The idea of this catalog came after an auspicious placement of these sculptures in museums of prehistoric archaeology in those regions of Italy where the sculptures were found. Their division into 12 types that were produced progressively over two million years is of use to scholars; it allows us to visually interpret the evolution of the human species as represented in the sculptures, as well as types of stone processing, the sculptures' meaning (as religious objects) and lastly, the evolution in stylistic deformation, that is artistic fashion.
The idea of this catalog came after an auspicious placement of these sculptures in museums of prehistoric archaeology in those regions of Italy where the sculptures were found. Their division into 12 types that were produced progressively over two million years is of use to scholars; it allows us to visually interpret the evolution of the human species as represented in the sculptures, as well as types of stone processing, the sculptures' meaning (as religious objects) and lastly, the evolution in stylistic deformation, that is artistic fashion.
Phylogenesis of beauty by Pietro Gaietto is a scientific treatise on the origins and general evolutionary outcome of beauty, from the beginning of the world to the present. Beauty has never before been the object of scientific study, nor has its evolution. Gaietto has integrated human products, including art, into the general evolution of beauty in nature, noting that man's object follow the same rules of evolutionary transformation found in organic and inorganic physical forms. Gaietto's hypothesis on the transformation of beauty concerns all the kingdoms of nature as they have appeared in chronological order from the earliest geological ages, and as discovered by geologists, paleontologists, and paletnologists. The book's scientific analysis of beauty in human artifacts excludes questions of quality, even if they exist, as well as the idea of ugliness, because man intentionally produces only beautiful things.
The Author explores the realm of sacred animals represented in Paleolithic sculptures in Europe. He divides them into five clear types and analyzes their evolution in proto-historic and historic civilizations. The writing is abundantly illustrated with photographs and drawings. The narrative ranges from Paleolithic to historic eras, passing through protohistory as well.
In this book Pietro Gaietto, archaeologist and artist, documents the life of the domestic dog. He analyzes the many activities in which the dog is used by man for work, including the heaviest tasks. In spite of everything, man's friendship with the dog has never failed, nor has his appreciation for its beauty. In the other half of the world, the dog is also appreciated as a nutritious menu item. The dog is now our close companion and often a pup is castrated to avoid disturbing man with its inconvenient passions!
Pietro Gaietto, archaeologist, artist and essayist, recalled that happiness is repeated many times in people's lives. In his youth, happiness was a consequence of his important discoveries of bifacial anthropomorphic lithic sculpture of the ancient Stone Age (Paleolithic). In another period he found happiness exploring new styles of shapes and colors in his activity as an artist. On other occasions happiness came from making new friends.
In this book prehistoric archaeologist Pietro Gaietto reviews 200 years of research on prehistoric man, tracing the two-million year journey from Homo habilis to modern man. Comparing skeletal remains and skulls with Paleolithic stone sculptures helps explain how different human civilizations came about and prevailed, in parallel or in association. The book uses skeletal finds to explain how one human species overlapped with another. In addition, little-known anthropomorphic sculpture from the Paleolithic is presented to illustrate the physical evolution of man and aspects of prehistoric behavior similar to modern man, with a careful consideration of how human intelligence evolved.
Pietro Gaietto is an archaeologist of prehistory and art history. He has documented the horseÕs origins from its wild state in the paleolithic when man hunted it for food, to its domestication and friendship with man. he discusses the invention of the wheel, wheeled transport and the splendor of carriages.
Offering a great wealth of photographic material, "An Iconography of Western Religions" by Pietro Gaietto reconstructs the origins and iconographic evolution of Western religious images. He has researched the origins and evolution of Paleolithic art which, Gaietto affirms, is the foundation from which Western religious images have evolved. Gaietto's careful reconstruction allows you to appreciate over time the constant stylistic evolution -- that is, the deformation of images which from time to time has produced a new type of beauty. The thrust of the book concerns three-dimensional art and the evolution of Western religions.
nThe image of Man in paleolithic sculpture, his fourth book in the seriesShapes in Evolution, Pietro Gaiettointroduces his readers topaleolithic anthropomorphic stone sculpture unlocking a world that is not well known because it has been outshined by the beauty of cave paintings which depict animals with color and movement. Pietro Gaietto, an expert in this field of studies, states with passion that paleolithic sculptures are scientifically important because they offer depictions of the heads of extinct humans, including species that are not well known, or not known at all, due to the scarcity of skeletal remains. Presented almost as a teaching manual, with detailed attention to each piece, this study of paleolithic stone sculptures is extremely interesting because Gaietto's discoveries serve to integrate andenlargestudies on the evolution of man's physical traits. Every sculpture is amply illustrated and explained.
In this book prehistoric archaeologist Pietro Gaietto reviews 200 years of research on prehistoric man, tracing the two-million year journey from Homo habilis to modern man. Comparing skeletal remains and skulls with Paleolithic stone sculptures helps explain how different human civilizations came about and prevailed, in parallel or in association. The book uses skeletal finds to explain how one human species overlapped with another. In addition, little-known anthropomorphic sculpture from the Paleolithic is presented to illustrate the physical evolution of man and aspects of prehistoric behavior similar to modern man, with a careful consideration of how human intelligence evolved.
Pietro Gaietto, archaeologist, artist and essayist, recalled that happiness is repeated many times in people's lives. In his youth, happiness was a consequence of his important discoveries of bifacial anthropomorphic lithic sculpture of the ancient Stone Age (Paleolithic). In another period he found happiness exploring new styles of shapes and colors in his activity as an artist. On other occasions happiness came from making new friends.
The Author explores the realm of sacred animals represented in Paleolithic sculptures in Europe. He divides them into five clear types and analyzes their evolution in proto-historic and historic civilizations. The writing is abundantly illustrated with photographs and drawings. The narrative ranges from Paleolithic to historic eras, passing through protohistory as well.
In this book Pietro Gaietto, archaeologist and artist, documents the life of the domestic dog. He analyzes the many activities in which the dog is used by man for work, including the heaviest tasks. In spite of everything, man's friendship with the dog has never failed, nor has his appreciation for its beauty. In the other half of the world, the dog is also appreciated as a nutritious menu item. The dog is now our close companion and often a pup is castrated to avoid disturbing man with its inconvenient passions!
Pietro Gaietto is an archaeologist of prehistory and art history. He has documented the horseÕs origins from its wild state in the paleolithic when man hunted it for food, to its domestication and friendship with man. he discusses the invention of the wheel, wheeled transport and the splendor of carriages.
Offering a great wealth of photographic material, "An Iconography of Western Religions" by Pietro Gaietto reconstructs the origins and iconographic evolution of Western religious images. He has researched the origins and evolution of Paleolithic art which, Gaietto affirms, is the foundation from which Western religious images have evolved. Gaietto's careful reconstruction allows you to appreciate over time the constant stylistic evolution -- that is, the deformation of images which from time to time has produced a new type of beauty. The thrust of the book concerns three-dimensional art and the evolution of Western religions.
Pietro Gaietto, archeologo e artista, ritiene l'ascia la rappresentazione simbolica del lavoro, della battaglia, della cerimonia nei trascorsi millenni, per l'umanità di tutto il mondo.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.