If you've been around as long as I have, you probably remember the songs of singer-songwriter Jim Croce. He grew up in South Philly, watching performances of Fats Domino and the Coasters on TV's American Bandstand. He looked like a tough guy, but everyone who knew him said he has a big, warm fun-loving heart. Jim Croce spent the first decade of his adult life toiling in a series of day jobs: teaching emotionally disturbed children, working in a hospital, driving trucks, operating a jackhammer at construction sites. At night, he would sing and play guitar in coffeehouses. He wasn't waiting for his big break- he was hustling for it. When he was twenty-nine, Jim Croce finally landed his first recording contract. His first album, You Don't Mess Around With Jim, was completed quickly, many of the songs being recorded in just one or two takes. Once the album was released, Croce's music, an acoustic blend of folk and rock, caught on fast. The first two singles released from that album quickly became number one hits on AM radio, and Jim Croce became a star. His long- delayed dream had finally come true. His first two hits were upbeat roack ballads. His record company decided to release a third song from the album-a soft plaintive song called "Time in a Bottle". It was about how precious each moment of life is and how quickly those moments pass, never to come again. The song wistfully recounted the things Croce would do if only he could keep time in a bottle and pour out extra hours whenever he needed them. Before "Time in a Bottle" could be released, Jim Croce proved that the words of that song were truer than he realized. On September 20, 1973, after performing in a concert at Northwestern State University in Natchitoches, Lousiana, Croce boarded a small chartered plane along with a flight crew and members of his band. The heavily loaded plane clipped a tree as it took off. Like Croce's career, the plane had barely gotten off the ground before it crashed. Jim croce was dead at age thirty. We can't save time in a bottle, and we never know how much time we have left. We tend to think about the rest of our lives in terms of years and decades. The truth is the rest of our lives might be measured in hours or even minutes. So we need to make the most of each moment we have.
If you've been around as long as I have, you probably remember the songs of singer-songwriter Jim Croce. He grew up in South Philly, watching performances of Fats Domino and the Coasters on TV's American Bandstand. He looked like a tough guy, but everyone who knew him said he has a big, warm fun-loving heart. Jim Croce spent the first decade of his adult life toiling in a series of day jobs: teaching emotionally disturbed children, working in a hospital, driving trucks, operating a jackhammer at construction sites. At night, he would sing and play guitar in coffeehouses. He wasn't waiting for his big break- he was hustling for it. When he was twenty-nine, Jim Croce finally landed his first recording contract. His first album, You Don't Mess Around With Jim, was completed quickly, many of the songs being recorded in just one or two takes. Once the album was released, Croce's music, an acoustic blend of folk and rock, caught on fast. The first two singles released from that album quickly became number one hits on AM radio, and Jim Croce became a star. His long- delayed dream had finally come true. His first two hits were upbeat roack ballads. His record company decided to release a third song from the album-a soft plaintive song called "Time in a Bottle". It was about how precious each moment of life is and how quickly those moments pass, never to come again. The song wistfully recounted the things Croce would do if only he could keep time in a bottle and pour out extra hours whenever he needed them. Before "Time in a Bottle" could be released, Jim Croce proved that the words of that song were truer than he realized. On September 20, 1973, after performing in a concert at Northwestern State University in Natchitoches, Lousiana, Croce boarded a small chartered plane along with a flight crew and members of his band. The heavily loaded plane clipped a tree as it took off. Like Croce's career, the plane had barely gotten off the ground before it crashed. Jim croce was dead at age thirty. We can't save time in a bottle, and we never know how much time we have left. We tend to think about the rest of our lives in terms of years and decades. The truth is the rest of our lives might be measured in hours or even minutes. So we need to make the most of each moment we have.
Phillip F. Nelson’s new book begins where LBJ: The Mastermind of the JFK Assassination left off. Now president, Johnson begins to push Congress to enact long-dormant legislation that he had previously impeded, always insisting that the timing wasn't right. Nelson argues that the passage of Johnson’s “Great Society” legislation was designed to take the focus of the nation off the assassination as well as lay the groundwork for building his own legacy. Nelson also examines Johnson’s plan to redirect US foreign policy within days of becoming president, as he maneuvered to insert the US military into the civil war being fought in Vietnam. This, he thought, would provide another means to achieve his goal of becoming a great wartime president. In addition, Nelson presents evidence to show that the Israeli attack on the USS Liberty in 1967 was arguably directed by Johnson against his own ship and the 294 sailors on board as a way to insert the US military into the Six-Day War. It only failed because the Liberty refused to sink. Finally, Nelson presents newly discovered documents from the files of Texas Ranger Clint Peoples that prove Johnson was closely involved with Billie Sol Estes and had made millions from Estes’s frauds against taxpayers. These papers show linkages to Johnson’s criminal behavior, the very point that his other biographers ignore. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers
Empower your staff to improve safety, quality and compliance with the help of new guidelines and standards. We’ve updated every chapter of this popular review of the fundamentals of preparing sterile products in hospital, home-care, and community pharmacy settings to reflect the most recent revisions to USP . Included are the latest guidelines for the compounding process, quality assurance methods, and comprehensive coverage of all aspects of the dispensing process. Comprehensive documentation for the guidelines is included in the appendices.Chapters new to this edition focus on: Gap analysis and action plans Safe use of automatic compounding devices Cleaning and disinfecting Radiopharmaceuticals as CSPs Allergen extracts as CSPs.
In this compelling book, prominent investigators Mario Mikulincer and Phillip R. Shaver review the state of the science of attachment-based interventions in psychotherapy and beyond. They critically evaluate a range of programs that aim to strengthen parent–child, couple, and therapist–client relationships. The theoretical and empirical underpinnings of each intervention are examined, as are specific techniques used to enhance felt security and foster personal growth. The book also looks at evidence-based interventions outside the mental health domain, including programs that target teacher–student relationships and academic performance. Looking to the future, the authors discuss emerging applications of attachment theory in medicine and health care, management and organizational behavior, and group and intergroup processes. See also the related work from Mikulincer and Shaver, Attachment Theory Expanded: Security Dynamics in Individuals, Dyads, Groups, and Societies.
From pioneering attachment researchers, this book takes an expansive look at the nature and functions of security dynamics in personal and social relationships. Mario Mikulincer and Phillip R. Shaver examine how attachment operates not only in close dyadic relationships (parent–child, romantic partners), but also between teachers and students, therapists and clients, physicians and patients, leaders and followers, and within organizations. Also considered is the nature of "attachments" to objects; commercial brands; substances, such as foods and drugs; and places. The book highlights ways to integrate attachment theory with other influential social and psychological theories concerning factors that enable individuals, groups, and societies to flourish despite inevitable threats, conflicts, and losses.
If you've been around as long as I have, you probably remember the songs of singer-songwriter Jim Croce. He grew up in South Philly, watching performances of Fats Domino and the Coasters on TV's American Bandstand. He looked like a tough guy, but everyone who knew him said he has a big, warm fun-loving heart. Jim Croce spent the first decade of his adult life toiling in a series of day jobs: teaching emotionally disturbed children, working in a hospital, driving trucks, operating a jackhammer at construction sites. At night, he would sing and play guitar in coffeehouses. He wasn't waiting for his big break- he was hustling for it. When he was twenty-nine, Jim Croce finally landed his first recording contract. His first album, You Don't Mess Around With Jim, was completed quickly, many of the songs being recorded in just one or two takes. Once the album was released, Croce's music, an acoustic blend of folk and rock, caught on fast. The first two singles released from that album quickly became number one hits on AM radio, and Jim Croce became a star. His long- delayed dream had finally come true. His first two hits were upbeat roack ballads. His record company decided to release a third song from the album-a soft plaintive song called "Time in a Bottle". It was about how precious each moment of life is and how quickly those moments pass, never to come again. The song wistfully recounted the things Croce would do if only he could keep time in a bottle and pour out extra hours whenever he needed them. Before "Time in a Bottle" could be released, Jim Croce proved that the words of that song were truer than he realized. On September 20, 1973, after performing in a concert at Northwestern State University in Natchitoches, Lousiana, Croce boarded a small chartered plane along with a flight crew and members of his band. The heavily loaded plane clipped a tree as it took off. Like Croce's career, the plane had barely gotten off the ground before it crashed. Jim croce was dead at age thirty. We can't save time in a bottle, and we never know how much time we have left. We tend to think about the rest of our lives in terms of years and decades. The truth is the rest of our lives might be measured in hours or even minutes. So we need to make the most of each moment we have.
Publié suite à l'exposition de Phillip King au Consortium, Dijon, du 14 février au 16 juin 2013. Monographie d'envergure sur Phillip King, dont l'œuvre a joué un rôle déterminant dans le renouveau de la sculpture britannique au début des années 1960 à travers ses expérimentations avec l'abstraction, la construction et la couleur (avec plusieurs textes, un entretien, des vues d'exposition et une chronologie illustrée complète sur plus de 300 pages).
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