After publishing the Quebec Major Junior hockey League: from Lafleur to Lemieux and Crosby, in 2012, authors, Jean-Pierre D’Auteuil (right) and Jean-Philippe Otis (left), present The Game Is Not Over: The epic story of the most prestigious Pee wee hockey tournament in the world. The Quebec City International Pee Wee Hockey Tournament took off in 1960, when five die-hard hockey fans, led by Gérard Bolduc, decided to bring together young Pee-Wee calibre players in Quebec City. After starting out at the Aréna du Parc Victoria, the adventure continued for many years at the Colisée de Québec and currently takes place at the Centre Vidéotron. This book tells the beautiful and great story of this prestigious event, which has enabled millions of hockey fans to see the great players of yesterday and the stars of today at work: Guy Lafleur, Auston Matthews, Wayne Gretzky, Manon Rhéaume, Connor McDavid, Patrick Roy, Jonathan Quick, Nikolaj Ehlers, Brett Hull, Brendan Gallagher, Nico Hischier, Mario Lemieux, Sylvain Côté, Steven Stamkos, Thomas Chabot, Anze Kopitar, Jonathan Audy-Marches-sault, Pierre Larouche, Yanni Gourde, Réal Cloutier, Mathew Barzal et Guy Chouinard, just to name a few. While reading this book, you will also discover Gaétan Boucher, Arthur Quoquochi, Raynald Fortier, Gilles Levasseur, Benoît Parke, Jeannot Ferland, Tim Connolly, Gilles Duclos, Freddie Meyer and many others, as well as players, who are less well known today, but who have made their own mark on the history of the Quebec City International Pee-Wee Hockey Tournament. Statistics, anecdotes, highlights, quotes and more than 400 photos. A real piece of anthology!
The Return of Cultural Heritage to Latin America takes a new approach to the question of returns and restitutions. It is the first publication to look at the domestic politics of claiming countries in order to understand who supports the claims and why. Drawing on analysis of articles published in national newspapers and archival documents and interviews with individuals involved in return claims, the book demonstrates that such claims are inherently political. Focusing on Colombia, Mexico, and Peru, the book analyses how return claims contribute to the strengthening of state-sponsored discourses on the nation; the policy formation process that leads to the formulation of return claims; and who the main actors of the claims are, including civil society individuals, experts, state authorities, and Indigenous communities. The book proposes explanations for why Latin American countries are interested in specific objects held in Western museums and why these claims have come to light over the past three decades. The Return of Cultural Heritage to Latin America argues that return claims ought to be the object of public debate, allowing contemporary societies to address the legacy of colonialism. The book will be essential reading for scholars and students engaged in the study of museums and heritage, political science, history, anthropology, cultural policy, and Latin America.
This working paper analyzes community-level data from the 1999 Survey of Innovation and compares the percentage of innovative manufacturing establishments in Canadian communities to the national estimate. Trends by type of geographic area (Census Metropolitan Area or Census Area) and by location are also discussed.
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