Today the name Gene Kloss, NA, is synonymous with copperplate etchings and when this book was first published by Sunstone Press in the early 1980s, it quickly became a collector's item. No wonder because her limited edition prints are now becoming priceless on the art market. This 20th anniversary edition, the sole complete source of information on this outstanding artist, contains 81 black and white reproductions on 192 pages and includes a text by noted author Phillips Kloss. When Gene and her poet-husband Phillips Kloss first arrived in Taos, New Mexico, her first etching press, a sixty-pound machine, was installed at their camp in Taos Canyon by cementing it to a large rock. That press was eventually replaced by a 1,084 pound Sturges etching press purchased from a defunct greeting card company. With the years and the continual dedication came honors, national and international. The Smithsonian, the National Gallery, The Corcoran Gallery of Fine Art, the Library of Congress, the Metropolitan Museum of Art, as well as many others, house the work of Gene Kloss in their permanent collections. From her spare life on the eastern edge of Taos with neither water nor electricity, but plenty of firewood, kerosene and inspiration, Gene Kloss informed the art world of the special beauty inherent in southwestern US images: the churches, the Indian faces, the mountains and valleys, the dances and intricate rhythms of life in a part of the United States that remains essentially unchanged to this day. ART NEWS called Gene Kloss ..".one of our most sensitive and sympathetic interpreters of the Southwest.
Today the name Gene Kloss, NA, is synonymous with copperplate etchings and when this book was first published by Sunstone Press in the early 1980s, it quickly became a collector's item. No wonder because her limited edition prints are now becoming priceless on the art market. This 20th anniversary edition, the sole complete source of information on this outstanding artist, contains 81 black and white reproductions on 192 pages and includes a text by noted author Phillips Kloss. When Gene and her poet-husband Phillips Kloss first arrived in Taos, New Mexico, her first etching press, a sixty-pound machine, was installed at their camp in Taos Canyon by cementing it to a large rock. That press was eventually replaced by a 1,084 pound Sturges etching press purchased from a defunct greeting card company. With the years and the continual dedication came honors, national and international. The Smithsonian, the National Gallery, The Corcoran Gallery of Fine Art, the Library of Congress, the Metropolitan Museum of Art, as well as many others, house the work of Gene Kloss in their permanent collections. From her spare life on the eastern edge of Taos with neither water nor electricity, but plenty of firewood, kerosene and inspiration, Gene Kloss informed the art world of the special beauty inherent in southwestern US images: the churches, the Indian faces, the mountains and valleys, the dances and intricate rhythms of life in a part of the United States that remains essentially unchanged to this day. ART NEWS called Gene Kloss ..".one of our most sensitive and sympathetic interpreters of the Southwest.
Reproduced from rare original worth $5,000, great nature classic covers 200 species of ducks. Exhaustive, unsurpassed study. Includes illustrations by Fuertes, Brooks, others. 74 full-color plates, 102 black-and-white plates, 117 maps. Clothbound. 4 volumes bound as two.
Faculty mentoring programs greatly benefit the institutions that have instituted them, and are effective in attracting and retaining good faculty.Prospective faculty members commonly ask about mentoring at on-campus interviews, and indicate that it is a consideration when choosing a position. Mentoring programs also increase the retention rate of junior faculty, greatly reducing recruitment costs, and particularly help integrate women, minority and international faculty members into the institution, while providing all new hires with an orientation to the culture, mission and identity of the college or university. The book provides step-by-step guidelines for setting up, planning, and facilitating mentoring programs for new faculty members, whether one-on-one, or using a successful group model developed and refined over twenty-five years by the authors. While it offers detailed guidance on instituting such programs at the departmental level, it also makes the case for establishing school or institutional level programs, and delineates the considerable benefits and economies of scale these can achieve. The authors provide guidance for mentors and mentees on developing group mentoring and individual mentor / protégé relationships – the corresponding chapters being available online for separate purchase; as well as detailed outlines and advice to department chairs, administrators and facilitators on how to establish and conduct institution-wide group mentoring programs, and apply or modify the material to meet their specific needs.For training and faculty development purposes, we also offer two chapters as individual e-booklets. Each respectively provides a succinct summary of the roles and expectations of the roles of Mentor and Mentee. Faculty Mentoring / Mentor GuideFaculty Mentoring / Mentee GuideThe booklets are affordably priced, and intended for individual purchase by mentors and mentees, and are only available through our Web site.
The epic calls to mind the famous works of ancient poets such as Homer, Virgil, and Ovid. These long, narrative poems, defined by valiant characters and heroic deeds, celebrate events of great importance in ancient times. In this thought-provoking study, Christopher N. Phillips shows in often surprising ways how this exalted classical form proved as vital to American culture as it did to the great societies of the ancient world. Through close readings of James Fenimore Cooper, Lydia Sigourney, Henry Wadsworth Longfellow, and Herman Melville, as well as the transcendentalists, Phillips traces the rich history of epic in American literature and art from early colonial times to the late nineteenth century. Phillips shows that far from fading in the modern age, the epic form was continuously remade to frame a core element of American cultural expression. He finds the motive behind this sustained popularity in the historical interrelationship among the malleability of the epic form, the idea of a national culture, and the prestige of authorship—a powerful dynamic that extended well beyond the boundaries of literature. By locating the epic at the center of American literature and culture, Phillips’s imaginative study yields a number of important finds: the early national period was a time of radical experimentation with poetic form; the epic form was crucial to the development of constitutional law and the professionalization of visual arts; engagement with the epic synthesized a wide array of literary and artistic forms in efforts to launch the United States into the arena of world literature; and a number of writers shaped their careers around revising the epic form for their own purposes. Rigorous archival research, careful readings, and long chronologies of genre define this magisterial work, making it an invaluable resource for scholars of American studies, American poetry, and literary history.
This updated edition of The Village Herbalist provides a complete guide to the art and practice of herbalism, as well as an introduction to the herbalist's role in family and community life. Inspirational profiles of practicing herbalists from across the country add a human touch to the authors' wealth of practical herbal knowledge. The Herbalist's Way includes time-honored healing wisdom from many cultures, as well as information on: - Roles and responsibilities of herbalists in their communities - Herbal workshops, conferences, and education centers - Growing, drying, and preparing medicinal herbs - Learning to listen to clients and recommend holistic treatments for healing and continued wellness - Licensing, marketing, and other legal and business issues facing modern herbalists - Comprehensive resources and suggestions for building your herbal library
On the fiftieth anniversary of the publication of The Sociological Imagination by C. Wright Mills, the 'bureaucratic ethos' that he described continues to define our world more than ever before. In Bureaucratic Culture and Escalating World Problems eleven contributors systematically continue and develop Mills' broad vision of the scientific method. They analyse escalating bureaucratic barriers that prevent us from solving our many pressing social, environmental, and economic problems.
A positive legacy of the troubled Nixon administration--and one virtually unknown to the American public--is the extensive acquisition of valuable art and antiques for the White House and the redecoration of the executive mansion by Pat Nixon. With the help of an aggressive curator, Clement Conger, and a talented interior designer, Edward Vason Jones, the First Lady quietly erased much of the historic decor of Jacqueline Kennedy's Camelot and introduced an academic look to the State Rooms which endures to this day. Nixon marked his presidential territory with a complete renovation of the West Wing--a harbinger of the First Lady's plans. They implemented a massive fundraising campaign to bankroll the refurbishment, which resulted in one of the foremost collections of art, art objects, furniture, paintings and sculpture in America. This book presents the never before told story of the Nixons' remodeling of the White House, motivated by the approaching American Bicentennial and a desire to restore respect to the presidency through the arts.
Formerly known as the President's House, then the Executive Mansion, and now for a long time the White House, this famous structure has a fascinating architectural history of ongoing change. The white painted facade of James Hoban's original structure has been added to and strengthened for more than 200 years, and its interior is a repository of some of America's greatest treasures. Artists such as Benjamin Latrobe, Pierre-Antoine Bellange, the Herter Brothers, Louis Tiffany, Charles McKim, Lorenzo Winslow, Stephane Boudin, Edward Vason Jones, and a host of others fashioned interiors that welcomed and inspired visitors both foreign and domestic. This meticulous history, featuring more than 325 photographs, diagrams and other illustrations, captures each stage of the White House's architectural and decorative evolution.
The legends of our southwestern world, man's relationship and reactions to his natural habitat and to his universe are set into the compelling poetry of Phillips Kloss. "Beyond the Mogollon Rim" is spellbinding reading. The limited edition and equally impressive quality softcover edition are interspersed with the magnificent etchings of Gene Kloss.
More than 80 color plates spotlight the best work of Cole Phillips. Includes illustrations from A Gallery of Girls and A Young Man's Fancy, plus images from other sources.
This book is both a survey of the major European and American works in The Phillips Collection in Washington, D.C., and a guide to the museum's holdings and significance. A study of the history of taste in twentieth-century America, it documents the evolution of modernism as well as the pivotal role played by Duncan Phillips (1886-1966) as a critic and collector.
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