Set in France during the Ancien Régime, Dangerous Liasons is an extraordinary tale of intrigue and moral depravity where our rival protagonists use seduction as a weapon. The Marquise de Mertheuil and the Vicomte de Valmont scheme and plot; one obsessed by her own vanity, the other by his lust for a virtuous, married woman. In the pursuit of their own entertainment, de Mertheuil and de Valmont play a dangerous game of seduction, attempting to manipulate the objects of their desire for their own gain. Deemed in later years to be something of a political novel that showed the aristocracy for what it really was, this is also a powerful psychological drama showing that those who live by the sword, often die by it. This edition is presented with a striking contemporary cover-design, bringing this timeless classic to modern readers.
‘I resolved to write a book which would create some stir in the world and continue to do after I had gone from it.’ - Choderlos de Laclos A great sensation at the time of first publication, Les Liaisons Dangereuses reads as much the most 'modern' of eighteenth-century novels. Viewed by some critics as a morality tale and others as a subtle inquiry into libertinism, it brilliantly depicts the foibles of the French aristocracy on the eve of the French Revolution. Renowned for its exploration of lust, revenge and human malice, and still carrying a tremendous power to shock, its adaptations for screen and stage have made its central characters notorious for their sophisticated and ultimately tragic games of seduction and manipulation.
The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. Its prime movers, the Vicomte de Valmont and the Marquise de Merteuil--gifted, wealthy, and bored--form an unholy alliance and turn seduction into a game. And they play this game with such wit and style that it is impossible not to admire them, until they discover mysterious rules that they cannot understand. In the ensuing battle there can be no winners, and the innocent suffer with the guilty. This new translation gives Laclos a modern voice, and readers will be able to judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about a world we still inhabit. Douglas Parmee is Retired Fellow of Queen's College, Cambridge. He is the translator of Nana, Attack on the Mill (Zola) and A Sentimental Journey (Flaubert) for World's Classics. David Coward is Professor of French at the University of Leeds. He is the translator and editor of Maupassant, de Sade, and Dumas in World's Classics.
Throughout the world, there has been much scholarly and general interest in French popular culture, but very little has been written on the subject in English. The authors of this book address that lack in a series of highly readable and well-documented essays describing French life styles, attitudes, and entertainments as well as the writers and performers currently favored by the French public. Several chapters explore French tastes in popular literature and other reading matter, including comics, cartoons, mystery and spy fiction, newspapers and magazines, and science fiction. Film, popular music, radio, and television are also discussed in detail, and influences from other cultures--particularly American imports--are assessed. The remaining essays examine French sports, the use of leisure time, the French style of eating and drinking, and relations between men and women and their attitudes toward romantic love. Each chapter provides up-to-date historical and bibliographic information that will enable the reader to pursue subjects of particular interest. Written by an international group of specialists, this handbook offers the benefits of broad coverage, a variety of viewpoints, and solid scholarship.
Lacan and Marx: The Invention of the Symptom provides an incisive commentary on Lacan’s reading of Marx, mapping the relations between these two vastly influential thinkers. Unlike previous books, Bruno provides a detailed history of Lacan’s reading of Marx and surveys his references to Marx in both his writings and seminars. Examining Lacan’s key argument that Marx "invented the symptom", Bruno shows how Lacan went on to criticize Marx and contrasts Marx’s concept of surplus-value with Lacan’s surplus-enjoyment. Exploring the division between Marxist and psychoanalytic perspectives on social and psychological need and Lacan’s formalisation of the capitalist discourse, the book compares the positions of Althusser, Deleuze and Guattari, and Žižek on the relations between Lacan, Marx and capitalism, using a wide range of cultural examples, from Stevenson’s Dr. Jekyll and Mr. Hyde to Brecht’s Joan Dark and Pierpont Mauler. Through these readings, Bruno also elaborates an extended commentary on Lacan’s central idea of the division of the subject. His focus is not only on showing how we can exit from capitalism but also, and just as importantly, on showing how we can make capitalism exit from us. This book will be of great interest to scholars and readers of Lacan and Marx from across the fields of psychoanalysis, philosophy and political economy, and will also appeal to Lacanian psychoanalysts in clinical practice.
Léon Blum (1872–1950) was many things: a socialist and political activist, leader of the Popular Front; a dedicated statesman who served as France's prime minister three times; a hero who courageously opposed anti-Semitism, Nazi aggression, and the pro-German Vichy government; a passionate lover of women, art, and life. A tireless champion for workers’ rights, Blum dramatically changed French society by establishing the forty-hour work week, paid holidays, and collective bargaining on wage claims. He was also a proud Jew and Zionist, and a survivor who endured the horrors of Buchenwald and Dachau. Unlike previous biographies that downplay the significance of Blum’s Jewish heritage on his progressive politics, Pierre Birnbaum’s portrait depicts an extraordinary man whose political convictions were shaped and driven by his religious and cultural background. The author powerfully demonstrates how Blum’s Jewishness was central to his milieu and mission from his earliest entry into the political arena in reaction to the Dreyfus Affair, and how it sustained and motivated him throughout the remainder of his life. Birnbaum’s Léon Blum is a critical chapter in the larger history of Jews in France.
A monster stalks the earth—a sluggish, craven, dumb beast that takes fright at the slightest noise and starts at the sight of its own shadow. This monster is the market. The shadow it fears is cast by a light that comes from the future: the Keynesian crisis of expectations. It is this same light that causes the world’s leaders to tremble before the beast. They tremble, Jean-Pierre Dupuy says, because they have lost faith in the future. What Dupuy calls Economy has degenerated today into a mad spectacle of unrestrained consumption and speculation. But in its positive form—a truly political economy in which politics, not economics, is predominant—Economy creates not only a sense of trust and confidence but also a belief in the open-endedness of the future without which capitalism cannot function. In this devastating and counterintuitive indictment of the hegemonic pretensions of neoclassical economic theory, Dupuy argues that the immutable and eternal decision of God has been replaced with the unpredictable and capricious judgment of the crowd. The future of mankind will therefore depend on whether it can see through the blindness of orthodox economic thinking.
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