restaurant moves toward its opening, Rickey learns that Milford’s past is inextricably linked with one of the project’s backers, a man whose intentions begin to seem more and more sinister.
Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. “A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—Science Fiction Chronicle
Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. “A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—Science Fiction Chronicle
Poppy Z. Brite re-imagines the haunted house novel, creating a fresh, sensual, and totally original reading experience. IT'S A PASSION. IT'S AN ART. IT'S THE ONLY WAY OUT. . . In the house on Violin Road he found the bodies of his brother, his mother, and the man who killed them both—his father. From the house on Violin Road, in Missing Mile, North Carolina, Trevor McGee ran for his sanity and his soul, after his famous cartoonist father had exploded inexplicably into murder and suicide. Now Trevor is back. In the company of a New Orleans computer hacker on the run from the law, Trevor has returned to face the ghosts that still live on Violin Road, to find the demons that drove his father to murder his family—and worse, to spare one of his sons. . . . But as Trevor begins to draw his own cartoon strip, he loses himself in a haze of lines and art and thoughts of the past, the haunting begins. Trevor and his lover plunge into a cyber-maze of cartoons, ghosts, and terror that will lead either to understanding—true understanding—or to a blood-raining repetition of the past. . . . Praise for Drawing Blood “Electrifying . . . explosive lyricism . . . [a] soul-sucking antagonist . . . rich background descriptions. That there is a Brite future never doubt.”—Kirkus Reviews “Exotica . . . disaffected youth . . . a spicy gumbo of sub-cultural hipness simmered in a cauldron of modern horror fiction.”—Fangoria “Darker and more exotic than Anne Rice, more cerebral than Stephen King . . . Horror is rarely this good.”—Echo
“Big talent gives off thermonuclear vibes. I can feel them . . . this is the voice we’re going to be hearing for a long time.”—Harlan Ellison In an old car rocking down a North Carolina highway with the radio on so loud you can’t hear the music. . . Behind a dusty Georgia carny show. . . In a mausoleum in Baton Rouge, or in an alley in Calcutta. . . Here wanderers come to rest, the lost and lonely press their bodies up against each other, the heat rises, flesh yields, bones are bared, blood spills. This is the landscape of today’s most brilliant young horror writer, Poppy Z. Brite. Now, in a collection that sings like cutting edge rock ’n’ roll and shows the deft touch of a master storyteller, Poppy Z. Brite weaves her unique spell of the sensual, the frightening, and the forbidden. . . “Every page of Brite’s work stresses the beautiful and heartbreaking strangeness of the world.”—Fangoria
hese two short novels bookend Poppy Z. Brite’s cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans’ Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey’s parents aren’t quite so taken with the boy’s plans and get him an impossible-to-resist place at the Culinary Institute of America. In D*U*C*K, Rickey and G-man’s restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters. On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey’s crew are ready to meet the challenge, but Rickey’s not sure he can do it all and deal with the guest of honor—his childhood hero, former New Orleans Saints quarterback Bobby Hebert. "Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."—Publishers Weekly Originally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite’s series. Praise fo the Rickey and G-man stories: “A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes.”—New York Times “World-class satire and perfect New Orleans lit.”—Andrei Codrescu “Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs.”—Entertainment Weekly Poppy Z. Brite’s fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.
Two years after the opening of Liquor, New Orleans chefs Rickey and G-man are immersed in the life of their restaurant, enjoying a loyal cast of diners, and cooking great booze-laced food. All’s well until a bad review in a local paper not-so-subtly hints that their “silent” backer, celebrity chef Lenny Duveteaux, has ulterior motives. When Lenny is accused of serious criminal activity by eccentric D.A. Placide Treat, Rickey and G-man realize it may be time to end their dependence on him. When Rickey is offered a plum consulting job at a Dallas restaurant, it seems the perfect way to beef up their bank account. But taking the gig will mean a reunion with Cooper Stark, the older chef with whom Rickey shared an unsettling cocaine-fueled encounter back in culinary school, as well as dealing with gung-ho Texas businessman/restaurateur Frank Firestone. At G-man’s urging, Rickey finally accepts the offer and revamps Firestone’s menu to rave reviews. Home in New Orleans, Rickey has just settled back into his daily kitchen routine when he receives disturbing information that forces his return to Dallas. As Placide Treat’s machinations grow ever more bizarre, G-man learns that there’s more to the story—and that Rickey is in Texas-size danger.
A sharp commentary on race relations in pre-Katrina New Orleans and a fast ride through the dark side of haute cuisine. Liquor has become one of the hottest restaurants in town, thanks in part to chefs Rickey and G-man’s wildly creative, booze-laced food. At the tail end of a busy Mardi Gras, Milford Goodman walks into their kitchen—he’s spent the last ten years in Angola Prison for murdering his boss, a wealthy New Orleans restaurateur, but has recently been exonerated on new evidence and released. Rickey remembers him as an ingenious chef and hires him on the spot. When a pill-pushing doctor and a Carnival scion talk Rickey into consulting at the restaurant they’re opening in one of the city’s “floating casinos,” Rickey recommends Milford for the head chef position and stays on to supervise. But soon Rickey finds himself medicating a kitchen injury with the doctor’s wares, and G-man grows tired of holding down the fort at Liquor alone. As the new restaurant moves toward its opening, Rickey learns that Milford’s past is inextricably linked with one of the project’s backers, a man whose intentions begin to seem more and more sinister.
A host of horror and fantasy’s top authors captures the spirit of supreme supernatural storyteller H. P. Lovecraft with eighteen chilling contemporary tales that would have made the master proud. “The Barrens” by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see. “His Mouth Will Taste of Wormwood” by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment. “On the Slab” by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune—and unspeakable fear—to whoever possesses it. “Pickman’s Modem” by Lawrence Watt-Evans: Horror is a keystroke away when an ancient evil lurks in modern technology. PLUS FOURTEEN MORE BLOOD-CURDLING STORIES “Shaft Number 247” by Basil Copper “The Adder” by Fred Chappell “Fat Face” by Michael Shea “The Big Fish” by Kim Newman “I Had Vacantly Crumpled It into My Pocket . . . But by God, Eliot, It Was a Photograph from Life!” by Joanna Russ “H.P.L.” by Gahan Wilson “The Unthinkable” by Bruce Sterling “Black Man with a Horn” by T. E. D. Klein “Love’s Eldritch Ichor” by Esther M. Friesner “The Last Feast of Harlequin” by Thomas Ligotti “The Shadow on the Doorstep” by James P. Blaylock “Lord of the Land” by Gene Wolfe “The Faces at Pine Dunes” by Ramsey Campbell “24 Views of Mt. Fuji, by Hokusai” by Roger Zelazny
The 1960's brought Seth and Payton all they'd fantasized about—perfect friendships, a successful four-man band, and most importantly, each other. Together they embarked on a tour that brought them stimulating highs and shattering lows, and they prospered and suffered in one another's arms. The two men carried each other and carried a group that created both a history and a future for rock. But at some point their music blurred with the news of their love and the world was faced with the choice to embrace its heroes or revert back to its deep-rooted prejudices.
From the acclaimed author of Lost Souls, Drawing Blood, and Wormwood comes the provocative and thrilling serial killer novel that #1 New York Times bestselling author Peter Straub calls “a guidebook to hell.” To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the ambition of bringing his art to new heights. Tortured by his own perverse desires and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his own art to limits even Compton hadn’t previously imagined. Together, Compton and Byrne set their sights on an exquisite young Vietnamese American runaway, Tran, whom they deem to be the perfect victim. Swiftly moving from the grimy streets of London’s Piccadilly Circus to the decadence of New Orleans’s French Quarter, Poppy Z. Brite dissects the landscape of torture and invites us into the mind of a killer. With “intelligence, sweep, nerve, knowledge, and deeply unsettling erotic power” (Dennis Cooper, author of Frisk), Exquisite Corpse is a novel for those who dare trespass where the sacred and profane become one.
The story of one man’s efforts to authenticate a photograph of the influential King of the Delta Blues amid pushback from others. After Zeke Schein purchased the lost photograph of Robert Johnson online, he knew he held something important in his hands. But would anyone else see what he saw? One of only three or four known photos of the legendary blues guitarist, the photograph was certainly an exceptional artifact of music history. Despite official recognition of its authenticity by the estate of Robert Johnson, music historians have continued to dispute the photograph’s legitimacy. The story of Johnson’s lost photograph is also the story of Schein’s crusade to prove he’s holding a bona fide piece of music history. Much like a modern-day Don Quixote in a felt fedora, Schein is on a mission to convince others to see the truth as only he can. “When you love the music and the person behind the music, you want to know more about him. That’s what this book is all about.”—from the foreword by Dion DiMucci, Rock and Roll Hall of Fame inductee and author of Dion: The Wanderer Talks Truth “Magic and mystery meld with humility and history. Portrait of a Phantom is a tale told by a true acolyte and seeker of the source of the blues.”—Patti Smith, Rock and Roll Hall of Fame inductee and author of the National Book Award–winner Just Kids “A fascinating trip into the world of blues history . . . The details and anecdotes herein give a great perspective to “the Phantom.””—John Hammond, blues singer and musician
Tales of “fearlessly offbeat” horror from the author of Lost Souls and Exquisite Corpse (Locus). Poppy Z. Brite, an acclaimed horror fan favorite, is known for going to the edge and back—and this collection of stories, many set against the backdrop of the author’s native New Orleans, explores the outermost regions of murder, sex, death, and religion. Featuring titles such as “In Vermis Veritas,” “Entertaining Mr. Orton,” and “Mussolini and the Axeman’s Jazz,” as well as collaborations with Christa Faust and David Ferguson, this volume also offers notes on each story by the author, an introduction by #1 NewYork Times–bestselling author Peter Straub, and an afterword by Caitlín R. Kiernan. Are You Loathsome Tonight? is an edgy, gruesome tour of “the darkness at the heart of things [with] a number of superb stories, powerful in style and characters” (Locus).
Two line cooks decide to open their own restaurant in New Orleans in the second book in the Rickey and G-Man series by novelist Poppy Z. Brite. New Orleans natives Rickey and G-man are lifetime friends and down-and-out line cooks desperate to make a quick buck. When Rickey concocts the idea of opening a restaurant in their alcohol-loving hometown where every dish packs a spirited punch, they know they’re on their way to the bank. With some wheeling and dealing, a slew of great recipes, and a few lucky breaks, Rickey and G-man are soon on their way to opening Liquor, their very own restaurant. But first they need to pacify a local crank who doesn’t want to see his neighborhood disturbed, sidestep Rickey’s deranged ex-boss, rein in their big-mouth silent partner before he runs amok, and stay afloat in a stew of corruption in a town well known for its bottom feeders. A manic, spicy romp through the kitchens, back alleys, dive bars, and drug deals of the country’s most sublimely ridiculous city, author Poppy Z. Brite masterfully shakes equal parts ambition, scandal, cocaine, and murder, and serves Liquor straight up, with a twist.
Available for the first time as an ebook pairing, these two short stories were specifically chosen by the author Poppy Z. Brite and her fans as favorite examples of her work. Mussolini and the Axeman's Jazz is a thrilling mix off historical fact and fiction surrounding Freemasons, WWI, and New Orleans’ only verified serial killer, the Axeman. Are You Loathsome Tonight? showcases the author’s dark, unique take on the man and the myth that was Elvis Presley.
The story of one man’s efforts to authenticate a photograph of the influential King of the Delta Blues amid pushback from others. After Zeke Schein purchased the lost photograph of Robert Johnson online, he knew he held something important in his hands. But would anyone else see what he saw? One of only three or four known photos of the legendary blues guitarist, the photograph was certainly an exceptional artifact of music history. Despite official recognition of its authenticity by the estate of Robert Johnson, music historians have continued to dispute the photograph’s legitimacy. The story of Johnson’s lost photograph is also the story of Schein’s crusade to prove he’s holding a bona fide piece of music history. Much like a modern-day Don Quixote in a felt fedora, Schein is on a mission to convince others to see the truth as only he can. “When you love the music and the person behind the music, you want to know more about him. That’s what this book is all about.”—from the foreword by Dion DiMucci, Rock and Roll Hall of Fame inductee and author of Dion: The Wanderer Talks Truth “Magic and mystery meld with humility and history. Portrait of a Phantom is a tale told by a true acolyte and seeker of the source of the blues.”—Patti Smith, Rock and Roll Hall of Fame inductee and author of the National Book Award–winner Just Kids “A fascinating trip into the world of blues history . . . The details and anecdotes herein give a great perspective to “the Phantom.””—John Hammond, blues singer and musician
hese two short novels bookend Poppy Z. Brite’s cheerfully chaotic series starring two chefs in New Orleans. The Value of X introduces G-man and Rickey, who grew up in New Orleans’ Lower Ninth Ward and who are slowly realizing there are only two important things in life: cooking and each other. Rickey’s parents aren’t quite so taken with the boy’s plans and get him an impossible-to-resist place at the Culinary Institute of America. In D*U*C*K, Rickey and G-man’s restaurant, Liquor, is doing well but there are the usual complications of running a kitchen: egos get bruised, people get fired . . . and then Rickey is jumped in an alley by one of their ex-waiters. On the mend, Rickey takes a side job to cater the annual Ducks Unlimited banquet, where every course must, of course, include the ducks the hunters have bagged. Rickey’s crew are ready to meet the challenge, but Rickey’s not sure he can do it all and deal with the guest of honor—his childhood hero, former New Orleans Saints quarterback Bobby Hebert. "Fun foodie fiction, and readers will scarf it down as quickly as a plate of blackened crawfish."—Publishers Weekly Originally published in limited hardcover editions, these two novels are full of the pure joy of love, hard work, and great food and are a tremendous extension (or introduction) to Brite’s series. Praise fo the Rickey and G-man stories: “A high-end restaurant is...a gift that keeps on giving. The heat, the bickerings and intrigue, the pursuit of perfection, the dodgy money keeping it all afloate: the setting spawns plots...Can the [Liquor] franchise sustain itself? The answer is yes.”—New York Times “World-class satire and perfect New Orleans lit.”—Andrei Codrescu “Steeped in spicy dialogue and [New Orleans] flavor...a behind-the-swinging-door peek into the world of chefs.”—Entertainment Weekly Poppy Z. Brite’s fiction set in the New Orleans restaurant world includes Prime, Liquor, and Soul Kitchen. She has also published five other novels and three short story collections. She lives with her husband Chris, a chef, in New Orleans.
The incredible story of one of rock's most controversial stars, featuring excerpts from her letters and journals, interviews with friends speaking openly for the first time, and dozens of revealing, candid photos.
Every now and then your favorite author takes a detour while writing a new novel: a chapter gets chopped, a connected short story is dreamed up, an essay about the book's origins is composed, or an oddity is created on a day off. Collected here together for the first time are detours by Stephen King, William Peter Blatty, Dean Koontz, Clive Barker, Peter Straub, Kelley Armstrong, Michael Koryta, David Morrell, Michael Marshall and Michael Marshall Smith, Chet Williamson, Poppy Z. Brite, Stewart O'Nan, and Owen King. Join these bestselling authors as they share the other works they wrote while they were writing the books you already know and love.
A powerful fifth book in the horror anthology series which Booklist called "Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." Elemental Forces is the fifth volume in the non-themed horror series of original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in horror, and 4 selected from the 100s of stories sent to Flame Tree during a short open submissions window. A delicious feast of the familiar and the new, the established and the emerging. Previous titles in the series, all still in print, are: After Sundown, Beyond the Veil, Close to Midnight and Darkness Beckons. Contents List: THE PEELER by Poppy Z. Brite A HOUSE OF WOE AND MYSTERY by Andy Davidson THE WRONG ELEMENT by Aaron Dries JACK-A-LENT by Paul Finch NOBODY WANTS TO WORK HERE ANYMORE by Christina Henry THE CALL OF THE DEEP by Laurel Hightower EIGHT DAYS WEST OF PLETHORA by Verity Holloway THEY EAT THE REST by Jim Horlock THE ONLY FACE YOU EVER KNEW by Gwendolyn Kiste MISTER REAPER by Annie Knox I MISS YOU TOO MUCH by Sarah Langan UNMARKED by Tim Lebbon THE DOPPELGÄNGER BALLET by Will Maclean THE SCARECROW FESTIVAL by Tim Major THE PLAGUE by Luigi Musolino THE DAUGHTERS OF CANAAN by Kurt Newton THE ENTITY by Nicholas Royle RED MEAT FLAG by David J. Schow THE NOTE by Paul Tremblay A REVIEW OF ‘SLIME TUTORIAL: THE MUSICAL’ by P.C. Verrone FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.
A host of horror and fantasy’s top authors captures the spirit of supreme supernatural storyteller H. P. Lovecraft with eighteen chilling contemporary tales that would have made the master proud. “The Barrens” by F. Paul Wilson: In a tangled wilderness, unearthly lights lead the way to a world no human was meant to see. “His Mouth Will Taste of Wormwood” by Poppy Z. Brite: Two dabblers in black magic encounter a maestro of evil enchantment. “On the Slab” by Harlan Ellison: The corpse of a one-eyed giant brings untold fortune—and unspeakable fear—to whoever possesses it. “Pickman’s Modem” by Lawrence Watt-Evans: Horror is a keystroke away when an ancient evil lurks in modern technology. PLUS FOURTEEN MORE BLOOD-CURDLING STORIES “Shaft Number 247” by Basil Copper “The Adder” by Fred Chappell “Fat Face” by Michael Shea “The Big Fish” by Kim Newman “I Had Vacantly Crumpled It into My Pocket . . . But by God, Eliot, It Was a Photograph from Life!” by Joanna Russ “H.P.L.” by Gahan Wilson “The Unthinkable” by Bruce Sterling “Black Man with a Horn” by T. E. D. Klein “Love’s Eldritch Ichor” by Esther M. Friesner “The Last Feast of Harlequin” by Thomas Ligotti “The Shadow on the Doorstep” by James P. Blaylock “Lord of the Land” by Gene Wolfe “The Faces at Pine Dunes” by Ramsey Campbell “24 Views of Mt. Fuji, by Hokusai” by Roger Zelazny
As S&M photographer Jared Poe waits on Louisiana's Death Row to be executed for the murder of his lover, he can not imagine that his search for the true killer will continue after his death in the shadowy realm of The Crow
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