An empowering story about a girl who turns her performance jitters into confidence when faced with singing a solo at her school concert. Inspired by the childhood experience of award-winning actress Phillipa Soo who originated the role of Eliza in Hamilton. Piper Chen loves nothing more than to sing. She sings to the sun, and she sings to the moon. She sings to her stuffed animals and with the birds outside her window. So, when her music teacher asks if Piper would like to sing a solo in her school’s Spring Sing, all she can say is “yes!” But as practice continues, doubt and worry creep in and Piper’s confidence wavers. She feels like butterflies are having a dance party in her belly. At home, Piper finds Nai Nai, her grandmother, at the piano. They’ve always shared a love of music, and Piper knows if anyone can help her through the unsettling feeling in her stomach and to shine her brightest at the Spring Concert, it’s Nai Nai. First time picture book writers and sisters-in-law, Phillipa Soo and Maris Pasquale Doran along with acclaimed illustrator Qin Leng have created a cheerful intergenerational and stunning story that inspires confidence in the face of nervousness
An empowering story about a girl who turns her performance jitters into confidence when faced with singing a solo at her school concert. Inspired by the childhood experience of award-winning actress Phillipa Soo who originated the role of Eliza in Hamilton. Piper Chen loves nothing more than to sing. She sings to the sun, and she sings to the moon. She sings to her stuffed animals and with the birds outside her window. So, when her music teacher asks if Piper would like to sing a solo in her school’s Spring Sing, all she can say is “yes!” But as practice continues, doubt and worry creep in and Piper’s confidence wavers. She feels like butterflies are having a dance party in her belly. At home, Piper finds Nai Nai, her grandmother, at the piano. They’ve always shared a love of music, and Piper knows if anyone can help her through the unsettling feeling in her stomach and to shine her brightest at the Spring Concert, it’s Nai Nai. First time picture book writers and sisters-in-law, Phillipa Soo and Maris Pasquale Doran along with acclaimed illustrator Qin Leng have created a cheerful intergenerational and stunning story that inspires confidence in the face of nervousness
The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton. The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years? This book offers the first full-length, in-depth study of the tradition as manifested in literature and culture. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason. PHILLIPA HARDMAN is Readerin Medieval English Literature (retired) at the University of Reading; MARIANNE AILES is Senior Lecturer in French at the University of Bristol.
Aside from self-defence, a UN Security Council authorisation under Chapter VII is the only exception to the prohibition on the use of force. Authorisation of the use of force requires the Security Council to first determine whether that situation constitutes a ‘threat to the peace’ under Article 39. The Charter has long been interpreted as placing few bounds around how the Security Council arrives at such determinations. As such commentators have argued that the phrase ‘threat to the peace’ is undefinable in nature and lacking in consistency. Through a critical discourse analysis of the justificatory discourse of the P5 surrounding individual decisions relating to ‘threat to the peace’ (found in the meeting transcripts), this book demonstrates that each P5 member has a consistent definition and understanding of what constitutes a ‘threat to the peace’.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.