Frenchmen are proud of themselves, but they actually make plenty of French mistakes ! French speakers often judge others by the amount of spelling errors in a written document. So if you want to write better than your average Frenchman, this is the book for you! Our 100%%%% en français quizzes will show you the most common mistakes encountered in France. Write French better than a Frenchman is destined to help you perfect your French, as easily as possible. Prepared for advanced learners only, this quiz-book teaches French spelling, grammar, and conjugaison, using everyday vocabulary. We hope you will enjoy these exercises, and most of all, enjoy writing French better than a Frenchman ! Pierre-Henri GADENNE is a real, live Frenchman. He lives in Paris and works as a communications consultant. He is also the author of two French books entitled "Investissez dans l'orthographe", as well as the inventor of a French language certification called "Test d'orthographe PHG".
Pierre Manent's A World beyond Politics? is at once a reflection on modern political philosophy from Rousseau to Tocqueville to Weber and an interpretation of the modern democratic state. Manent is one of the best--maybe the best--minds on the current French scene. His thought is always alive, original, and provocative. It would not surprise me if quite a few political philosophers began to revise their introductory courses to address the themes and problems articulated in this book."--Steven B. Smith, Alfred Cowles Professor of Political Science, Yale University
Since it was first published, French in Action: A Beginning Course in Language and Culture—The Capretz Method has been widely recognized in the field as a model for video-based foreign-language instructional materials. The third edition, revised by Pierre Capretz and Barry Lydgate, includes new, contemporary illustrations throughout and, in the Documents section of each lesson, more-relevant information for today’s students. A completely new feature is a journal by the popular character Marie-Laure, who observes and comments humorously on the political, cultural, and technological changes in the world between 1985 and today. The new edition also incorporates more content about the entire Francophone world. In use by hundreds of colleges, universities, and high schools, French in Action remains a powerful educational resource that this third edition updates for a new generation of learners. Part 2 gives students at the intermediate level the tools they need to communicate effectively in French and to understand and appreciate French and Francophone cultures.
Funny and whimsical. There are wonderful asides ... It is also poignant." —The New York Times Beloved Parisian artist Pierre Le-Tan, known for designing New Yorker magazine covers and collaborations with fashion houses, summons up memories of inveterate art collectors in this utterly charming illustrated volume. He evokes fascinating, sometimes troubled figures through an array of intriguing and curious tales. With seventy of his distinctive pen and ink drawings—in vibrant color with meticulous cross-hatching—A Few Collectors opens a window onto the vast or minuscule world created by collectors out of a mix of extravagance and obstinacy. It recounts encounters in Paris, the Côte d’Azur, North Africa, London and New York, where Le-Tan’s subjects have amassed a range of treasures. Some involve famed figures like former Louvre Museum director Pierre Rosenberg. Others are insolvent aristocrats, princes of film and fashion, expatriate dandies, and flat-out obsessive eccentrics. Le-Tan devotes perhaps his finest chapter to himself.
The works of Edward Sapir (1884 - 1939) continue to provide inspiration to all interested in the study of human language. Since most of his published works are relatively inaccessible, and valuable unpublished material has been found, the preparation of a complete edition of all his published and unpublished works was long overdue. The wide range of Sapir's scholarship as well as the amount of work necessary to put the unpublished manuscripts into publishable form pose unique challenges for the editors. Many scholars from a variety of fields as well as American Indian language specialists are providing significant assistance in the making of this multi-volume series.
Around the globe, contemporary protest movements are contesting the oligarchic appropriation of natural resources, public services, and shared networks of knowledge and communication. These struggles raise the same fundamental demand and rest on the same irreducible principle: the common. In this exhaustive account, Pierre Dardot and Christian Laval show how the common has become the defining principle of alternative political movements in the 21st century. In societies deeply shaped by neoliberal rationality, the common is increasingly invoked as the operative concept of practical struggles creating new forms of democratic governance. In a feat of analytic clarity, Dardot and Laval dissect and synthesize a vast repository on the concept of the commons, from the fields of philosophy, political theory, economics, legal theory, history, theology, and sociology. Instead of conceptualizing the common as an essence of man or as inherent in nature, the thread developed by Dardot and Laval traces the active lives of human beings: only a practical activity of commoning can decide what will be shared in common and what rules will govern the common's citizen-subjects. This re-articulation of the common calls for nothing less than the institutional transformation of society by society: it calls for a revolution.
Throughout history, the mysterious dark skies above us have inspired our imaginations in countless ways, influencing our endeavours in science and philosophy, religion, literature and art. Heavenly Treasures is a truly beautiful book showing the richness of astronomical theories and illustrations in Western civilization through the ages, exploring their evolution, and comparing ancient and modern throughout. From Greek verse, mediaeval manuscripts and Victorian poetry to spacecraft photographs and computer-generated star charts, the unprecedented wealth of these portrayals is quite breathtaking.
This 1995 book by Pierre Macherey was his first dealing with literature and theory since his seminal A Theory of Literary Production. Continuing the project of Althusserian theory, Macherey engages in a series of close exegeses of classical texts in French literature and philosophy, from the late eighteenth century down to the 1970s, that explore the historically variable but thematically similar ways in which literary texts represent philosophical ideas. Rejecting the simple notion that literature deploys philosophical topoi in an unmediated manner, Macherey shows the conceptual sophistication - and broad intellectual influence - that literary art has displayed in the modern period. At once a theoretical meditation of great originality and a historical work of scrupulous scholarship, The Object of Literature will entrench Pierre Macherey's already considerable reputation as one of the most significant contemporary theoreticians of literature.
Los autores muestran por qué este principio se impone hoy día como el término central de la alternativa política para el siglo XXI: anuda la lucha anticapitalista y la ecología política mediante su reivindicación de los “comunes” contra las nuevas formas de apropiación privada y estatal. Además, articula las luchas prácticas con las investigaciones sobre el gobierno colectivo de los recursos naturales o de la información y designa formas democráticas nuevas que aspiran a tomar el relevo de la representación política y del monopolio de los partidos. Esta emergencia de lo común en la acción reclama un trabajo de clarificación en el pensamiento. El sentido actual de lo común se distingue de los numerosos usos que se ha dado a esta noción, ya sean filosóficos, jurídicos o teológicos: bien supremo de la ciudad, universalidad de esencia, propiedad inherente a ciertas cosas, incluso alguna vez el fin perseguido por la creación divina. Pero hay otro hilo que vincula lo común, no a la esencia de los hombres o a la naturaleza de las cosas, sino a la actividad de los hombres mismos: sólo una práctica de puesta en conjunto puede decidir qué es “común”, reservar ciertas cosas al uso común, producir determinadas reglas capaces de obligar a los hombres. En este sentido, lo común reclama una nueva institución de la sociedad por ella misma: una revolución.
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