A novel Jodi Picoult calls "beautifully written, full of wit...and heart," from the author of The Sinner's Guide to Confession. Both teachers in their forties, Jane Hoffman and Gwen Baker have a friendship that has helped them endure. It was Jane who looked after Gwen when her husband left her with two young sons to raise. And when Jane comes home one day unexpectedly and finds her husband in a shameless act of betrayal, she turns to Gwen for support. Now, tested by additional personal crises, Jane and Gwen face new challenges-as mothers, as daughters, as women. And in the process, they will learn unexpected truths about their friendship-and themselves.
Inseparable, longtime friends, each of whom hides her own secret--Barbara conceals her persona as a writer of erotica, Kaye is embroiled in a passionate extramarital affair, and Ellen loses her husband to a younger woman who is now pregnant--join forces to help Ellen find the daughter whom she had been forced to relinquish as a teenager. Original.
Tessa and Walter have, by all appearances, the perfect marriage. And they seem to be ideal parents for their somewhat rebellious teenage daughter, Regina. Without warning, however, their comfortable lives are thrown into turmoil when a disturbing customer comes into the salon where Tessa works as a manicurist. Suddenly, Tessa's world is turned upside down as revelations come to light about the mother she thought had abandoned her in childhood and the second sight that she so guardedly seeks to keep from others. Phyllis Schieber's first novel, Strictly Personal, for young adults, was published by Fawcett-Juniper. Willing Spirits was published by William Morrow. The Sinner's Guide to Confession was published by Berkley Putnam in 2008. Her short story, The Stocking Store, appears in Bell Bridge Books' 2011 anthology, The Firefly Dance. Married and a mother, Phyllis Schieber lives in Hastings-on-Hudson, New York. www.phyllisschieber.com
Analyses mid-twentieth century British spy thrillers as resistance to political oppressionEspionage and Exile demonstrates that from the 1930s through the Cold War British writers Eric Ambler, Helen MacInnes, John le Carr Pamela Frankau and filmmaker Leslie Howard combine propaganda and popular entertainment to call for resistance to political oppression. Their spy fictions deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. With politically charged suspense and compelling plots and characters, these writers challenge distinctions between villain and victim and exile and belonging by dramatising relationships between stateless refugees, British agents, and most dramatically, between the ethics of espionage and responses to international crisis.Key FeaturesThe first narrative analysis of mid-twentieth century British spy thrillers demonstrating their critiques of political responses to the dangers of Fascism, Nazism, and CommunismCombines research in history and political theory with literary and film analysisAdds interpretive complexity to understanding the political content of modern cultural productionOriginal close readings of the fiction of Eric Ambler, John Le Carr and British women spy thriller writers of World War II and the Cold War, including Helen MacInnes, Ann Bridge, and Pamela Frankau as well as the wartime radio broadcasts and films of Leslie Howard
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