Every year, on the same night, another girl disappears without a trace. 'A stunningly good crime novel - tender and totally gripping' Sunday Mirror Lex's wife is missing. She left for work the morning of a terror attack in London, and no one's seen her since. Was Olivia among the victims or did she meet a different fate? Addie has a secret. That same day, her dad came home covered in blood. Addie thought he'd been hurt in the attacks, but her sister Jessie found the missing woman's purse in his room. Jessie says she wants to help. She takes a job as a nanny at Lex's house, looking after his baby. But she's not telling him the truth. And she's getting a little too comfortable living Olivia's life... 'An incredibly tense and gripping thriller' Harriet Tyce, author of Blood Orange 'Stunning' Jane Fallon, author of Faking Friends 'Intensely atmospheric and creepy' Heat 'Chilling, gripping and unputdownable, with a wonderful protagonist - a must-read this summer' Karen Hamilton, bestselling author of The Perfect Girlfriend 'Extraordinary. Shocking, yet subtle, the menace drips off every page . . . an almost unbearably good read' Caz Frear, bestselling author of Sweet Little Lies 'Phoebe Locke has knocked it out of the park once again with The July Girls. Atmospheric and beautifully written, it really is stunningly good' Cass Green, bestselling author of In a Cottage In a Wood
HE WAS JUST A PLAYGROUND STORY, UNTIL THEY LET HIM IN. 'THE MUST-READ SUMMER CHILLER' Daily Express 'IF YOU READ JUST ONE PSYCHOLOGICAL THRILLER THIS YEAR - MAKE IT THE TALL MAN' CultureFly They went looking for a story. What they found was a nightmare. It started as nothing, just a scary story passed around between schoolchildren. But for Sadie and her friends, the rumours soon became an unhealthy obsession - and the darkness all too real. Years later, Sadie's teenage daughter Amber has been charged with murder, and her trial shocks the world. How could such a young girl commit such a terrible crime? It seems the secrets of Sadie's past have come back to haunt her daughter. And the terrifying truth of what happened all those years ago is finally about to come out . . . 'So creepy and chilling' Laura Marshall, Friend Request 'Relentless and needle-sharp' Cara Hunter, Close to Home 'Fantastic' Fiona Cummins, Rattle 'Absolutely brilliant' Cass Green, In a Cottage in a Wood
An exploration of the hidden history of camping in American life that connects a familiar recreational pastime to camps for functional needs and political purposes. Camping appears to be a simple proposition, a time-honored way of getting away from it all. Pack up the car and hit the road in search of a shady spot in the great outdoors. For a modest fee, reserve the basic infrastructure--a picnic table, a parking spot, and a place to build a fire. Pitch the tent and unroll the sleeping bags. Sit under the stars with friends or family and roast some marshmallows. This book reveals that, for all its appeal, the simplicity of camping is deceptive, its history and meanings far from obvious. Why do some Americans find pleasure in sleeping outside, particularly when so many others, past and present, have had to do so for reasons other than recreation? Never only a vacation choice, camping has been something people do out of dire necessity and as a tactic of political protest. Yet the dominant interpretation of camping as a modern recreational ideal has obscured the connections to these other roles. A closer look at the history of camping since the Civil War reveals a deeper significance of this American tradition and its links to core beliefs about nature and national belonging. Camping Grounds rediscovers unexpected and interwoven histories of sleeping outside. It uses extensive research to trace surprising links between veterans, tramps, John Muir, African American freedpeople, Indian communities, and early leisure campers in the nineteenth century; tin-can tourists, federal campground designers, Depression-era transients, family campers, backpacking enthusiasts, and political activists in the twentieth century; and the crisis of the unsheltered and the tent-based Occupy Movement in the twenty-first. These entwined stories show how Americans camp to claim a place in the American republic and why the outdoors is critical to how we relate to nature, the nation, and each other.
An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.
Phoebe Palmer's Promise of the Father (1859) is a massive defense of women's right to preach. She attributes the long-standing prohibitions against women taking an active role in the leadership of the church to two things: bad exegesis and a distorted and un-Christian view most men had of the opposite sex. She concludes that women, acting in their legitimate sphere, were more likely than men to exhibit true piety. Based on the promise of Joel 2:28, restated by Peter at Pentecost in Acts 2:17-18, Phoebe takes God at his Word. In the 'latter days' the Holy Spirit will be given to women as well as to men, and both will be expected to pray, prophesy, and preach. No one can study the holiness movement in the middle of the last century without dealing with this important book, so long out of print!" --Kenneth E. Rowe, Drew University, Madison, NJ
ENROLLMENT BEGINS NOW A beguiling, sinister collection of 12 dark academia short stories from masters of the genre, including Olivie Blake, M.L. Rio, Susie Yang and more! In these stories, dear student, retribution visits a lothario lecturer; the sinister truth is revealed about a missing professor; a forsaken lover uses a séance for revenge; an obsession blooms about a possible illicit affair; two graduates exhume the secrets of a reclusive scholar; horrors are uncovered in an obscure academic department; five hopeful initiates must complete a murderous task and much more! Featuring brand-new stories from: Olivie Blake M.L. Rio David Bell Susie Yang Layne Fargo J.T. Ellison James Tate Hill Kelly Andrew Phoebe Wynne Kate Weinberg Helen Grant Tori Bovalino Definition of dark academia in English: dark academia 1. An internet subculture concerned with higher education, the arts, and literature, or an idealised version thereof with a focus on the pursuit of knowledge and an exploration of death. 2. A set of aesthetic principles. Scholarly with a gothic edge – tweed blazers, vintage cardigans, scuffed loafers, a worn leather satchel full of brooding poetry. Enthusiasts are usually found in museums and darkened libraries.
Village Housing explores the housing challenge faced by England’s amenity villages, rooted in post-war counter-urbanisation and a rising tide of investment demand for rural homes. It tracks solutions to date and considers what further actions might be taken to increase the equity of housing outcomes and thereby support rural economies and alternate rural futures. Examining past, current and future intervention, the book’s authors analyse three major themes; the interwar reliance on landowners to provide tied housing and post-war diversification of responses to rising housing access difficulties (including from the public and third sectors); recent responses that are community-led or rely on flexibilities in the planning system; and actions that disrupt established production processes including self-build, low impact development and a re-emergence of council provision. These responses to the village housing challenge are set against a broader backdrop of structural constraint – rooted in a planning-land-tax-finance nexus – and opportunities, through reform, to reduce that constraint. Village Housing makes the case for planning, land and tax reforms that can broader the social inclusivity and diversity of villages, supporting their economic function and allowing them to play their part in post-carbon rural futures. It aims to contribute greater understanding of the village housing problem – framed by the wider cost crisis afflicting advanced economies – and offer glimpses of alternative relationships with planning and land.
BOYS AND GIRLS, AND ALL SORTS" "WHO'S WHO" NOTES AND QUERIES "IN THE ROSY SUMMER WEATHER" BOAR HUNTING "IN THE CUCKOO COPSE" COMING TO BLOWS OGRES "QUITE 'STRORDINARY FUN" "YOU'VE NEVER BEEN QUARRELLING" "TARRY THE BAKING" "LIVE PURE, SPEAK TRUTH, RIGHT WRONG" "NO, NO, IT IS NOT JUST" "A PUNITIVE EXPEDITION" "FIRST CATCH YOUR BIRD" "A COWARD'S TRICK" EXECUTING A SENTENCE "WE'RE AWFULLY SORRY NOW" "THEY HAVE NOT GONE YET" THE KING OF MUFFS "A VERY SAD LITTLE BOY" "NOW THESE BE SECRET THINGS" "TOUCH YOU!" "HURRAH! HURRAH!" A TRAGICAL AFTERNOON "WHATEVER WILL THE MASTER SAY?" WHAT THE MASTER DID SAY "A PRETTY PICTURE" "WHERE'S GASTON" "THE BESTEST BEST
Passionate Publishers traces the lives of the German Jewish refugee-émigré founders of the Black Star photo agency—Ernest Mayer, Kurt Safranski, and Kurt Kornfeld—whose expertise helped ignite a revolution in photojournalism. The first half of the book lays the groundwork for understanding how Black Star’s founders could play such a key role in photojournalism. The author reconstructs their history in Germany before and during World War I and details their accomplishments in Berlin’s dynamic Weimar-era publishing industry. The journey into exile of Safranski, Mayer, and Kornfeld, their influence on the editors of Life, the first decade of Black Star, and the most notable post-World War II experiences of the photo agency’s founders are the focus of the second half of the book. Family and governmental archives provide extensive new information about the three men and reveal harrowing investigations by J. Edgar Hoover’s FBI, which believed Black Star’s founders to be spies or agents of a foreign government. The author argues that the refugee-émigrés successfully contested the never substantiated allegations on account of their strong views relating to the freedom of the press and the malevolence of discrimination on the basis of race, religion, or national origin.
How has South Korea's development influenced and been influenced by world events? What light can it shed on the way that international struggles for hegemony affect local environments? Phoebe Moore seeks to address these questions critically, from the perspective of International Political Economics, and so provides important insight into one of the fastest growing Asian economies. She examines the neo-Gramscian school theories that world history reveals specific periods of hegemonic stability, such as during the post World War II period of 'Pax Americana' and refutes this position through an original account of Korean development. Instead, she observes that all economic development in this country has been carried out through 'passive revolution' driven by an elite, frequently supported by external forces, against the will of a large part of the population, namely the working classes. Moore draws out the relationships between socio-economic change, passive revolution, hegemony struggles and global politics, making this a key resource for Asian political economics, labour relations and international politics.
Provides information on using and contributing to Wikipedia, covering such topics as evaluating the reliability of articles, editing existing articles, adding new articles, communiating with other users, and resolving content disputes.
For developmental writing courses at the paragraph/essay level and freshman composition courses. This collection of non-traditional readings for writers encourages students to create and cultivate an idea, then develop a style to showcase that idea. Its selections appeal to those instructors who are interested in a more unique blend of readings that are literary, thought-provoking, experimental and multicultural, spanning a broad range of universal and individual themes, issues, and concerns. Through the use of multimedia examples and activities, this reader trains students in effective group and autonomous process thinking and learning, reading and writing, discussing and arguing.
HE WAS JUST A PLAYGROUND STORY, UNTIL THEY LET HIM IN. 'THE MUST-READ SUMMER CHILLER' Daily Express 'IF YOU READ JUST ONE PSYCHOLOGICAL THRILLER THIS YEAR - MAKE IT THE TALL MAN' CultureFly They went looking for a story. What they found was a nightmare. It started as nothing, just a scary story passed around between schoolchildren. But for Sadie and her friends, the rumours soon became an unhealthy obsession - and the darkness all too real. Years later, Sadie's teenage daughter Amber has been charged with murder, and her trial shocks the world. How could such a young girl commit such a terrible crime? It seems the secrets of Sadie's past have come back to haunt her daughter. And the terrifying truth of what happened all those years ago is finally about to come out . . . 'So creepy and chilling' Laura Marshall, Friend Request 'Relentless and needle-sharp' Cara Hunter, Close to Home 'Fantastic' Fiona Cummins, Rattle 'Absolutely brilliant' Cass Green, In a Cottage in a Wood
Every year, on the same night, another girl disappears without a trace. 'A stunningly good crime novel - tender and totally gripping' Sunday Mirror Lex's wife is missing. She left for work the morning of a terror attack in London, and no one's seen her since. Was Olivia among the victims or did she meet a different fate? Addie has a secret. That same day, her dad came home covered in blood. Addie thought he'd been hurt in the attacks, but her sister Jessie found the missing woman's purse in his room. Jessie says she wants to help. She takes a job as a nanny at Lex's house, looking after his baby. But she's not telling him the truth. And she's getting a little too comfortable living Olivia's life... 'An incredibly tense and gripping thriller' Harriet Tyce, author of Blood Orange 'Stunning' Jane Fallon, author of Faking Friends 'Intensely atmospheric and creepy' Heat 'Chilling, gripping and unputdownable, with a wonderful protagonist - a must-read this summer' Karen Hamilton, bestselling author of The Perfect Girlfriend 'Extraordinary. Shocking, yet subtle, the menace drips off every page . . . an almost unbearably good read' Caz Frear, bestselling author of Sweet Little Lies 'Phoebe Locke has knocked it out of the park once again with The July Girls. Atmospheric and beautifully written, it really is stunningly good' Cass Green, bestselling author of In a Cottage In a Wood
If you read just one psychological suspense novel this year, make it Phoebe Locke's The Tall Man. A Creepy legend, the disappearance of a young mother and a teenage girl acquitted of murder... Think that sounds like a recipe for a brilliant summer thriller? You're right. SImmering with eerie mystery and dark tension, it'll have you checking under the bed before you turn off the light. THe Tall Man should be right at the top of your June '18 TBR list. CUlturefly
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