THE STORY: THUNDER IN THE INDEX. The action takes place in the psychiatric ward of a large city hospital, where Joshua Noon, a hip young black man, lies bound in a straitjacket. His pleas to be unshackled lead to a sharp, funny and exacerbating ver
THE STORY: Freeman Aquila is a young black man, son of an industrious foundry worker and a practical nurse, who is trapped not so much by the color of his skin as by the complexities of his nature. Spurning the conventional routes to possible succ
THE STORY: A powerful chronicle of the life of Paul Robeson, taking us from his childhood in New Jersey to his adult life around the world. An All-American athlete and a lawyer with Columbia Law School credentials, Robeson faces the racism prevalen
THE STORY: The place is Chicago's south side and the time the 1950s, just before the civil rights movement began to burgeon. Alberta, unmarried and in her thirties, shares an apartment with her mother, Weedy, an old-fashioned black woman who finds
THE STORIES: THE OWL KILLER. Conditioned by a lifetime of resigned acceptance, Noah Hamilton can only turn against his renegade son, Lamar, who has killed and mutilated a man and is now in hiding. A petty tyrant, who compensates for his own frustra
Films have been a part of U.S. society for a century—a source of great enjoyment for the audience and of great profit to filmmakers. How does a mass entertainment medium deal with some of the great sources of dramatic real-life political and economic conflict—the Great Depression, the Cold War—in a way that attracts an audience without making it angry? How does an industry, which has from its beginnings been the subject of attacks from social, political and religious groups deal with political issues and conflicts? This book is an attempt to examine these questions; it is also an examination of some of the greatest and most interesting American films ever made—westerns, gangster films, comedies, war films, satires, and film biographies—to see what American films say about politics and politicians, and what these films, in turn, say about the audience for which they were produced.
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