What does it mean to say that Scripture is God's Word? And just how true is the Bible? Though sometimes dismissed as "fundamentalist" concerns, these questions also sent twentieth-century Catholic theology searching for a new paradigm of biblical inspiration. Theologians repeatedly attempted to reconcile the traditional conviction that the Bible shares in the omniscience of its divine author with scholarly findings that suggested otherwise. Joseph Ratzinger contributed both negatively and positively to this project, deconstructing the regnant manualist models of inspiration and constructing an alternative inspired by St. Bonaventure. The result is an ecclesial model of surprising comprehensiveness and balance. Indeed, The Inspiration and Truth of Scripture concludes that Ratzinger's alternative provides the least inadequate paradigm currently on offer. The Inspiration and Truth of Scripture breaks new ground in several ways. First, it situates Ratzinger within a broader Catholic quest for a theology of inspiration, showing his model offers advantages even relative to those proposed by modern theology's most eminent minds: John Henry Newman, Pierre Benoit, Karl Rahner, and David Tracy. Secondly, this book shows how Ratzinger's paradigm generates "tests" for identifying the perennially valid affirmations of Scripture, and thus an approach to resolving disputed biblical questions. Must one who accepts the authority of Scripture believe in the Devil? Are the Marian dogmas really "in" Scripture? To what extent does Jesus's prohibition of divorce still apply in today's changed social circumstances? Just how historical are Gospel narratives, like the Last Supper, intended to be? The result is a book that bridges the gap between normative theology and historical exegesis. Overall, The Inspiration and Truth of Scripture presents Ratzinger not as an unimaginative enforcer of doctrinal conclusions but as a creatively faithful theologian, whose reconfiguration of inspiration should serve as the point of departure for all future reflection on the subject.
In Church of the Ever Greater God, Aaron Pidel offers the first major English-language study of the ecclesiology of Erich Przywara, S.J., one of the most important Catholic theologians of the twentieth century. As Pidel shows, Przywara’s idea of analogia entis, or analogy of being, shaped his view of ecclesiology. According to this theory, every creature is made of various tensions or polarities in its being. Creatures flourish when these tensions are in equilibrium but transgress their creaturely limits when they absolutize one polarity over the other. Pidel demonstrates how Przywara used the concept of analogia entis to describe the structure and rhythm of the Catholic Church. In Przywara’s view, the Church, too, is essentially constituted by her tensions or polarities, and the members of the Church conform to that analogical tension to varying degrees of fidelity. Przywara claims that analogia entis not only describes the Church as she is but also can be used as a criterion for discerning the spiritual health of the Church by helping her to see where her equilibrium has become imbalanced. Pidel maintains that Przywara thought that the biggest risk to the Church’s analogical equilibrium in the last century was a de-emphasis of the typically Ignatian ideas of reverence for the Divine Majesty and missionary extraversion. Przywara’s vision of the Church is presented as a corrective to this one-sided imbalance. In drawing attention to Przywara’s metaphysically informed and deeply Ignatian ecclesiology, Pidel’s study will appeal not only to scholars of Przywara but also to all those who study ecclesiology and Catholic theology more broadly.
What does it mean to say that Scripture is God's Word? And just how true is the Bible? Though sometimes dismissed as "fundamentalist" concerns, these questions also sent twentieth-century Catholic theology searching for a new paradigm of biblical inspiration. Theologians repeatedly attempted to reconcile the traditional conviction that the Bible shares in the omniscience of its divine author with scholarly findings that suggested otherwise. Joseph Ratzinger contributed both negatively and positively to this project, deconstructing the regnant manualist models of inspiration and constructing an alternative inspired by St. Bonaventure. The result is an ecclesial model of surprising comprehensiveness and balance. Indeed, The Inspiration and Truth of Scripture concludes that Ratzinger's alternative provides the least inadequate paradigm currently on offer. The Inspiration and Truth of Scripture breaks new ground in several ways. First, it situates Ratzinger within a broader Catholic quest for a theology of inspiration, showing his model offers advantages even relative to those proposed by modern theology's most eminent minds: John Henry Newman, Pierre Benoit, Karl Rahner, and David Tracy. Secondly, this book shows how Ratzinger's paradigm generates "tests" for identifying the perennially valid affirmations of Scripture, and thus an approach to resolving disputed biblical questions. Must one who accepts the authority of Scripture believe in the Devil? Are the Marian dogmas really "in" Scripture? To what extent does Jesus's prohibition of divorce still apply in today's changed social circumstances? Just how historical are Gospel narratives, like the Last Supper, intended to be? The result is a book that bridges the gap between normative theology and historical exegesis. Overall, The Inspiration and Truth of Scripture presents Ratzinger not as an unimaginative enforcer of doctrinal conclusions but as a creatively faithful theologian, whose reconfiguration of inspiration should serve as the point of departure for all future reflection on the subject.
In Church of the Ever Greater God, Aaron Pidel offers the first major English-language study of the ecclesiology of Erich Przywara, S.J., one of the most important Catholic theologians of the twentieth century. As Pidel shows, Przywara’s idea of analogia entis, or analogy of being, shaped his view of ecclesiology. According to this theory, every creature is made of various tensions or polarities in its being. Creatures flourish when these tensions are in equilibrium but transgress their creaturely limits when they absolutize one polarity over the other. Pidel demonstrates how Przywara used the concept of analogia entis to describe the structure and rhythm of the Catholic Church. In Przywara’s view, the Church, too, is essentially constituted by her tensions or polarities, and the members of the Church conform to that analogical tension to varying degrees of fidelity. Przywara claims that analogia entis not only describes the Church as she is but also can be used as a criterion for discerning the spiritual health of the Church by helping her to see where her equilibrium has become imbalanced. Pidel maintains that Przywara thought that the biggest risk to the Church’s analogical equilibrium in the last century was a de-emphasis of the typically Ignatian ideas of reverence for the Divine Majesty and missionary extraversion. Przywara’s vision of the Church is presented as a corrective to this one-sided imbalance. In drawing attention to Przywara’s metaphysically informed and deeply Ignatian ecclesiology, Pidel’s study will appeal not only to scholars of Przywara but also to all those who study ecclesiology and Catholic theology more broadly.
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