Bembo (1470-1547), a Venetian nobleman, later a Roman Catholic cardinal, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian. The History of Venice was published posthumously, in Latin and in his own Italian version. This edition makes it available for the first time in English translation.
Pietro Bembo (1470-1547), scholar and critic, was one of the most admired Latinists of his day. The poems in this volume come from all periods of his life and reflect both his erudition and his wide-ranging friendships. This volume also includes the prose dialogue Etna, an account of Bembo's ascent of Mt. Etna in Sicily during his student days.
Pietro Bembo (1470-1547), scholar and critic, was one of the most admired Latinists of his day. The poems in this volume come from all periods of his life and reflect both his erudition and his wide-ranging friendships. This volume also includes the prose dialogue Etna, an account of Bembo's ascent of Mt. Etna in Sicily during his student days.
Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was a celebrated Latin stylist and was widely admired for his writings in Italian as well. His early dialogue on the subject of love influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city's history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East.
Much of Bembo's work is devoted to the external affairs of Venice, principally conflicts with other European states and with the Turks in the East. The History of Venice was published after his death, in Latin and in his own Italian version. This edition, completed by this third volume, makes it available for the first time in English translation.
This is the first official guide to Italy's first public museum, the Milan home of famous paintings by Bellini, Mantegna, Piero della Francesca, Raphael, Tintoretto, and Veronese. Room by room, wall by wall, this guide gives detailed information about this magnificent permanent collection spanning the 13th to 20th centuries. The introduction by the Museum Director, Luisa Arrigoni, gives the history of Pinacoteca di Brera.
If history remembers Lucrezia Borgia at all, it is as a woman of extravagant vices whose name has become synonymous with political intrigue and poison. Cardinal Bembo is remembered primarily as the namesake of a popular typeface. But as this book of letters reveals, there was real substance, and real faces, to both of them. Borgia, a child bride who was ruthlessly exploited for political advantage by her three husbands, proved to be a girl of surprising resilience and cunning, anything but a monster. Pietro Bembo, the learned and (as demonstrated here) surpassingly gentle scholar, was the perfect product of the Renaissance. The covert love affair they conducted over sixteen years under the nose of Borgia s ruthless brother, Cesare, was as dangerous as it was impassioned and their letters, which provide a unique record of life during the Italian Renaissance, are a testament both to a relationship of rare beauty and to a feudal society of strict boundaries, dark dynastic drives, boundless political ambition, and extraordinary gallantry. Set in (what else?) Monotype Bembo, illustrated with the charming and delicate wood engravings of Shirley Smith, this elegant paperback will be a memorable gift for modern lovers.
This is the most comprehensive history of the Greek prepositional system ever published. It is set within a broad typological context and examines interrelated syntactic, morphological, and semantic change over three millennia. By including, for the first time, Medieval and Modern Greek, Dr Bortone is able to show how the changes in meaning of Greek prepositions follow a clear and recurring pattern of immense theoretical interest. The author opens the book by discussing the relevant background issues concerning the function, meaning, and genesis of adpositions and cases. He then traces the development of prepositions and case markers in ancient Greek (Homeric and classical, with insights from Linear B and reconstructed Indo-European); Hellenistic Greek, which he examines mainly on the basis of Biblical Greek; Medieval Greek, the least studied but most revealing phase; and Modern Greek, in which he also considers the influence of the learned tradition and neighbouring languages. Written in an accessible and non-specialist style, this book will interest classical philologists, as well as historical linguists and theoretical linguists.
Biographical accounts by several of Titian’s contemporaries, including Giorgio Vasari, Pietro Aretino, and Raffaele Borghini, trace the fascinating and prolific life of this master of the Italian Renaissance. As the most important member of the sixteenth-century Venetian school, Titian (ca. 1488–1576) reached a level of professional success rivaled only by Raphael, Michelangelo, and, later, Rubens. He was sought after by a range of patrons from Venice as well as northern Italian princes and, eventually, the papacy. Titian’s painting methods, particularly his use of color, influenced not only painters of the Renaissance but also future generations of Western artists. This richly illustrated volume also includes comments on Titian by El Greco.
This is the first book of its kind to systematically integrate crowdfunding in the entrepreneurial finance research field and extend the current debate to show how crowdfunding can be leveraged as a strategic tool to grow new ventures. Utilising original empirical evidence of companies that have raised funds via crowdfunding, it discusses the value-added services that the crowd provides to entrepreneurs, as well as how and under which conditions crowdfunding helps company development by facilitating subsequent access to critical financial and non-financial resources from external stakeholders. The first part introduces the most popular models and tactics for a successful crowdfunding campaign and illustrates the characteristics of the crowdfunding phenomenon and its evolution across the world during the last decade. The second part of the book, demonstrating how crowdfunding can be a starting point to seed financing, illustrates and discusses how entrepreneurs can use crowdfunding as a strategic tool for accessing subsequent resources from external stakeholders – showing the benefits, beyond capital, that entrepreneurs can gain from the crowd, as well as potential risks. Crowdfunding for Entrepreneurs is particularly useful for academics, advanced undergraduate and postgraduate students in entrepreneurship and innovation, entrepreneurial finance, strategic management, as well as professionals interested in how crowdfunding can be utilised as a strategic tool to create competitive advantage.
Considering language a relevant strategic instrument that entrepreneurs and managers can use to seek external resources, this book investigates and discusses whether and under which conditions language strategies can facilitate entrepreneurs’ social support and legitimation as well as access to external resources. This book systematically integrates language into the entrepreneurial finance literature and develops a new and more comprehensive framework that relates crowdfunding to language strategies. Therefore, readers will comprehend how language choices, frames and narratives influence companies’ ability to secure social and financial support, and therefore sustain the development of their venture. Overall, this book provides insights into how entrepreneurs can use language as a strategic tool for accessing resources and support from external stakeholders, thereby considering, alongside traditional economic approaches, institutional processes of meaning-making.
The West suffers from intense work pressure, longer and less well paid hours. This text is a sociological analysis of the relationship between overwork and unemployment. The only possible response, the author claims, is a renewal of the working class struggle.
The construction techniques and concepts of the cathedrals of Pisa, Siena and Florence are examined in detail, based on new data and using a methodological architectural diagnostics approach. New detailed surveys, carried out using often advanced tools, together with direct and in-depth inspections to examine all parts of the buildings, have enabled us to identify the building phases and the different construction techniques used over time. The information thereby acquired also formed the basis for a new interpretation of the archival documents. Accordingly, the problems encountered and the solutions adopted in the three cathedrals have been understood: in Pisa the construction of the elliptical dome above the rectangular crossing consisting of six thin pillars below; in Siena the design changes from the first system in the 13th century to the ‘Duomo Nuovo’, and the structural adaptations following earthquakes; the specific construction solutions adopted in Florence during the instability encountered in the construction of the large vaults of the basilican body. The comparison of the three buildings in terms of architectural and construction solutions also revealed unexpected relationships between the construction events of Siena’s Duomo Nuovo and the solutions then used in the large basilican body of Santa Maria del Fiore. The methodology employed has led to an understanding of the actual structure of the three cathedrals, an essential basis for a correct evaluation of the state of conservation of the churches for any restoration work. The book is aimed at scholars of architecture and ancient building structures, graduate and postgraduate students, and architects and engineers who plan architectural conservation and strengthening works for historical buildings.
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was a celebrated Latin stylist and was widely admired for his writings in Italian as well. His early dialogue on the subject of love influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city's history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East.
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