Tourist destinations are subject to the strategies and interactions of the people who reside in them, with complementary and sometimes conflicting interests. To ensure that these destinations remain competitive, Destination Management Organizations (DMOs) are tasked with stimulating cooperation between all partners (independents, organizations, networks). Tourist Destinations According to Stakeholder Strategies is based on a series of case studies that are analyzed and discussed from a dual geographical and managerial perspective. This enables us to extract operational typologies and propose recommendations for actors in the tourism sector. The authors have opted for an original and innovative name for the object of study, "Localized Tourism Systems" (LTS), thus emphasizing the triple aim of territorialization, tourism activities and actors that interact together in collective projects.
Tourist destinations are subject to the strategies and interactions of the people who reside in them, with complementary and sometimes conflicting interests. To ensure that these destinations remain competitive, Destination Management Organizations (DMOs) are tasked with stimulating cooperation between all partners (independents, organizations, networks). Tourist Destinations According to Stakeholder Strategies is based on a series of case studies that are analyzed and discussed from a dual geographical and managerial perspective. This enables us to extract operational typologies and propose recommendations for actors in the tourism sector. The authors have opted for an original and innovative name for the object of study, "Localized Tourism Systems" (LTS), thus emphasizing the triple aim of territorialization, tourism activities and actors that interact together in collective projects.
With hundreds of stores and thousands of employers worldwide, l'Occitane today ranks as one of the world's most successful companies - encapsulating a bit of paradise and, especially in this day of corporate scandals, proving that honesty and decency can pay." "This then is the rags to riches story of Olivier Baussan and l'Occitane."--BOOK JACKET.
Messac (peintre ou sculpteur ?) édifie des œuvres de carton qui sont en train de s’imposer par leur audace dans le contexte du renouveau de la sculpture contemporaine. Par la peinture, il donne au carton l’apparence de matières qui évoquent le monumental. « On pourrait dire qu’avec la sculpture, le peintre Ivan Messac a trouvé son sujet, et pas n’importe quel sujet, un grand sujet, englobant, universel, lourd du poids des musées et de l’histoire de l’art. Il y a quelque chose de particulier dans le travail de Messac qui lui donne son attachante singularité, son ampleur, sa gravité. Son œuvre est donnée à voir telle quelle, en toute candeur. Et pourtant, elle agit comme un leurre, comme un piège. Trompe-l’œil, croit-on d’abord. Trompe l’esprit, se dit-on ensuite », écrit Pierre Tilman dont on connaît les livres sur Erré et Klasen et les textes sur l’art vivant.
Rencontre entre l'artiste français Pierre Huyghe et l'écrivain canadien Douglas Coupland. Ils abordent les thèmes de la création, du hasard et de l'inspiration, des rapports entre art et politique.
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