Focusing on texts in the Hebrew Bible, and using feminist hermeneutics, Phyllis Trible brings out what she considers to be neglected themes and counter literature. After outlining her method in more detail, she begins by highlighting the feminist imagery used for God; then she moves on to traditions embodying male and female within the context of the goodness of creation. If Genesis 2-3 is a love story gone awry, the Song of Songs is about sexuality redeemed in joy. In between lies the book of Ruth, with its picture of the struggles of everyday life.
In this seminal work of biblical scholarship, Phyllis Trible focuses on four variations on the theme of terror in the Bible as she reinterprets the stories of four women in ancient Israel. Trible shows how these neglected stories--interpreted in memoriam--challenge both the misogyny of Scripture and its use in church, synagogue, and academy.
In this book, Phyllis Trible examines four Old Testament narratives of suffering in ancient Israel: Hagar, Tamar, an unnamed concubine and the daughter of Jephthah. These stories are for Trible the "substance of life", which may imspire new beginnings and by interpreting these stories of outrage and suffering on behalf of their female victims, the author recalls a past that is all to embodied in the present, and prays that these terrors shall not come to pass again. "Texts of Terror" is perhaps Trible's most readable book, that brings biblical scholarship within the grasp of the non-specialist. These "sad stories" about women in the Old Testament prompt much refelction on contemporary misuse of the Bible, and therefore have considerable relevance today.
Faith and feminism unite in these essays to explore the theology of the Hebrew Bible as testimony to the faith of ancient Israel and as a source for Christian theology and ethics. Each chapter in Faith, Feminism, and the Forum of Scripture approaches the Bible as a site of theological reflection in which multiple voices are heard (in chorus and debate), as a forum that invites readers to join the conversation and extend it. Acknowledging the patriarchal world of the Bible and the androcentric distortions of its views of both human and divine, they identify foundations and directions that point beyond the cultural frames of the texts. Individual essays present the possibility of an Old Testament theology that integrates feminist insights and concerns into the full range of theological subjects; discuss the theological anthropology of the Hebrew Bible and its root texts in the Genesis creation accounts; outline a proposed new understanding of the authority of the Bible consonant with its nature as a historical, multivocal, and multivalent document; and offer a critical and constructive appraisal of the Old Testament's contribution to current debate on the place of homosexual persons and relations in the church.
Focusing on texts in the Hebrew Bible, and using feminist hermeneutics, Phyllis Trible brings out what she considers to be neglected themes and counter literature. After outlining her method in more detail, she begins by highlighting the feminist imagery used for God; then she moves on to traditions embodying male and female within the context of the goodness of creation. If Genesis 2-3 is a love story gone awry, the Song of Songs is about sexuality redeemed in joy. In between lies the book of Ruth, with its picture of the struggles of everyday life.
In this seminal work of biblical studies, renowned scholar Phyllis Trible focuses on four variations on the theme of terror in the Bible. By combining the discipline of literary criticism with the hermeneutics of feminism, she reinterprets the tragic stories of four women in ancient Israel: Hagar, Tamar, an unnamed concubine, and the daughter of Jephthah. In highlighting the silence, absence, and opposition of God, as well as human cruelty, Trible shows how these neglected stories--interpreted in memoriam--challenge both the misogyny of Scripture and its use in church, synagogue, and academy.
Faith and feminism unite in these essays to explore the theology of the Hebrew Bible as testimony to the faith of ancient Israel and as a source for Christian theology and ethics. Each chapter in Faith, Feminism, and the Forum of Scripture approaches the Bible as a site of theological reflection in which multiple voices are heard (in chorus and debate), as a forum that invites readers to join the conversation and extend it. Acknowledging the patriarchal world of the Bible and the androcentric distortions of its views of both human and divine, they identify foundations and directions that point beyond the cultural frames of the texts. Individual essays present the possibility of an Old Testament theology that integrates feminist insights and concerns into the full range of theological subjects; discuss the theological anthropology of the Hebrew Bible and its root texts in the Genesis creation accounts; outline a proposed new understanding of the authority of the Bible consonant with its nature as a historical, multivocal, and multivalent document; and offer a critical and constructive appraisal of the Old Testament's contribution to current debate on the place of homosexual persons and relations in the church.
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