Historians of science have long noted the influence of the nineteenth-century political economist Thomas Robert Malthus on Charles Darwin. In a bold move, Piers J. Hale contends that this focus on Malthus and his effect on Darwin’s evolutionary thought neglects a strong anti-Malthusian tradition in English intellectual life, one that not only predated the 1859 publication of the Origin of Species but also persisted throughout the Victorian period until World War I. Political Descent reveals that two evolutionary and political traditions developed in England in the wake of the 1832 Reform Act: one Malthusian, the other decidedly anti-Malthusian and owing much to the ideas of the French naturalist Jean Baptiste Lamarck. These two traditions, Hale shows, developed in a context of mutual hostility, debate, and refutation. Participants disagreed not only about evolutionary processes but also on broader questions regarding the kind of creature our evolution had made us and in what kind of society we ought therefore to live. Significantly, and in spite of Darwin’s acknowledgement that natural selection was “the doctrine of Malthus, applied to the whole animal and vegetable kingdoms,” both sides of the debate claimed to be the more correctly “Darwinian.” By exploring the full spectrum of scientific and political issues at stake, Political Descent offers a novel approach to the relationship between evolution and political thought in the Victorian and Edwardian eras.
Innovation, entrepreneurship, knowledge, and human capital are widely acknowledged as key levers of development. Yet what are the sources of these factors, and why do they differ in their endowment across regions? Motivated by a belief that theories of economic development can move beyond the generally accepted explanations of location and the organization of industries and capital, this book establishes a behavioural theory of economic development illustrating that differences in human behaviour across cities and regions are a significant deep-rooted cause of uneven development. Fusing a range of concepts relating to culture, psychology, human agency, institutions, and power, it proposes that the long-term differentials in economic development between cities and regions, both within and across nations, is strongly connected to the underlying forms of behaviour enacted by humans on an individual and collective basis. Given a world of finite and limited resources, coupled with a rapidly growing population — especially in cities and urban regions — human behaviour, and the expectations and preferences upon which it is based, are central to understanding how notions of development may change in coming years. This book provides a novel theory of the role of psychocultural context and human behavioural and institutional frameworks in uneven economic development on a global scale.
The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss – old jokes about wobbly walls and sink plungers die hard – the distinctiveness of the series' design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos. In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who's historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the 'time-tunnel' title sequence, and the costumes of the Fourth and Thirteenth Doctors.
They say you can always remember where you where when pivotal moments happen, such as losing your virginity or Elvis dying. Let me add another to the list: the moment I sang a duet to the the "Macarena" with Timmy Mallett, live to millions of people...' Sacked from his high-profile job as a national newspaper editor, Piers Morgan dived helplessly into the world of celebrity. But even twenty years of commenting on the lives of the rich and famous couldn't prepare him for the extraordinary world he uncovered... A riveting, scandelous and brutally honest account of one man's quest for celebrity, Don't You Know Who I Am? lifts the lid on the egos and outrageous behaviour of everyone from Paris Hilton to Cherie Blair, Kate Moss to the legend that is the Hoff.
Doctor Who' has always thrived on multiplicty, unpredictability and transformation, it's worlds and characters kaleidoscopic and shifting, and 'Doctor Who"s complexity has grown. With its triumphant return to TV in 2005, it was made up of four different fictional forms, across three different media, with five actors simultaneously playing the eponymous hero. 'TARDISbound' is the first book to deal both with the TV series and with the 'audio adventures', original novels, and short story anthologies produced since the 1990s, engaging with the common elements of these different texts and with distinctive features of each. 'TARDISbound' places 'Doctor Who' under a variety of lenses, from examining the leading characteristics of these 'Doctor Who' texts, to issues of class, ethnicity and gender in relation to the Doctor(s), other TARDIS crew-members, and the non-human/inhuman beings they encounter. 'TARDISbound' also addresses major questions about the aesthetics and ethical implications of 'Doctor Who'.
This volume provides the readers with a broad but detailed consideration of a wide array of transmutationist thinkers who published before Darwin. Highlighting some of those whom Darwin later acknowledged as well as number he chose not to, readers are shown that the notion that none of these earlier thinkers offered a well-developed or workable theory of evolution is untenable once we read their own words. Further, we will quickly see that transmutation, or the ‘developmental hypothesis’ as it was also sometimes called, had a wide audience across the period under consideration. Scholars such as Adrian Desmond have already drawn attention to the political radicals in the London and Edinburgh medical schools who embraced the transmutationist ideas of the French anatomists Etienne Geoffroy Saint Hilaire and the naturalist and zoologist Jean-Baptiste Lamarck, and the historians John van Wyhe and Roger Cooter have highlighted the materialist naturalism of phrenologists whose work was so amenable to developmentalist thinking. Paul Elliott has drawn our attention to the “Derbyshire Darwinians,” who championed the transmutationist and egalitarian Enlightenment ideas of Erasmus Darwin, Charles Darwin’s grandfather — as well as the extent to which the Derby Philosophical Society was a breeding ground for this kind of thinking. It was here, for instance, that the young radical journalist Herbert Spencer spent many hours in his formative years. Thus, while Darwin was quietly working away at his big species book, transmutation was being discussed and debated, written about, and advocated across the nation. The book he eventually published in 1859, On the Origin of Species, was thus a contribution to an already very lively, controversial, contested, and ongoing debate. However, Darwin had not intended to published Origin as we know it; it is in fact only what he called a brief abstract of the detailed multi-volume work he had initially had in mind. It was upon receipt of a short essay from the naturalist and collector Alfred Russel Wallace that Darwin was pressed to publish. In this short paper Wallace had quite independently arrived at a theory of species development that was remarkably similar to that which Darwin had been working on for some twenty years.
From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
Spencer Bower: Reliance-Based Estoppel, previously titled Estoppel by Representation, is the highly regarded and long established textbook on the doctrines of reliance-based estoppel, by which a party is prevented from changing his position if he has induced another to rely on it such that the other will suffer by that change. Since the fourth edition in 2003 the House of Lords has decided two proprietary estoppel cases, Cobbe v Yeoman's Row Property Management Ltd and Thorner v Major, whose combined effect is identified as helping to define a criterion for a reliance-based estoppel founded on a representation, namely that the party estopped actually intends the estoppel raiser to act in reliance on the representation, or is reasonably understood to intend him so to act. Other developments in the doctrine of proprietary estoppel have required a complete revision of the related chapter, Chapter 12, in this edition. Thorner v Major confirms too the submission in the fourth edition that unequivocality is a requirement for any reliance-based estoppel founded on a representation. Other views expressed in the fourth edition are also noted to have been upheld, such as the recognition that an estoppel may be founded on a representation of law (Briggs v Gleeds), that a party may preclude itself from denying a proposition by contract as well as another's reliance (Peekay Intermark Ltd v Australia and New Zealand Banking Group Ltd and Springwell Navigation Corp v JP Morgan Chase Bank) and that an estoppel by deed binds by agreement or declaration under seal rather than by reason of reliance (Prime Sight Ltd v Lavarello). With the adjustment reflected in the change of title, and distinguishing the foundation of estoppels that bind by deed and by contract, the editors adopt Spencer Bower's unificatory project by the identification of the reliance-based estoppels as aspects of a single principle preventing a change of position that would be unfair by reason of responsibility for prejudicial reliance. From this follow the views: that reliance-based estoppels have common requirements of responsibility, causation and prejudice; that estoppel by representation of fact is, like the other reliance-based estoppels, a rule of law; that the result of estoppel by representation of fact may, accordingly, be mitigated on equitable grounds to avoid injustice; that the result of an estoppel by convention depends on whether its subject matter is factual, promissory or proprietary; that a reliance-based estoppel (other than a proprietary estoppel, which uniquely generates a cause of action) may be deployed to complete a cause of action where, absent the estoppel, a cause of action would not lie, unless it would unacceptably subvert a rule of law (in particular the doctrine of consideration); that an estoppel as to a right in or over property generates a discretionary remedy; and that the prohibition on the deployment of a promissory estoppel as a sword should be understood as an application of the defence of illegality, viz that an estoppel may not unacceptably subvert a statute or rule of law.
In prose and poetry the selections contained here reveal the personal experiences, feelings and angst of three English writers who lived through World War I.
The Avengers was a unique, genre-defying television series which blurred the traditional boundaries between 'light entertainment' and disturbing drama. It was a product of the constantly-evolving 1960s yet retains a timeless charm. The monochrome filmed Emma Peel season had established a cult following for a series which became an intrinsic part of the 'Swinging Sixties'. Backed by US dollars, the show was now filmed 'in color' and Avengerland becomes stranger and more playful than ever: Steed is shrunk to the size of a desk pad, forced to evade a machine-gun-toting nanny; Emma Peel is tortured in a medieval ducking stool and turned into a living cybernaut. Mrs. Peel, We're Needed draws on the knowledge of a broad range of experts and fans of The Avengers as it explores the wonderfully mad Technicolor world of Emma Peel.
This ebook edition contains the full text version as per the book. Doesn't include original photographic and illustrated material. This oral history of Glasgow spans most of the last century - a time of economic downturn and eventual renewal, in which the many communities making up the city experienced upheavals that tore some apart and brought others closer together. It tells of the beating heart of no mean city in the words of the people who made it what it is. Piers Dudgeon has listened to dozens of people who remember the city as it was, and who have lived through its many changes. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.
The Insider dominated the media on publication in March 2005 and instantly became a No.1 bestseller. Not only did it fill thousands of column inches with its revelations about prominent political and showbiz figures, it was critically acclaimed across the broadsheets for its unique and fascinating insight into the worlds of celebrity, royalty, politics and the media. Piers Morgan was made editor of the News of the World, the UK's biggest-selling Sunday newspaper at the record-breaking age of 28. The decade that followed was one of the most tumultuous in modern times. In a world of indiscreet dinners, private meetings and gossipy lunches, Piers Morgan found himself in the thick of it. His diaries from this remarkable period reveal astonishing and hilarious encounters with an endless list of celebrities and politicians alike: Diana, William, Charles and Camilla; Tony Blair, Cherie, Gordon Brown; Paul McCartney, George Michael and Elton John; Jeremy Clarkson, Paula Yates and Gazza to name just a few. Entertaining, engaging and compulsive, The Insider was the most talked-about book of 2005, blowing apart every notion we have of politics, media and celebrity.
The London Underground Electric Train tells the story of the development of electric traction on the London Underground system. It combines technical knowledge, historical context and practical experiences, and covers the history of underground lines since the opening of the first deep-level underground rail system in the world in 1890: the City & South London Railway. The evolution of train design, including power, lighting, heating and design of the Underground cars is also covered along with the development of operational, engineering and safety devices on trains. Highly illustrated with period and new photography and technical diagrams, this book is a reference work for electric traction and underground rail enthusiasts.
From ultimate media insider Piers Morgan, an adrenaline-fueled account of life at CNN, exclusive stories about his celebrity encounters, and details about his high-profile decision to take on the issue of gun control at its historical tipping point. When Piers Morgan arrived in the US, he was a thoughtful outsider and observer of our country—a modern-day Alexis de Tocqueville, if a limousine-chasing British tabloid editor could be called that. From rushing to the roof of the studio that filmed America’s Got Talent so that he could broadcast live breaking news about the tsunami in Japan, only to rush back and judge a singing, dancing Christmas tree; from being snubbed by Bill O’Reilly, who pretended not to recognize him (despite the largest cable news marketing campaign in television history) to, moments later, consenting to take a picture with O’Reilly’s daughter, who happened to be a big fan of America’s Got Talent (Bill was immediately scolded by security for “photographing the talent,” which is a comeuppance more artful than one could make up); from declaring in no uncertain terms that the 2011 shooting of Gabby Giffords would change American guns laws as surely as the 1996 massacres in Dunblain, Scotland, and Tasmania, Australia, had done, only to rail in disbelief the following year at the Newtown, Connecticut, massacre in 2012, and the gun lobby’s insistence that it was “too soon” to discuss the problem of guns in America. The hit HBO series Newsroom posits that America needs a newsman who has a point of view, who does not suffer fools, and who does not give “equal time” to idiocy. Watching Piers Morgan, one gets the sense that he is as close to the character Will McAvoy as we have in this country presently. A scrappier version of Anderson Cooper. A thinking man’s bruiser. Piers gives an adrenaline-fueled account of life at CNN and a reflective and heartfelt account of his continuing love affair with America, including his high profile participation in the gun debate. He is also happy to weave personal material on his wife and family, so you have a sense of really knowing the man.
DON'T WAIT TO READ THIS BOOK: The world's leading expert on procrastination uses his groundbreaking research to offer understanding on a matter that bedevils us all. Writing with humour, humanity and solid scientific information reminiscent of Stumbling on Happiness and Freakonomics, Piers Steel explains why we knowingly and willingly put off a course of action despite recognizing we'll be worse off for it. For those who surf the Web instead of finishing overdue assignments, who always say diets start tomorrow, who stay up late watching TV to put off going to sleep, The Procrastination Equation explains why we do what we do—or in this case don't—and why in Western societies we're in the midst of an escalating procrastination epidemic. Dr. Piers Steel takes on the myths and misunderstandings behind procrastination and motivation. With accessible prose and the benefits of new scientific research, he provides insight into why we procrastinate even though the result is that we are less happy, healthy, and even wealthy. Who procrastinates and why? How many ways, big and small, do we procrastinate? How can we stop doing it? The reasons are part cultural, part psychological, part biological. And, with a million new ways to distract ourselves in the digitized world, more of us are potentially damaging ourselves by putting things off. But Steel not only analyzes the factors that weigh us down but the things that motivate us—including understanding the value of procrastination.
What links Margaret Thatcher, Rupert Murdoch, Prince Charles and Mick Jagger? Each have illuminated our Elizabethan age in their own, inimitable, way. Margaret Thatcher - the first female Prime Minister, who dedicated herself with messianic zeal to breaking the mould of post-war British politics Rupert Murdoch - the billionaire media mogul whose empire, built on an ethical void, has polluted the channels of communication from London to Sydney, from New York to New Guinea Prince Charles - the royal dilettante whose erratic exploits shook the throne and put his own succession to it at risk Mick Jagger - lead singer of the Rolling Stones, who embodied the sixties counter-culture of sex and drugs and rock 'n' roll yet aspired to be a gentleman and accepted a knighthood at the behest of Tony Blair. The sequel to Brendon's bestselling Eminent Edwardians, Eminent Elizabethans is written in the same witty, ironic and irreverent style and reveals how each one played out a major theme in the new Elizabethan medley. Each portrait vividly and vitally captured through pungent anecdote, piquant quotation and mordant commentary. In short, these brilliant miniatures are as entertaining as they are illuminating. 'Excellent' Guardian 'Entirely refreshing' Daily Mail 'A delight' Daily Express
The unique book by Piers Warren, packed with guidance and advice for aspiring makers of natural history films Foreword by Jeffery Boswall Described as 'long-overdue' and 'much-needed', this is not just an essential book for newcomers and wannabes - the fascinating case studies of well-known individuals, and unique discussion of the future of the industry from top professionals, make this an important read for those already working in the fields of wildlife, underwater and conservation film. There has never been a careers guide to the wildlife film industry before, and this book covers all aspects of working in this genre. Author Piers Warren explains how wildlife films are made, describes the variety of jobs and how to get started, and then supplies information on education and training, wildlife film festivals, organisations and projects. The section 'The Future of the Industry' involves no-holds-barred views from individuals with a wide variety of experience of wildlife films - combining to produce a fascinating and eye-opening vision of the future of wildlife programming.
The famous British novelist and playwright Piers Paul Read presents his lively, thought-provoking reflections on wide ranging spiritual topics with his usual brilliance and insight. When this best-selling writer turns his attention to a subject he holds most dear, his Catholic faith, as well as to religious and cultural issues of our times, he provokes delight and inspiration, as well as some fury and controversy. This illuminating volume presents a selection of Read's most elegant and memorable writings on subjects ranging from Christians and Jews, liberation theology, and The Da Vinci Code to sexual desire, saints and Pope Benedict XVI. Book jacket.
This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
Many malevolent menaces have imperiled the magical land of Xanth in its long and storied history. But none has been as despicably dangerous as the Dastard-a craven miscreant who sold his soul to a detestable demon for the power to erase events. Now the entire future of Xanth is at the mercy of his every whim. Only a young dragon-girl named Becka has the power to stop his devious deeds! Becka is a crossbreed-the daughter of Draco Dragon and a lovely human woman who met, by chance, at a Love Spring. Now fourteen, Becka is beginning to wonder where in Xanth she belongs-on the ground with her mother's people, or flying the skies with her father's kind. So she journeys to the Good Magician Humfrey to discover her True Purpose in life. Much to her astonishment and surprise, the Magician tells her that a great Destiny awaits her-one that will affect the future of all of Xanth...in Piers Anthony's The Dastard. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The term 'natural disaster' is often used to refer to natural events such as earthquakes, hurricanes or floods. However, the phrase 'natural disaster' suggests an uncritical acceptance of a deeply engrained ideological and cultural myth. At Risk questions this myth and argues that extreme natural events are not disasters until a vulnerable group of people is exposed. The updated new edition confronts a further ten years of ever more expensive and deadly disasters and discusses disaster not as an aberration, but as a signal failure of mainstream 'development'. Two analytical models are provided as tools for understanding vulnerability. One links remote and distant 'root causes' to 'unsafe conditions' in a 'progression of vulnerability'. The other uses the concepts of 'access' and 'livelihood' to understand why some households are more vulnerable than others. Examining key natural events and incorporating strategies to create a safer world, this revised edition is an important resource for those involved in the fields of environment and development studies.
The Virgin 2012 Guide to British Universities is the only university guide to offer a uniquely students' eye view of what it's like to study at a particular university. As well as hard facts and practical information on every UK university - such as official ratings for teaching, statistics on where graduates end up and employment prospects by subject - the guide is also packed with useful information such as what the social scene is like, how much living costs are likely to be and what the student profile at a particular university is really like. With a comprehensive entry on every UK university, The Virgin Guide to British Universities contains all the information and advice potential undergraduates will need to choose the best university for them.
This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
A WASHINGTON POST BOOK WORLD NOTABLE BOOK After the American Revolution, the British Empire appeared to be doomed. Yet it grew to become the greatest, most diverse empire the world had seen. Then, within a generation, the mighty structure collapsed, a rapid demise that left an array of dependencies and a contested legacy: at best a sporting spirit, a legal code and a near-universal language; at worst, failed states and internecine strife. The Decline and Fall of the British Empire covers a vast canvas, which Brendon fills with vivid particulars, from brief lives to telling anecdotes to comic episodes to symbolic moments.
Most of us care about certain people and things, and some of these concerns become personal commitments, involving our values, our relationships, our work and our religious or political stances. But what is commitement, and why should it matter? Is social commitment - for example, to the family - being eroded by individualism or ironic detachment? And how should we deal with the potential tension between devotion to a life-stance, and the doubts prompted by pursuit of rational integrity? In this work, Piers Benn delves into the relationship between commitment and meaningful life, and asks whether commitment must be based on truth to provide such meaning. He also explores obstacles to commitment such as boredom, sloth and indifference. Drawing on his own experience of dithering and procrastination, he suggests that a sceptical, cautious attitude to important matters can be both a virtue and a real obstacle to human fulfillment.
The real John Tavener revealed...' GRAMOPHONEWith generous access to Sir John himself, Piers Dudgeon lifts the veil on the secrets of how Tavener produced the most evocative and inspirational music of our times - pieces such as Song for Athene (played a
This ebook edition contains the full text version as per the book. Doesn't include original photographic and illustrated material. This oral history of London's East End spans the period after the First World War to the upsurge of prosperity at the beginning of the 60s - a time which saw fresh waves of immigrants in the area, the Fascist marches of the 30s and its spirited recovery after virtual obliteration during the Blitz. Piers Dudgeon has listened to dozens of people who remember this fiercely proud quarter to record their real-life experiences of what it was like before it was fashionable to buy a home in the Docklands. They talk of childhood and education, of work and entertainment, of family, community values, health, politics, religion and music. Their stories will make you laugh and cry. It is people's own memories that make history real and this engrossing book captures them vividly.
In this fascinating and unique biography, Dr Piers Brendon looks deeper into Churchill's love of the animal kingdom, and at how animals played such a large part in his everyday life.
Winston Churchill was known for his great love for and admiration of animals. In fact, one of Churchill’s key characteristics was his fascination with the animal kingdom—creatures of all sorts were a crucial element throughout his life. He was amused, intrigued, enchanted by, and sometimes even besotted with, a vast menagerie, from his pet budgerigar, dogs, cats, fish, and butterflies, to his own lion, leopard, and white kangaroos kept at London Zoo, and even more unusual species. Dwelling amid flora and fauna was Churchill’s ideal form of existence—“The world would be better off if it were inhabited only by animals”—and he signed his boyhood letters home “The Pussy Cat.”In this fascinating book, Dr. Piers Brendon looks deeper into Churchill’s love of the animal kingdom and at how animals played such a large part in his everyday life. We encounter the paradox of the animal-loving-hunter, who hunts foxes yet keeps them as pets, who likes fishing but loves fish, along with the man who used analogies to animals time and time again in his speeches and writings. The picture that emerges shows another side of the great man, showcasing his wit, wisdom, and wayward genius from a different perspective and shedding new and fascinating light on his love of the animal kingdom.
One of fantasys most popular authors, Piers Anthony is also one of the fields most fascinating and controversial personalities. His first volume of memoirs, Bio of an Ogre (1988), chronicled Anthonys first fifty years. Now Piers Anthony continues his remarkable life story. Focusing on the past 15 years of his career, the book also includes revealing episodes from Anthonys early years, scathing commentaries on the bottom line publishing mentality, and uncompromising views on human nature.
This textbook offers a combination of rigorous theoretical exploration together with practical insights from those who are reponsible for managing change. It looks at organisational change from multiple perspectives, with the aim of helping readers navigate the landscape of change.
The 1930s were perhaps the seminal decade in twentieth-century history, a dark time of global depression that displaced millions, paralyzed the liberal democracies, gave rise to totalitarian regimes, and, ultimately, led to the Second World War. In this sweeping history, Piers Brendon brings the tragic, dismal days of the 1930s to life. From Stalinist pogroms to New Deal programs, Brendon re-creates the full scope of a slow international descent towards war. Offering perfect sketches of the players, riveting descriptions of major events and crises, and telling details from everyday life, he offers both a grand, rousing narrative and an intimate portrait of an era that make sense out of the fascinating, complicated, and profoundly influential years of the 1930s.
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